Recommendations
Senior Film Conservator

The cinematic DNA of The Devil Is a Woman (1935) is truly one of a kind, the search for similar titles reveals the deep impact of Josef von Sternberg's direction. Our cinematic experts have identified several titles that reflect the spirit of 1935.
As a pivotal work in United States cinema, The Devil Is a Woman to capture the existential zeitgeist of 1935.
A young man is warned by a captain about a temptress; nonetheless, he finds himself falling in love with her.
The influence of Josef von Sternberg in The Devil Is a Woman can be felt in the way modern Drama films handle thematic gravity. From the specific lighting choices to the pacing, this 1935 release set a high bar for atmospheric immersion.
Based on the unique thematic gravity of The Devil Is a Woman, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
View DetailsAnalysis relative to The Devil Is a Woman
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| In the River | Gritty | High | 92% Match |
| The Hundredth Chance | Gritty | Dense | 87% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
| Into the Light | Gothic | Abstract | 89% Match |
| The Flame | Surreal | High | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Josef von Sternberg's archive. Last updated: 6/3/2026.
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