The Recommended Vault Parallel to the Artistry of The Devil's Toy: Cult Guide

Dir: Harley Knoles

After an explosion that sinks a yacht, Elma is shipwrecked with Micah, who claims her father ruined him by stealing the plans of a valuable machine.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Gilded Cage perfectly mirrors the editorial trajectory of our deep dive.

In the little kingdom of Balkany lived a king and queen who were not liked by their subjects. His Majesty was King John the Fifth, and Her Royal Highness was Queen Vesta. To them was born a daughter, the Princess Honore, who was placed in the convent of the Holy Sisters. The little kingdom rebelled against the extravagance of King John, and an attack was made upon the castle. Both the king and queen were assassinated. Princess Honore succeeded to the throne. In love with her and coveting the crown was Baron Stefano, Prime Minister, but his love was not returned. This incurred the ill-will of the Prime Minister, who set out to overthrow the little kingdom and turn it into a republic with himself as ruler. Prince Boris renounced his title and cast his lot with the peasantry. He was loved by the common folk and proved a leader. During the annual fair people gathered in the capital from far and near. There were rumors of an uprising. The young queen had not brought about much change in the conduct of the official household. The extravagance had continued to eat up the revenue raised by the heavy tax, and the people were protesting and demanding that something be done for their relief. These rumors reached the girl queen, and clad in the garments of a peasant girl she went forth during the fair to learn what she could. In this way she soon learned of her disfavor. One day she met Prince Boris, who told her of conditions that existed. One of the government spies, overhearing his conversation, suspected that he was forming a plot against the young queen, who was not recognized by the spy because of her disguise. The spy hastily informed the Prime Minister, who ordered the arrest of Prince Boris. The soldiers were dispatched, and Prince Boris was placed under arrest. The young queen protested. She as his companion was also confined to the prison. The chief of the Royal Guard notified the Prime Minister of the arrest, telling him that during the struggle with the queen she defied him by proclaiming that she was the queen, and this aroused the suspicions of the Prime Minister. Alone he went to the dungeon and discovered that Boris's companion really is the queen. It dawned upon him that now he had her in his power, he will force her to make him her king consort, or bring about conditions that will speedily overthrow the government. Meanwhile Lesbia, a peasant girl, learns of the conspiracy and through her love for one Ivan, sergeant of the Royal Guard, she secured the release of the queen, who escaped in safety to the Royal castle. Next morning the queen heard the tolling of the prison bell. On asking her secretary what it indicated, she was told that her sweetheart, the Prince Boris, was to be executed at sunrise. She rushed into the office of the Prime Minister and forbid the execution. He laughed at her. Back in the village, outside the prison wall, the soldiers were drawn up to execute Prince Boris. But the people saw their beloved leader. rushed forward, overpowered the soldiers and released him from his bonds. An attack was then made on the castle. Prince Boris discovered his peasant girl companion to be none other than her Royal Highness, Queen Honore. The people were for revenge, but the queen told them of the Prime Minister's conduct and followed by her the crowd attacked Baron Stefano, which resulted in his death. The queen accepted Prince Boris as her beloved king consort.

Dir: Harley Knoles

Madge Evans, World Film Corp. juvenile star, is sent to her Quaker grandparents, Timothy and Tabitha Mendenhall, when her father and mother go to serve in World War I. After bidding farewell to the World stars, Madge goes to her grandparent's home where she experiences stern discipline. Jonathan Mendenhall, her uncle, is anxious to enlist, but is forbidden by his father, whose religion opposes fighting. Madge creeps into the old Quaker's heart by degrees, but he maintains unrelenting discipline in the household. Jonathan comes of age, enlists despite his father's opposition, and is disowned. When Madge's latest picture comes to town, the child implores her grandfather to take her to see it, but he refuses. Timothy secretly visits the theater, however, and is completely won over by Madge's acting. A change takes place in the old Quaker's nature as he praises Madge, forgives his son and writes to Madge's mother, whom he had cast out when she married against his will, to be sure and bring her husband back safe.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Volunteer perfectly mirrors the editorial trajectory of our deep dive.

Richard Barton, a prosperous manufacturer, has an accomplished wife, Helen, and Bess, a child of five. Richard has in his employ a man addicted to gambling. After repeated warnings, he discharges him, fearing that some day he may have a losing streak and take some of the firm's money. Being of a moody, vindictive turn of mind, he vows revenge. The same evening the Bartons are giving a party and it is arranged that Mrs. Barton will recite for her guests. Charles Burham, a theatrical manager, is present and, charmed with her elocution, tells her there is always a position waiting for her should she ever desire to go on the stage. The party is abruptly ended when Richard receives the news that his plant is on fire, having been set by the discharged employee. Richard assists the firemen, gets drenched and catches a severe cold, which turns to tuberculosis. The litigation over the insurance of the plant has forced the little family to hard circumstances and they are compelled to seek cheaper quarters in which to live. During all this time, Howard Barton, a wild young brother of Richard's, who has been seeking his fortune in Australia, has at last achieved success, and decides to return to New York. He has written Richard at the plant, but when he arrives there, finds the place in ruins. He tries in vain to locate his brother's present whereabouts. Richard is discouraged, and during this strenuous time, his wife is like a guiding star, taking discomforts cheerfully and giving him the loving care, tender sympathy and moral support that only a good woman can give. He, however, has not much moral stamina, and adversity breeds peevishness and irritability. After a time they are so impoverished she has to pawn her jewelry. While in the pawn shop one day, she meets a stranger, who is greatly impressed by her beauty, and listening to her pitiable tale, tells her that if she will but let him entertain her that evening, she will not have to want in the future. Helen rebukes him, but not until he has given her his name and address. When she finds later that she cannot raise any more money and must have money to buy medicine, she dresses up for the sacrifice, and goes to Howard's apartment. A few days later, Howard's letter reaches Richard, who sends for his brother. Both brothers are happy at seeing each other, but when Richard introduces his wife, Howard recognizes her and she meets his brother's wife as well as the visitor to his apartment. Howard arranges for the little family to go into the mountains. He sees them off and makes all sorts of excuses for remaining away, until Richard insists that he come, as he has been injured while out sleighing. The presence of Howard is a trying ordeal for Helen as well as himself. Being unable to quell his passions, he resolves to leave for Australia, but while talking about the past, Richard steps into the room and hears the terrible truth. Angry, he turns his wife from the house. She goes to Burnham and obtains a position on the stage, at the same time caring for her child. She is cast in a play very similar to that in which she has figured in real life. Richard and Howard, now both in New York city, are present at the first night. When he sees Madame Bondorti on the stage, Richard is by her resemblance to his own wife, but when he hears her speak, he is sure it is her. A few days later, after Richard learns the great depths of the sacrifice his wife made for him, he realizes how he had been unjust to her, and through Howard's efforts, they are brought together through the pleadings of their child, Bess, who has been in an orphanage during these years of estrangement. After the loving union of the three, Howard leaves for Australia, never to return.

Dir: Harley Knoles

James Rallston has married a rich widow who is an invalid with a daughter, Jean. Being in financial difficulties, he plans to get control of his wife's fortune. A woman doctor, Miss Lane, attends Mrs. Rallston and by drugging her reduces her to such a condition of physical impotency that no difficulty is found, by the aid of an unscrupulous keeper of a sanitarium. Dr. Garside, to secure an order for commitment and deprive her of liberty. Fifteen years pass. Rallston lives in magnificent style on his wife's money. He believes her to be dying. Miss Lane hopes to marry Rallston when Mrs. Rallston dies, but instead of dying, she recovers her health and is perfectly sane. Meanwhile, Rallston speculates heavily and loses his daughter's fortune. He tries to persuade the girl to marry an old friend Bigelow, to whom he appeals for help in recovering his fortune. Bigelow suspects Rallston of deception, as well as dishonesty, and is unwilling to believe that Mrs. Rallston is either dead or insane. Bigelow forces up the price of a stock and recovers Jean's fortune for her. Then he disguises himself and, obtaining admission to the sanitarium, rescues Mrs. Rallston. The keeper of the sanitarium, Dr. Garside, takes to flight, and Rallston is killed in an automobile accident. Miss Lane confesses her crime. Mother and daughter are reunited and the girl marries the man of her choice.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of His Brother's Wife perfectly mirrors the editorial trajectory of our deep dive.

Hugh Eltinge, a struggling artist, and Mark Dunbar, a genius of the pen, whom the world has as yet failed to reward, live together in MacDougal Alley. Across the hall is Doris Golden, a reporter on the Evening Star, who enthuses over the work of both. Mark's novel is sold and Hugh and Doris see a new Mark. Mark begs Hugh to allow him to stake him until his pictures sell, but pleasure in his new clothes and new popularity dwindle as he sees his old friends will not profit by them. A happy idea strikes him and he buys all of Hugh's paintings on exhibition at a local dealer, requesting that his name be not mentioned. Mark rejoices with Hugh when he comes home to tell the news. Then the two decide Doris must also share with them, and together they go to a lawyer, and arrange to persuade him to send a letter to Doris saying her uncle in San Francisco has died leaving her a thousand dollars. In another section of the City Mrs. Trailes and her daughter, Ruby, scheme to ensnare a wealthy husband for the girl. Mark's reputation has impressed them. He is invited to attend a meeting of their Literary Club and the girl is given instructions to attract him. Mark meets the young society girl. Hugh and Doris, she is reporting the meeting, are also there and to them evidences of Mark's awakening infatuation are pitifully clear. Mark sees Ruby often. At a ladies' swimming club he is the guest of her mother. At a sign from her mother Ruby pretends to be drowning and Mark jumps in to her rescue. The friendship thus engendered ripens into love and it is not long before they are married. But early in his wedded life Mark begins to feel the pangs of disillusion. Ruby is pettish and extravagant and when he remonstrates with her, she breaks into tirades of scolding that drive him to silence. Doris discovers her uncle is alive, and, perplexed, goes to the lawyer, who tells her all. She writes to Mark, enclosing a check for the whole amount she has left and promising to send the balance as soon as she can. His wife intercepts the letter and accuses him of infidelity. Her true vulgarity asserts itself and he goes to the little studio. Ruby follows and finds him with Doris and another scene is enacted. Mark begs Hugh to look after Doris, then leaves. Hugh leaves a letter for Doris and a note in which he asks her not to read the letter before she has found happiness. Hugh tells a newspaper reporter with whom he is acquainted that he has inherited a fortune from his grandfather, and the account is printed in the evening paper. Ruby and her mother remember he is a friend of Mark's and ask him to call. Soon a closer intimacy than friendship develops and Mark comes home one evening to find Ruby in his friend's arms. Disillusioned, his last ideal, friendship, completely shattered, Mark hurries away. After the divorce, he seeks Doris and the two become engaged. She remembers the letter and opens it. Herein Hugh has outlined his plans, the story of the fortune was a hoax, wherewith to entrap Ruby. For the sake of friendship he had sacrificed himself to bring happiness to the two he loved. Mark telephones to him and when he comes the old feeling of happiness and love fills once more the little studio in MacDougal Alley.

Dir: Harley Knoles

Little Carol Montgomery's father, a navy commander, discovers a spy in the house, he earnestly counsels the family not to answer questions regarding themselves. Later, while attempting to follow her mother, Carol becomes lost on the subway, and, taking her father's words to heart, refuses to tell a police officer who she is. Eluding the officer, Carol falls asleep in a tenement hallway where she is found by Beppo, an organ grinder who decides to add her to his show. They travel south, where, becoming separated from Beppo, Carol seeks refuge at the Fairfax plantation. Mrs. Fairfax, estranged from her husband because he had disowned their daughter years earlier when she eloped without his permission, refuses to speak to anyone. However, under Carol's winning influence, the Fairfaxes are reconciled and send for their long-lost daughter, who turns out to be Carol's mother.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Master Hand perfectly mirrors the editorial trajectory of our deep dive.

As a prank, college student William Lewis and some of his friends break into a house and are interrupted by a policeman who is accidentally shot. Will's friend Sid accuses Will of the shooting, but Will manages to escape and moves to a large city far away. He meets and marries Alice Hamilton, and they later have a daughter, Editha. Will has a job as a bank teller and everything is going fine--until Sid shows up one day and threatens to expose Will as the man who killed the officer unless Will helps him rob the bank. Complications ensue.

Dir: Harley Knoles

Helene, who dances in a Greenwich Village cabaret accompanied on the violin by her grandfather, loses her job after his death. She then is hired as a portrait model by four artists--Jaffrey Darrel, Ned Lorrimer, Dick Turner and Stanley Sargent--all of whom become fascinated with her. Helene leaves the Village when Ned's jealousy disrupts the camaraderie of the quartet and becomes a stage star. Meanwhile, all of the artists have attained success except Jaffrey, who refuses to taint his art with commercialism. Helene, learning of Jaffrey's failure, visits him in the Village and accepts his marriage proposal.

Dir: Harley Knoles

Following the death of her father, a Maine trapper, Jennie Cox moves to New York to earn her living. She is aided by a close friend, Professor Rolfe, who secures a typing position for her, but just as she loses the job through the schemes of a jealous co-worker, Rolfe dies, and Jennie is left alone and nearly penniless. With her last three dollars, she decides to have a good meal at the elegant Claridge, and there she meets Billy West, a wealthy man who is in the process of obtaining a divorce. Billy offers Jennie a job as his housekeeper, and soon she learns that he is an avid gambler. Billy is accustomed to losing moderate amounts of money, but when Henry Walker fleeces him out of $12,000, both Jennie and Billy's ex-wife Cora come to his rescue. After Cora hands him the money and departs, Billy proposes to his housekeeper.