Recommendations
Senior Film Conservator

Navigating the complex narrative architecture of The Flirt is a stylistic flair experience, the emotional payoff of the 1922 classic is what fans crave in similar titles. The following gems are essential viewing for anyone captivated by The Flirt.
The artistic audacity of The Flirt ensures it to define the very concept of stylistic flair in modern film.
Cora, a flirt, and the pampered pet of the entire Madison family who sacrifice to humor her whims, becomes engaged to Richard Lindley who does not know that Laura Madison silently loves him. Valentine Corliss, a former member of the community, reappears with a big stock scheme and Cora falls for him. Pretending love, he uses Cora and endeavors to get her father to become secretary of his company knowing his name and reputation will lend prestige. Cora brings Corliss the paper with her father's signature which later proves to have been forged. Corliss makes a getaway but is nabbed as he reaches New York. In the meantime, the townspeople who have been cheated demand the arrest of Papa Madison. Cora, to get away, goes to Lindley but he says their engagement was a mistake. She then goes to another admirer and they are immediately married. Laura, learning of the situation, becomes enraged, gets Cora, and brings her home where she confesses, despite her father's attempt to keep her silent. Jimmy Madison, to whom Papa appealed when he got in trouble, appears and with the arrest of Corliss affairs are straightened out. Lindley, who through a prank of little Hedrick, has learned of Laura's intense love, sees his error and they become happily married.
The influence of Hobart Henley in The Flirt can be felt in the way modern Comedy films handle stylistic flair. From the specific lighting choices to the pacing, this 1922 release set a high bar for atmospheric immersion.
Based on the unique stylistic flair of The Flirt, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Hobart Henley
Two baby boys are born in Owentown. One is the unwanted offspring of an avaricious grasping father. He grows to an evil manhood, and loses his one chance of real happiness to the play-fellow whose parents have met their responsibilities.
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Dir: Unknown Director
The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.
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Dir: Hobart Henley
Jane Ridgeway, the daughter of retired Secret Service man Charles Ridgeway, has inherited her father's knack for solving crimes and puts her talent to work when her sweetheart, Richard Grant, is accused of robbing a bank. Her father, now a bank examiner, works in collusion with two thieves who are acquainted with a master criminal known only as "the Face in the Dark." When the evidence implicates her father in the robbery, Jane confronts him, and although Richard is released from jail, Ridgeway escapes. The two crooks lead him to the Face in the Dark, but as the two men are shaking hands, the place is raided by Secret Service agents who arrest the mysterious criminal and congratulate Ridgeway for his fine detective work. Jane is happily reunited with her sweetheart and her father.
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Dir: Hobart Henley
Madge Nelson is ordered to move to the countryside for health reasons, but her finances prevent her from making the move from the city, so she answers an advertisement for a mail-order bride for miner Hugo Ennis in Nevada. However, Hugo has been the unwilling victim of a humiliation attempt by a scorned lover, and when Madge arrives in Nevada, she learns that he knows nothing about a bride or wedding plans.
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Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Hobart Henley
A fat man tries to enlist in the Army, but is told he is too large for service. So he joins the YMCA and ultimately proves his heroic mettle anyway.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Hobart Henley
Mrs. Sherwood hates her life with her husband, who is drinking increasingly as a result of his own unhappiness in the marriage. Mrs. Sherwood is in love with Le Roy Scott, who encounters a woman of astonishingly identical features to Mrs. Sherwood. He contrives to substitute the other woman, Marion Roche, in Mrs. Sherwood's place while he and Mrs. Sherwood escape for a tryst. But Marion is much more the wife that Sherwood dreamed of, and he falls in love "anew" with his "wife," and she with him. She determines to find some way to permanently replace the real Mrs. Sherwood.
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Dir: Hobart Henley
Sylvia Martin runs away from her abusive father and almost succumbs to the cold on the doorstep of Louis Gordon, a crook. They marry, but later when faced with capture, Gordon kills himself. Gordon's gang accuses Sylvia of murder, and although she is acquitted for lack of evidence, her name is included in the Police Index. Years later, upon finding the Index on the shelf of her second husband, Washington diplomat David Maber, Sylvia fears exposure. Her fears heighten when her arresting officer, John Alden, now chief of the Secret Service, tries to induce her to entrap a Bolshevik agent, Hugo Declasse, who is attracted to her. When Alden appeals to patriotism, she acquiesces. Declasse finds the Index and threatens to expose her unless she cooperates in getting plans for an uprising to London agents, but Declasse is foiled when his trusted Japanese butler turns out to be a Secret Service agent. Maber, learning of Sylvia's past, forgives her.
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Dir: Hobart Henley
The Atlanta Journal on October 4, 1918, advertised this movie with the following blurb: "Atlanta's last chance to see the best movie to date of the wild, free days of Alaska, when men fought and women loved along the Yukon in a mist of snow and gambling hells and gold mining, is Friday and Saturday at the Strand Theater, when Rex Beach's 'Laughing Bill Hyde' ends a week's engagement that has drawn capacity houses to the Strand every day. Will Rogers, cowboy wit of the Ziegfield Follies, is the star of the this thriller and Will Rogers is second to none."
View DetailsAnalysis relative to The Flirt
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Parentage | Gritty | High | 85% Match |
| A Fitting Gift | Surreal | Layered | 96% Match |
| The Face in the Dark | Tense | Layered | 98% Match |
| The Peace of Roaring River | Tense | Abstract | 96% Match |
| Mary's Ankle | Surreal | High | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Hobart Henley's archive. Last updated: 6/25/2026.
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