The Definitive Watchlist For Devotees of The Forward Pass: Cult Guide

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edward F. Cline

Heretofore running a shoe store has been considered a quiet, respectable business, but Ben and his partner make the interior of their emporium of fashionable footwear look like the finish to a feature number at a smart cabaret. They also put new life and the joy of winning into a gambling joint, until they are discovered cheating. This so shocks the proprietor and his regular customers that they lose their faith in human nature and send for the police. And so the merry game is kept up.

A visual fragment from the archive: The thematic resonance of Cupid's Day Off perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward F. Cline

A newly wedded couple attempts to build a house with a prefabricated kit, unaware that a rival sabotaged the kit's component numbering.

Dir: Edward F. Cline

When a hotel orchestra leader starts to flirt with a girl in the audience, her fiancé is very displeased. Then the orchestra leader finds out that the hotel flower girl is really a rich heiress, and he shifts his attentions to her. Now the flower girl's boyfriend is unhappy, and soon there are even more complications.

A visual fragment from the archive: The thematic resonance of One Week perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward F. Cline

It's all there - the deserted mother with her child in her arms, followed all around by a fiendish wicked snow storm, the heroine lashed to the rails by the scoundrelly villain, the young woman fastened to the buzz saw of a lumber mill and about to be reduced to mincemeat. And hist. The wicked villain with a mustache and cigarette - the noble hero and the persecuted heroine. There are two drunks sitting in one of the boxes of the theater, who get so excited that they insist upon helping out the action of the melodrama. In the middle of the play, the head scene shifter gets jealous of his wife, who is the leading woman of the show, and drags her from the stage. Nothing, if not resourceful, Ben rushes down into the audience and kidnaps a beautiful young woman to play the leading woman's role. Then comes a startling climax, when the snow storm is shut down by a queer accident. And an equally tragic catastrophe jazzes up the ocean when a storm and a submarine play at cross purposes.

Dir: Edward F. Cline

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Hearts and Flowers perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

A visual fragment from the archive: The thematic resonance of East Lynne with Variations perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward F. Cline

A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.

Dir: Edward F. Cline

A young couple who live next to each other in tenement apartments do everything they can to be together despite of their feuding families.