Must-Watch List in the Vein of The Framing of the Shrew: Cult Guide

Dir: Arvid E. Gillstrom

When their father is reported missing at the front during World War I, Jane and Katherine are stamped and sent by parcel post across the country to their Aunt Lucille Forrest in New Jersey. The two girls manage to smuggle their dog into the mail bag as well. Aunt Lucille is in love with Lt. Tom Hayes, but she is angry with him after he resigns his commission at the start of the war. She does not know that Tom is in the Secret Service, and she becomes jealous of a female spy whom Tom is trailing. Jane and Katherine's mischievous pranks finally assist in capturing the spy and the secret plans, and getting Aunt Lucille back together with Tom.

Dir: Ralph Ince

A visual fragment from the archive: The thematic resonance of The Land of Opportunity perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of An Amateur Devil perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Arvid E. Gillstrom

Andrew Sheldon is so busy perfecting a new explosive for the United States' effort in the Great War that he fails to realize that his butler, cook, housekeeper, and chauffeur are all German spies. However, his two mischievous daughters Katherine and Jane make life difficult for the spies by throwing pies at the Kaiser's picture and clipping the butler's long, Prussian-style mustache while he sleeps. When Andrew's wife announces that she is pregnant, he tells the girls that he has written a letter requesting a baby brother for them, whereupon they decide to steal the letter, convinced that two children are enough for their family. Breaking into Andrew's laboratory, they take the "letter," actually the secret formula, but after Andrew reveals that his plans are missing, the butler enters the laboratory and seizes the invention itself. Following an automobile chase and then a battle staged in rowboats on the Hudson River, the butler is apprehended by U.S. agents. Although he is the proud father of a new baby boy, Andrew gratefully blesses the impish little girls who saved his formula.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.