The Cult Collection Comparable to the Style of The Garden of Weeds:...

Dir: James Cruze

When the brokerage firm of Blatch, Markham and Driggs dissolves, Markham steals company records and the option of a valuable mine. Meanwhile, Blatch, who wants the option to expire so he can then purchase it at a low price, hires attorney Burley Hadden to convince Driggs that he is trying to recover it. Hadden sees John Craig, a bungling construction contractor who needs $800 for his payroll, running nervously from the pop of a paper bag, and offers the supposed "dub" $1,000 to retrieve the papers, thinking he will fail. After Markham tries to dupe John, he meets Enid Drayton, Markham's ward, who is being held a virtual prisoner in Markham's mansion. With the help of a friendly burglar, they retrieve the option and other papers which prove that Markham and Blatch had been cheating Driggs for years. After Driggs rewards John and informs Enid that she owns a million dollar estate, she and John embrace.

Dir: Robert N. Bradbury

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: James Cruze

Rival logging companies battle for the Valley of the Giants (redwood trees) when a young engineer returns home to help his father by building a new rail line to transport the logs to the sawmill. A romance between the engineer and the rival's niece complicates the situations.

Dir: James Cruze

A visual fragment from the archive: The thematic resonance of The Valley of the Giants perfectly mirrors the editorial trajectory of our deep dive.

Young Jack Wright offers his hand in marriage to the winner of a lottery, but after committing to the winner falls in love with another woman.

Dir: James Cruze

A young man pursues a young lady with the same energy he applies to his other obsession in life, auto racing.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Lottery Man perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: James Cruze

A visual fragment from the archive: The thematic resonance of The Roaring Road perfectly mirrors the editorial trajectory of our deep dive.

An inventor travels to the South Seas, where there is buried treasure belonging to a girl. The girl's father is being held captive by cannibals until she returns a pearl that belongs to one of their idols.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.