Must-Watch List Comparable to the Style of The Girl Problem: Cult Guide

Dir: Kenneth S. Webb

Impulsive flapper Elizabeth Winthrop, rebels against her parents and moves to New York after breaking with her fiance, Clayton Webster. Hugo Von Strohm, a wealthy playboy, procures Elizabeth a job as a chorus dancer and secretly pays her salary. After he tries to seduce her, Elizabeth sees through his kindnesses and returns to her parents and Clayton.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of One Thousand Dollars perfectly mirrors the editorial trajectory of our deep dive.

Eddie Gillian, a wild young New Yorker, lives well on a generous allowance given to him by Old Bryson, his crabby uncle. Eddie loves Bryson's ward, Margaret Hayden, but spends most of his time with Lotta Lauriere, a burlesque queen. After Bryson's death, Eddie is shocked to learn that he has been left only $1,000, which the will advises him to spend prudently and unselfishly. When Lotta discovers this and deserts him, Eddie gives the money to Margaret, who has inherited only $10, telling her that it is rightfully hers. Bryson's lawyer then informs Eddie that he will inherit half a million provided that he spend the $1,000 generously, and although Eddie attempts to turn that, too, over to Margaret, she agrees to share it with him as his wife.

Dir: Kenneth S. Webb

Young Nell loses her job and home and her father is sent to prison. She joins the Salvation Army and tries to redeem him when he comes out bent on continuing his life of crime.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of Salvation Nell perfectly mirrors the editorial trajectory of our deep dive.

Vi Playfair confesses to her twin sister Tiny that she is planning secretly to meet Lent Trevett, who loves her, to say goodbye, on the eve of her wedding. Tiny, who herself loves Lent, meets him instead and passionately kisses him, leaving Lent, who thinks that Tiny is Vi, to assume that Vi loves him. The next day, after the marriage ceremony, Lent convinces the flighty Vi that her husband Joe is a bully and that she should leave with him. Tiny sees them embrace, and to teach Vi a lesson, she impersonates her sister and goes with Joe on their honeymoon. Vi, now jealous, follows, and in turn is followed by Lent. At the honeymoon cottage, Vi proves to Joe, by a mole on her leg, that she is his wife, and promises Tiny that she will give up flirting. After Tiny convinces Lent that it was she that he kissed, the couples are happily reunited.

Dir: Kenneth S. Webb

Rosa Roma, an aspiring singer, is signed by backer Ogden Ward on condition that she not fall in love, appear in public, or use her own name. But she meets composer Griffith Ames, falls in love with him, and stars in his new opera. When Ward upbraids her, Rosa tries to satisfy her contract by means of a ruby necklace, which he has been secretly trying to obtain through devious means, but the rubies are stolen. Ames is accused of the theft, but the culprit finally confesses, and Rosa is reunited with Ames and her rubies.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of His Bridal Night perfectly mirrors the editorial trajectory of our deep dive.

"Caliph" Quigg runs a cheap restaurant by day and a seeker of adventure by night. Ed Simmons and Bill Hillman are two hard-working employees of Ogden, a prosperous harness maker. Laura, the harness-maker's daughter, is the object of both their affections. Laura has ideas of her own regarding a prospective husband but dares not communicate them to her father, fearing the harness strap. She is only a kid and should not be dreaming of husbands. Her dad is insane on the subject of riddles and when the question of which she shall choose for a husband is broached he asks the following riddle: "What kind of a hen lays the longest?" Get O. Henry's answer in the snappiest of climaxes.

Dir: Kenneth S. Webb

After growing up in the West with her father, Drina Hilliard travels to New York to surprise her mother Marie, whose profitable Fifth Avenue millinery store has provided the means for Drina to go to college. Arriving while Marie is vacationing in Atlantic City, Drina discovers that Marie greatly overcharges her customers, then splits the profits with the women whose rich husbands or lovers pay. When Marie returns, she tries to get Drina to marry Colonel Lambert, an old rounder who pays the bills for a dozen women's hats, but Drina, attracted to Blair Carson, who drove bandits from their New York-bound train, refuses the colonel. After Drina sees Blair with Zelie, a showgirl the colonel has cast off, and realizes that Marie is ill and on the verge of bankruptcy, she nearly accepts the colonel's proposal, when Blair appears and confesses his love. Marie vows to run her store legitimately, and the colonel and Zelie console each other over their losses.

Dir: Kenneth S. Webb

A visual fragment from the archive: The thematic resonance of How Women Love perfectly mirrors the editorial trajectory of our deep dive.

To help her husband keep his job, a woman gives in to her employer's advances. When the husband finds out, he kills his rival.

Dir: Kenneth S. Webb

Two pairs of newlyweds are riding on a bus when the wives notice the strong resemblance between their husbands. Mrs. McGuire realizes that a police detective's car is following the bus and hatches a plot with Mrs. Williams to switch their husbands' identities long enough for Pinkey to escape from the police.

Dir: Kenneth S. Webb

Ruth Hamilton, from a wealthy aristocratic family, cares little for society or its conventions and refuses the proposal of William Barton, a socialite of her parents' choice. While giving some poor children an outing on a beach, Ruth meets John Martin (Miles?), a young nouveau riche with no social standing who is snubbed by the aristocratic circles, and begins to visit him secretly. When Ruth visits John to show off a new costume, her father arrives to seek his financial aid. Ruth escapes, but she is observed by Barton, who informs her father. Hamilton insists that Martin marry his daughter, but Ruth refuses to be compromised by her father. Later, however, she consents to marry John, discovering that he really loves her.