Masterpiece Selection that Capture the Essence of The Great Imperso...

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

A visual fragment from the archive: The thematic resonance of Into the Light perfectly mirrors the editorial trajectory of our deep dive.

Dir: Alan Crosland

Chris, a student, ambitious in his own way but resisting tutors, was always in trouble until, at an auction sale, he purchased an old Oriental lamp because of its odd design, not dreaming that it was possessed of magical powers which he discovered when he began polishing it. A huge slave appeared, told him the lamp was his master and that he was prepared to obey any command that its owner, Chris, might give. As a test Chris bade the slave to transform himself into another Chris. He then sent the double of himself to school, where he was made to take the thrashings intended for Chris and to serve as the butt of many jokes and experiences meant for the real Chris. When the genie finally decides that he does not relish serving as Chris' double, the real trouble and fun begins, involving Chris' father and mother, teachers, family doctor, and farcical mix-ups develop with great rapidity. The doings of "Chris and the Wonderful Lamp" in the days of the Twentieth Century rival the best of Arabian Night tales.

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

A visual fragment from the archive: The thematic resonance of Chris and His Wonderful Lamp perfectly mirrors the editorial trajectory of our deep dive.

Dir: F. Martin Thornton

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: Alan Crosland

Nancy Price, who manages her own farm in Ohio, follows her cousin Eleanor Howitt to New York to check on her after the latter inherits a fortune and is persuaded by her father to live with him and his second wife Maude. Nancy is treated inhospitably by Maude and her social set when she discovers that they are encouraging Eleanor to spend money on jewelry and fancy clothes for all of them. One member of the group, George Tewksbury Reynolds, III, after trading insults with Nancy, becomes attracted to her, but she rejects him. After uncouth Archie Gore gets Eleanor intoxicated during a party and Nancy covers up for her, sacrificing her own reputation to protect Eleanor's, Eleanor is convinced to return home, and she resumes a romance with her reliable hometown beau, Sammy Wilson. Reynolds goes to Ohio to learn to be a farmer and is rewarded by Nancy's love.

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Alan Crosland

A wealthy young American, bred to class distinction and racial intolerance, enters First World War. In the course of his experiences in the trenches and being wounded, he comes to a recognition of the equality and brotherhood of men.

A visual fragment from the archive: The thematic resonance of The Flame perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.