The Global Archive Complementing the Tone of The Highest Trump: Cul...

Dir: James Young

A fascinating piece of cinema that shares thematic elements.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Missing perfectly mirrors the editorial trajectory of our deep dive.

When a woman's husband is presumed dead in the war, her sister, for her own unscrupulous reasons, attempts to get her remarried. But the husband, it seems, is not dead after all.

Dir: James Young

After her parents death, young southerner, Barbara King, must now live with her uncle Rufus Jamison, who reminds the girl of her mother wasted life when she married an artist. Rufus forces Barbara to do housework to support himself. One day, Barbara sneaks away to exhibit her father's latest work, she meets the artist Gordon Carroll and his father, the governor. When Uncle Rufus discovers Barbara's secret studio in the attic, he destroys the statue of his father, and Barbara then fatally stabs him with a candlestick. Barbara is convicted, sentenced, and sent to a prison.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Unprotected perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: James Young

With the electric-ray machine that he invented, a scientist brings his daughter back to life after she dies in a car crash but he fails to revive her soul at the same time.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Hearts in Exile perfectly mirrors the editorial trajectory of our deep dive.

An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

Dir: James Young

Ted Vandeveer, a lawyer without clients, receives notice that he has been included in his rich uncle's will, he and his partner, James Sweeney, are excited, then they find that Ted's cousin Archie inherited nearly everything. With the $700 left after paying their creditors, Ted and James go to a fashionable resort, where the hotel clerk mistakenly puts them in the exclusive suite reserved for Archie. Passing for a wealthy man, Ted attracts many eligible girls, among them Mildred Niles, the daughter of a wealthy broker. After Mildred and Ted become engaged, James encourages him to elope before the money runs out. When Mildred's father announces that he lost his fortune in the market, Mildred's mother persuades Mildred to elope before the news is known. Three days into their honeymoon, Mildred and Ted mutually confess their poverty and unable to pay their hotel bill, until Ted learns of a codicil to the will stating that he really inherited a million dollars. It was intentionally kept secret until he married so that no woman would marry him for money.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Lola perfectly mirrors the editorial trajectory of our deep dive.

A little country village comedy in which Mr. Costello plays a young grocer's clerk. This clerk and the daughter (Clara Kimball Young) of a G.A.R. fire-eater (Mr. Eldridge) are in love, much to the old man's disgust. He wants his daughter to marry a brave man, a soldier. AN unexpected denouement makes the clerk seem to be a hero. Moving Picture World

Dir: James Young

One of the customs in the Breton island of St. Batiste is the lashing of any woman involved in a extra-marital affair. As a result, when Sidonie (Marie Doro) starts an affair with English vacationer Warren Harding (Elliott Dexter), the townsfolk prepare to mete out punishment. To avoid it, Sidonie elopes with Warren, but when she finds him making love to another woman, her first response is conditioned by her upbringing, and she attacks the woman with a whip. Afterward, Sidonie returns alone to St. Batiste, and gets ready to accept her lashing. Just before her public humiliation, however, Warren arrives and refuses to let the whipping take place, after which he pledges to remain faithful to Sidonie.

Dir: James Young

College friends Percy Darling and Richard Kettle take their new wives on board a boat going from New York City to Albany. Just before sailing, however, Mrs. Kettle and Percy realize that they have left some baggage on shore, and so rush out to get it. The boat leaves without them, and a distressed Mrs. Darling and Richard, left in each other's company, decide to pose as husband and wife to prevent a scandal. When the boat docks, they learn that the last train has left, and so they hesitantly check into a hotel as a couple and spend the night together. The next day, Mrs. Kettle and Percy track down the "newlyweds" and are shocked to see them in the hotel lobby, arm in arm. The ruse is quickly explained, and the correct couples are soon sorted out.