Masterpiece Selection that Capture the Essence of The Hound of Silver Creek: Cult Guide

Dir: Stuart Paton

A conspiracy to take over the world is uncovered when several Latin diplomats visit the United States.

Dir: Stuart Paton

Whiskey smuggler Dubec, trades liquor to the Indians, takes revenge on the Royal North West Mounted Police pursuing him by killing the wife of post commander Sergeant Delisle and abducting his teen-aged daughter Nonette. After twelve years of futile searches, the eighteenth birthday celebration of Delisle's other daughter Julie is disrupted when Sergeant MacNair arrives to replace Delisle because Delisle cannot control the lawlessness in the camp. MacNair falls in love with Julie though she scorns him. When Dubec and Nonette, now his wife, return from the Klondike with a dance hall troupe of women, Delisle, not recognizing Dubec but resenting his flirtations with Julie, orders them to leave. Dubec captures Julie and MacNair, forcing Julie to dance, and offers her to the highest bidder. MacNair saves her just as Delisle, warned by Nonette of Dubec, arrives. Nonette is reunited with her father, and MacNair and Julie, now in love, embrace.

A visual fragment from the archive: The thematic resonance of The Devil's Trail perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Stuart Paton

Andrea Minghetti runs a California vineyard with the help of his pretty niece Bona, who cooks for the employees. A worker named Chico Piave, who belongs to a secret crime society, tries unsuccessfully to force himself on Bona, and later, he demands that Andrea give him both the young woman and a large sum in cash. Meanwhile, the wealthy Frank Harris accepts a job at the vineyard on a dare and is so impressed with Bona's cooking that he offers her a position in his mother's kitchen. Mrs. Harris treats Bona cruelly until word comes that Bona has inherited a fortune from Andrea, who has disappeared in her absence. Mrs. Harris' sudden kindness dismays Bona, who returns home and informs the police of Chico's earlier threats. Chico is arrested, but Andrea, who merely hid to escape the criminal, returns to the vineyard, as does Frank, who declares his love for Bona.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Stuart Paton

Tommy Buckman, the ne'er-do-well son of dime store magnate John Buckman, is given one last chance to succeed by surveying a possible location in New England for the opening of another store in his father's chain. Arriving in the town of Winton, Tommy lands in jail and, disowned by his father, is bailed out by Nina Potter, whose father owns the only dime store in town. Tommy accepts a job as a delivery boy in the Potter store and soon rises to the post of general manager. When Buckman opens the store across the street, Tommy, now an adroit manager, corners the market. Old Buckman is sent for, and when he arrives to discover that his own son has beaten him in business, he consents to Tommy's marriage to Nina and withdraws his store from the town of Winton.

Dir: Stuart Paton

Being an unmarried man, Douglas Seward, a young engineer, is unable to secure a position with Terence Craver, a contractor. In search for a wife Seward meets Eileen Orton, who has been left destitute by the death of her father. He makes an agreement to support her if she present herself as his wife at Craver's office. She agrees and Seward secures a position and leaves for South America. The contractor, who has a mania for beautiful women, falls in love with Eileen, but she does not care for him, having become much attracted to Seward, who is sending her half his salary each week for her maintenance. Months later Seward comes to New York to see Eileen and arrives in time to protect her from Craver. The marriage lie no longer necessary, Seward proposes to Eileen, and they are forthwith made man and wife.

A visual fragment from the archive: The thematic resonance of The Wine Girl perfectly mirrors the editorial trajectory of our deep dive.

Dir: Stuart Paton

George Grant has invented a device which is being financed by his partner, John Benson, who receives an offer of $200,000 for the patent rights of the valuable invention. The offer is accepted with Grant's approval. Grant enters a barroom where an old man reprimands Dave Wilson, a young man out of employment, for wasting his time in barrooms. Dave strikes the old man, and Grant interferes, giving the young man a black eye. Benson sees the encounter and Grant returns to his home office with Benson. As Benson is leaving he meets Dave, who tells him he has been persuaded by his mother to apologize to Grant. The apology is accepted. Then Grant suddenly drops dead. Dave hears a police whistle blown outside, and runs into the next room where he crawls under the bed. Policemen and members of Grant's household arrive and discover Grant's body. One of the policemen telephones to the police station, and Detective Doyle is assigned to take charge of the case. Dave is present when Doyle arrives on the scene of the murder, and explains to Doyle how Grant dropped dead. Meanwhile a policeman finds a pistol in the yard, and hands it to Doyle. Benson telephones from his home that he wishes to speak to Grant. Doyle answers that there has been an accident and he had better come over at once. When Benson arrives Dave urges him to tell the detective that Benson knew of Dave's mission to the house, but Benson answers, "I know about the fight, and I know nothing about the apology." Dave collapses and is dragged off to the police station. The scene then shifts to the courtroom where Dave has been tried for murder and the jury have found him guilty. Shortly after Dave is electrocuted. One year later James Sprague, the criminologist, is visiting his old friend, the warden, and is shown the reforms the warden has made in prison life. The warden believes in the golden rule, and between working hours the men are allowed their freedom and are treated as human beings. The prisoners are shown playing baseball, and are given manual exercises. During the game the warden tells Sprague that he is glad capital punishment has been abolished as many an innocent man had been electrocuted. The warden then shows Sprague a photograph of Grant's home, declaring that he doesn't believe that the man who was electrocuted for killing Grant was actually guilty. Sprague is interested in the case, and departs with the photograph in his pocket. We next see Sprague at Grant's home making a close examination of the room in which Grant was killed. He looks out of the window into the yard where he sees a boy in a swing. He chases the boy out of the yard, gets on the swing, and concludes that Grant was shot by the murderer swinging himself to a height on a level with Grant's window which would account for the revolver picked up in the yard subsequent to the murder. Meanwhile Benson's guilty conscience has made him a nervous wreck. He goes to his home, where he has another vision of Grant, and shoots at the specter with his revolver. The servants rush in, and the butler revives him with a stimulating drink. Sprague consults Detective Doyle, who asserts that Grant's murder was a case of murder for revenge, and in his subsequent investigation learns of Benson's strange attack of nervousness. Under the pretense of wanting to make a business contract, Sprague makes the acquaintance of Benson. He bribes the butler and maid servant to get themselves discharged and the next day he installs servants of his own choice in Benson's household. Sprague's wife is engaged as the maid servant. The butler and Sprague's wife, abetted by a detective, act so strangely and get Benson into such an extremely nervous condition that when Sprague calls on him to close the proposed contract he begins to suspect that he is being spied on, especially on being asked whether he is interested in the abolition of capital punishment. Sprague then relates to him the peculiar case of Dave Wilson in connection with the murder of George Grant, which increases Benson's apparent nervousness. Meanwhile, Detective Doyle, who is in the yard, fires off a revolver, at a given signal from Sprague. Benson becomes hysterical and confesses that he committed the murder. At the close of the picture, Benson is seen in prison stripes in order to emphasize that while Dave Wilson had no chance of redemption. Benson, through the abolition of capital punishment, would at least be given a chance.

Dir: Stuart Paton

Lois Fox, upon whose shoulder is branded a Chinese ideograph resembling the letters "A. Y.," is rescued from a gang of Chinese ruffians by Brice Ferris. His servant Ming, in attempting to steal from her finger a ring that bears a mysterious green seal, is killed, and soon afterwards a stranger named Strang arrives, also in search of the girl. Despite Brice's efforts to protect her, Lois is abducted and taken to the headquarters of Lao Wing, the leader of a secret Chinese society known as the Tong. Ferris and chief of police Struber finally infiltrate the gang's headquarters and after a furious battle, Lois and Strang are freed. Strang, actually Lois' uncle, reveals that the sacred ring had belonged to an ancient Chinese order but had been stolen by Lois' father.