Masterpiece Selection Resonating with the Themes of The Inferior Se...

Dir: Frank Beal

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Joseph Henabery

Mountaineer Pap Clayton has promised his daughter Sairy Ann (Dorothy Gish) to his cousin Jed Martin, but Sairy Ann loves Dr. Richard Cavanagh (Sam DeGrasse), the son of Judge Lee Cavanagh. In the midst of a feud between the Claytons and the Jacksons, a jealous Jed sets out to kill Richard. Jed shoots a deputy who gets in his way and is taken before Judge Cavanagh, whom the Claytons have threatened to kill if Jed is convicted. The Claytons are true to their word when Cavanagh finds him guilty, and Richard immediately vows to kill Jed, who has escaped. Sairy Ann, however, reminds Richard that he has railed against family feuding and has said that only the law can take a life. A sobered Richard captures Jed and hands him over to authorities; then, after he has forgiven the Claytons, he and Sairy Ann become engaged.

A visual fragment from the archive: The thematic resonance of Children of the Feud perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph Henabery

An attractive young woman thrusts an attorney into wild adventures.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

A visual fragment from the archive: The thematic resonance of The Life of the Party perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

Dir: Joseph Henabery

A man goes to Mexico and tangles with bandits. He's then called to a tiny European country where a revolution is going on. It turns out that he is heir to the throne and he manages to squelch the plotters and win the girl in short order.

Dir: Joseph Henabery

Whenever The Young Fellow is troubled or undecided, The Hunch, a miniature version of The Young Fellow, perches on his shoulder offering common-sense advice and encouragement. Consequently, when The Young Fellow, recently hired as a cub reporter for The New York Herald , is assigned to interview a noted financier who earlier refused to admit a star reporter, he screws up his courage, scales the millionaire's wall and forces the interview from him at the point of a gun. The editor, much impressed, then asks the young man to unearth the facts concerning a scheme to defraud a group of minor stockholders in the town of Melford. Unless certain papers in the possession of an old bachelor are delivered to a board meeting, the villainous financier will win complete control of a local company, and the stockholders will lose their investments. With the aid of his Hunch, the aging bachelor's attractive secretary and The Young Fellow's spinster landlady, the determined reporter thwarts the millionaire and his gang of thugs, delivers the papers on time and obtains a sensational story. In the process, he captures the secretary's heart, while the spinster wins the kindly bachelor.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Joseph Henabery

In order to find out who's behind a cattle rustling operation that's hurting ranchers, a detective for the Cattleman's Protective Association pretends to be a tenderfoot from back east who's just arrived in the area and doesn't know how to ride, rope or shoot.