Top-Tier Alternatives Exploring the Legacy of The Kingdom of Youth:...

Dir: Clarence G. Badger

A young lady designs a wonderfully received bathing suit and saves her employer from financial disaster. In the course of this, she falls in love with her employer's son, who is in danger of ruin from a romantic scandal.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Leave It to Susan perfectly mirrors the editorial trajectory of our deep dive.

Susan, a wealthy young Easterner, is making her way across the country when she accidentally becomes separated from the train carrying her west. She finds herself in the clutches of a gang of bandits, who discover they've got more on their hands than they bargained for.

Dir: Clarence G. Badger

Homely schoolteacher Sam Lyman arrives from New England to settle in the Mississippi Valley town of Old Ebenezer, Arkansas while he studies law. During a game of forfeits given at the annual town social by Banker McElwyn, the richest man in town, Sam marries the banker's daughter Eva, the prettiest girl in town, in a fake ceremony. The couple later discovers that the marriage is legal and Sam offers to bow out, but Eva, who does not want to marry her father's choice, rich mule dealer Zeb Sawyer, persuades Sam to continue the marriage in name only. After Sam withstands slander from Zeb and McElwyn, they send night riders to horsewhip Sam and run him out of town, but he stays. When Zeb launches a run on McElwyn's bank, Sam saves it by depositing money he receives from writing a novel and bags marked $20,000, which are filled with horse shoes. Afterward, Eva refuses to have the marriage annulled.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Almost a Husband perfectly mirrors the editorial trajectory of our deep dive.

Rosie Mendelsohn, the daughter of a kindly Jewish tailor in New York City's East Side ghetto, ends her romance with struggling author George Howard at the behest of her father, who prohibits her marriage to a gentile. George disappears from her life, and Rosie attempts to find him by becoming a private secretary to publisher Joseph Rayberg. She persuades Rayberg to host a contest in which authors submit endings to an unfinished manuscript she claims to have discovered. Rayberg, intent on seducing Rosie, agrees to publish the manuscript only after Rosie promises to have sex him when the contest is over. In reality, the manuscript is a portion of George's novel, a humorous story based on Rosie's life. After receiving George's ending to the story, Rayberg locks Rosie in his office, but she escapes into George's arms. Her father relents and blesses their union.

Dir: Clarence G. Badger

Slaving to perfect an invention, Noah Vale tries to keep two orphans--Rip and Patch--and himself by peddling books and is helped by Scallops, a girl who occasionally brings them food. He appeals to Fay, a wealthy relative, for help in marketing his invention and arouses the interest of Fay's pretty daughter. Sterrett, Fay's partner, steals the model but returns it when he discovers it to be worthless. Johnny Smith, Fay's secretary, is fired when he proposes to the boss's daughter; and visiting Vale's attic, he is comforted by his epigrams. Johnny takes them to a newspaper editor, and they are so successful that both Smith and Vale are hired. Vale decides to give up inventing for writing, and Johnny marries Miss Fay despite her father's opposition.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of Daughter of Mine perfectly mirrors the editorial trajectory of our deep dive.

Coarse country girl Sis Hopkins and general store clerk Ridy Scarboro are so engrossed in their dalliance that a basket is overturned and a large can of oil spills into a pool, creating a slow leak. Wealthy villager Vibert thus becomes convinced that Sis's farm is located on a pocket of oil, and he schemes to gain control of the property by marrying Sis. Vibert sends her to a young woman's seminary for refinement. Sis creates chaos in the school and is a problem for principal Miss Peckover. Vibert eventually realizes Sis will never measure up to his standards for a wife. Ridy, who has been jealous, is overjoyed when Sis returns home. Vibert entices Pa Hopkins into selling the property for a small amount, but Sis shrewdly succeeds in tripling the price. Finally Vibert discovers the can in which he has invested so heavily.

Dir: Clarence G. Badger

An easy-going tramp with a love of food and an aversion to work suddenly gets deeply involved in the life of a farmer and his daughter.

Dir: Clarence G. Badger

A visual fragment from the archive: The thematic resonance of A Poor Relation perfectly mirrors the editorial trajectory of our deep dive.

A burlesque dancer overcomes the puritanism of a repressed small town.

Dir: Clarence G. Badger

Honest Arizona rancher Sam Gardner, goes with his motherless son Billy to the city, where he is cheated out of ten thousand dollars by a band of crooks. Taking up residence in a boardinghouse where he meets Jane Ingraham, Sam decides that the only way to regain his losses is by gambling. To achieve this, he makes friends with gambler Kittie Hinch who takes him to Jack Bloom's gambling house. When Bloom begins flirting with Hinch's wife Florry, the injured husband kills his rival and the evidence points to Sam as the killer. Jane tries to provide him with an alibi, but fails. Just as things look grim for the rancher, a wire arrives from Hinch, now in Mexico, confessing to the crime. His faith in mankind thus rewarded, Sam is free to marry Jane.

Dir: Clarence G. Badger

A young woman reads tales of a gallant White Knight and imagines that such a knight might come to rescue her from her dull existence. Although she is wooed by a wealthy industrialist, she rejects his suit in hopes that her romantic ideal might come. One day a young writer comes to her village, and it seems as if he might be the hoped-for White Knight.