Masterpiece Selection Resonating with the Themes of The Last Man: C...

Dir: Bertram Bracken

Architect John Chance, before building a "Dream City" for a religious cult leader, Prophet Stein, visits Paris and rescues an American girl, Cynthia Grey, from riotous masqueraders at a carnival. After they part, Cynthia returns home. Meeting Stein aboard a ship, and having an idealistic nature, she becomes a follower of Stein, who thinks her beauty will attract others. Chance builds the city, agreeing to say it was made by the "comrades" so that Stein's motto, "Beauty Through Toil," will seem to be true. Cynthia and Chance fall in love and when Stein, a married man, attempts to seduce Cynthia, Chance tells the newspapers, which expose Stein and his financially fraudulent practices. The "comrades" burn the "Dream City" and Chance saves Cynthia, while Stein, attempting to leave with his ill-gotten money, dies when a burning beam falls on his head.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bertram Bracken

Marcia Glendon an expatriate, has lived in Berlin for years. Courted by both German General Von Lentz and American spy Frank Graham, Marcia attempts to aid her country when war breaks out by capitalizing on the general's attraction to her. Misunderstanding her actions, Frank repudiates Marcia as a traitor. Subsequently, the spy is caught, and Marcia purchases his freedom by offering herself to the general. Frank is freed and transports the German secret plans across the German border to the American lines. He returns immediately leading an American regiment just in time to save Marcia's honor.

Dir: Bertram Bracken

A woman leaves her husband and children for mistaken reasons. After being thought killed in a train crash, she returns in disguise to be the children's governess.

A visual fragment from the archive: The thematic resonance of For Liberty perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bertram Bracken

Harry Larrabee, a young playwright, lives in the same studio apartment house with Carolyn Vaughn, a painter of miniatures, with whom he falls in love. "The Wolf," a famous criminal, supposed to be dead, returns and communicates with his wife, a friend of Carolyn's. He forces his wife and her brother to aid him in a plot to rob Carolyn of her valuable jewels. Harry, by one of his famous "inspirations," discovers that a crime is being committed, rescues Carolyn and bears her away in a taxicab. He is himself suspected of the crime, but, undisturbed by the web of circumstance by which he is entangled, his wonderful inspirations give him the key to the conspiracy which led up to the crime. In an unusual and powerful finale the guilty parties fight among themselves and justice triumphs in an exciting climax.

Dir: Bertram Bracken

Dave Scott, a wealthy mine owner, is killed. His daughter, Marie, goes to her father's old friend Richard Clark, knowing that he will take care of her interests. Clark and his grown son, Ted, become attached to Marie. Innocent in manner, she sees no necessity for concealing her preference for the elder Clark. In time, Ted's attachment culminates in a proposal, which is rejected. Ted accuses his father of standing in his way and the father makes Marie promise that she will accept Ted. A few minutes before the time set for the ceremony, a note from Ted explains that he realizes the love that exists between Marie and his father, and rather than exact the sacrifice, he has left his father's home, leaving them free to marry.

A visual fragment from the archive: The thematic resonance of East Lynne perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bertram Bracken

Walking aimlessly in the desert, crazed by thirst and hunger, Lucy Mannister and Gaston Sinclair are overtaken by her husband George, who has pursued them around the world. Threatening to shoot them, George extracts a confession from Sinclair, once George's friend, that a group of George's Wall Street associates had conspired to ruin him. They made it appear to Lucy that George was having an affair with the notorious Sylvia De La Mere. After Lucy saw Sylvia embrace George, she despaired and left with Sinclair, who said he loved her. George lets them live, and he returns to New York, where, with the help of Sylvia, who now loves him, George terrorizes the group. One by one he leads them, and then Sylvia, to either financial ruin, disgrace, or death. When George learns that Lucy is no longer traveling with Sinclair, and that she has never even kissed him, he locates her, forgives her, and takes her back.

Dir: Bertram Bracken

In Paris, wealthy young American Horace Martinache takes a young flower girl to a hospital after knocking her down in his auto, and leaves money with friends to pay for her education. Years later, when Horace's nephew Eric plans to bring home a young actress whom he met in Europe and wants to marry, Horace's mother and sister ask for his help in breaking up the romance. Horace, an unmarried colonel, indulges them and agrees to court her to make her lose interest in Eric. The actress, Sara St. Ypriex, recognizes Horace as her benefactor and encourages him. Horace, unaware that Sara was the flower girl, falls in love with her. After Eric fails to respond to Sara's cries of alarm when one of her other suitors, Roscoe Vandercourt, tries to attack her, Horace protects her, but Vandercourt escapes. Sara accepts Horace's marriage proposal and Vandercourt, really an international crook, is trounced by Sara's father, who earlier served a prison term because of Vandercourt's treachery.

A visual fragment from the archive: The thematic resonance of The Inspirations of Harry Larrabee perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bertram Bracken

A rich society girl holds an Indian boy in contempt, but when an important land deal with his father arises, She pretends to be interested in him, long enough for him to persuade his father to sign.

Dir: Bertram Bracken

From Alphonse Daudet's 1884 novel comes a variation: A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.