Cinematic Discoveries Resonating with the Themes of The Last Waltz:...

Dir: F. Martin Thornton

In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.

Dir: Georg Jacoby

A visual fragment from the archive: The thematic resonance of In the Lion's Den perfectly mirrors the editorial trajectory of our deep dive.

Theodore Reibeth, a medical student, is introduced to Mlle. Aut Nissen in a moving picture studio where she is taking one of the leading roles. He is attracted to her by her unusual beauty and charm. Circumstances later make it possible for him to see her frequently at her home, and he falls in love with her. Mlle. Nissen is very fond of animals and has in her apartments a private collection of lions which she shows to him. Reibeth's graduation is at hand when he receives a letter from his brother telling him that through unfortunate investments their fortune has been lost. In this predicament Mlle. Nissen comes to his aid and lends him enough money to finish his studies, which he accepts and graduates with high honors. Later at a reception Reibeth sees Mlle. Nissen flirting with another man. He protests very strongly and the controversy causes a rupture which separates them. Years pass and he almost forgets the celebrated actress. His wedding announcement in one of the papers, however, comes to the attention of Mlle. Nissen who asks him to call. He does so and the old love returns. His faith in his former love is still so great that he allows himself to be blindfolded by her and led into one of the lower portions of the house. When he tears the blindfold from his eyes he discovers he is in the den of lions. With death in a terrible form almost upon him he manages to escape. Mlle. Nissen seeing him free makes her own life a penance for the tragic deed she had planned.

Dir: Roy Clements

A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.

Dir: Georg Jacoby

A visual fragment from the archive: The thematic resonance of The Tiger's Coat perfectly mirrors the editorial trajectory of our deep dive.

Bulgaria at the beginning of the 20 century. A village in Macedonia.Bogdan Stimov is suspected of a murder which he has not committed. On his wife Anna's urgent request he resolves to flee the country. America. Known as Stimens, Bogdan has risen to the position of director of a munitions factory. The First Wold War breaks out. The Italian Eteli incites his compatriots against the Austrian and German workers at the factory. Stimov takes their side and is dismissed together with his friends Max and Friedrich. Eteli's sister Anna is in love with Max. With her help all four obtain the necessary paper and board a Swedish ship. Eteli gets in touch with the captain of an Italian mail-boat which overtakes and detains the fugitives. The captives manage to escape in a boat. They are rescued by a German submarine. Max, Anna and Friedrich go to Germany. In Bukgaria Stimov's estate has been seized by the invaders. One of them wants to marry Stimov's daughter Maritsa against her will. Bogdan arrives on the wedding day. Under his leadership the peasants rise in revolt. Anna is hiding with friends while Bgdan, Maritsa and his son Peter go to Sofia. At the palace Stimov kneels before the King and tells him the story of his life. He is pardoned and joins the army. Peter is an army volunteer and Maritsa becomes a nurse. The Serbian forces have been driven out of Macedonia. Stimov's estate have been into a field hospital. Among the wounded is Max. Eteli appears too and fires at Maritsa. Max and a young soldier jump on him. The bullet hits the young soldier. A doctor unbuttons his tunic to discover that this is a girl in disguise. Etelirecognizes his sister Anna. A military parade. Stimov receives a medal from the King. Together with Peter he returns to his village where they are greeted with joy.

Dir: Jerome Storm

David Harrington plans to marry Betty Graves. He is an old-fashioned boy, believing in marriage, having children, and living a suburban life. Betty is more ultra-modern, and independent. When Betty gets a tour of the bungalow that David has built for them, she says it's cute but she would hate to have to live in it. The two break up and Betty goes back to a former sweetheart. Sybil, the wife of David's friend Herbert, has just has a row with her husband because he wouldn't buy her a new hat. So she takes their three children and hides in David's home, hoping to throw a scare into her husband. Now David tries to take care of the kids, hoping to forget his own troubles. Herbert phones David that he is coming over, but David tells his friend he has the measles. Meanwhile, Sybil's kids have gotten sick from eating too much taffy. So David calls Betty's father, who is a doctor. Betty comes over with her father, and David cooks up a scheme with the doctor to quarantine the house so that Betty will have to stay and help him take care of the children. Herbert arrives and chaos ensues when he discovers his wife and kids are there. Eventually, things get straightened out and David regains Betty's love.

Dir: Georg Jacoby

A visual fragment from the archive: The thematic resonance of Bogdan Stimoff perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: J. Gordon Edwards

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of An Old Fashioned Boy perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Georg Jacoby

A fascinating piece of cinema that shares thematic elements.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.