Cinematic Discoveries Resonating with the Themes of The Last Waltz:...

Dir: Georg Jacoby

A fascinating piece of cinema that shares thematic elements.

Dir: Arthur Rosson

A visual fragment from the archive: The thematic resonance of Polly of the Storm Country perfectly mirrors the editorial trajectory of our deep dive.

The Hopkinses are a family of squatters struggling against the wealthy landowners or "hilltoppers." When Jerry Hopkins is unjustly imprisoned, his young wife and baby die as a result of the shock, but his sister Polly maintains the faith that has been instilled in her by her grandmother. Later, Polly meets hilltopper Robert Robertson and the two fall in love. Their courtship is disrupted when Robert's sister Evelyn is blackmailed by Oscar Bennett, the man to whom she is secretly wed. In her efforts to help Evelyn, Polly falls under unjust suspicion. Meanwhile, MacKenzie, one of the vindictive landowners, arrests Polly's father and sends her brother to an orphanage. Devastated by these events, Polly's grandmother dies of grief and Polly swears revenge. She has Evelyn kidnapped and brought to her cabin, but the memory of her grandmother prevents Polly from harming her tormentor. Polly's nobility inspires Evelyn, who exonerates Polly, thus clearing the path for her marriage to Robert.

Dir: Sidney Franklin

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Roy Clements

A visual fragment from the archive: The thematic resonance of Two Weeks perfectly mirrors the editorial trajectory of our deep dive.

A man agrees to marry the daughter of a deceased friend - who is, in fact, being impersonated by the servant girl of the daughter, who has also already died.

Dir: Raoul Walsh

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Herbert Blaché

A visual fragment from the archive: The thematic resonance of The Tiger's Coat perfectly mirrors the editorial trajectory of our deep dive.

French dancer Sigrid, diagnosed with a weak heart, is ordered by her doctor never to dance again. But when her dancing skills are needed by her lover's father to help quell a native uprising on the East Indian frontier, she determines to dance whatever the cost.

Dir: Georg Jacoby

Theodore Reibeth, a medical student, is introduced to Mlle. Aut Nissen in a moving picture studio where she is taking one of the leading roles. He is attracted to her by her unusual beauty and charm. Circumstances later make it possible for him to see her frequently at her home, and he falls in love with her. Mlle. Nissen is very fond of animals and has in her apartments a private collection of lions which she shows to him. Reibeth's graduation is at hand when he receives a letter from his brother telling him that through unfortunate investments their fortune has been lost. In this predicament Mlle. Nissen comes to his aid and lends him enough money to finish his studies, which he accepts and graduates with high honors. Later at a reception Reibeth sees Mlle. Nissen flirting with another man. He protests very strongly and the controversy causes a rupture which separates them. Years pass and he almost forgets the celebrated actress. His wedding announcement in one of the papers, however, comes to the attention of Mlle. Nissen who asks him to call. He does so and the old love returns. His faith in his former love is still so great that he allows himself to be blindfolded by her and led into one of the lower portions of the house. When he tears the blindfold from his eyes he discovers he is in the den of lions. With death in a terrible form almost upon him he manages to escape. Mlle. Nissen seeing him free makes her own life a penance for the tragic deed she had planned.

Dir: Jacques Jaccard

A visual fragment from the archive: The thematic resonance of From Now On perfectly mirrors the editorial trajectory of our deep dive.

Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.

Dir: Georg Jacoby

A fascinating piece of cinema that shares thematic elements.

Dir: Colin Campbell

Although separated at birth, Siamese twins Fabien and Louis de Franchi remain united emotionally. One day, Parisian Emilie de Lesparre arrives in their Corsican village with her father, and both brothers fall in love with her. Louis goes to Paris to study law and sees Emilie often, but Emilie loves Fabien who has remained in Corsica with their mother. While attending a dinner given by another admirer of Emilie's, M. Chateau Renaud, Louis is drawn into a duel with Renaud and killed. Back home, Fabien senses what has happened and journeys to Paris to avenge his brother's death. After he kills Renaud in a duel, Emilie finally confesses her love to Fabien.