Underground Favorites Parallel to the Artistry of The Lost Jungle: ...

Dir: Charles Swickard

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: George B. Seitz

A visual fragment from the archive: The thematic resonance of Velvet Fingers perfectly mirrors the editorial trajectory of our deep dive.

The adventures of a gentlemanly crook of astonishing resourcefulness.

Dir: George Beranger

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Aubrey M. Kennedy

A visual fragment from the archive: The thematic resonance of Number 17 perfectly mirrors the editorial trajectory of our deep dive.

Wealthy oil magnate Harry Mangin is in love with his competitor James Murdock's daughter Blanche. Mangin schemes to ruin Blanche's father so that the girl will be forced to accept his attention. However, Blanche loves "Sky Eye" Blake, an aviator at the adjoining U. S. aviation field. When Mangin is driven in desperation to muster his own private air force in order to destroy his rival's oil plants, "Sky Eye" takes to the skies to quell the riot. After several daring escapades, "Sky Eye" captures Mangin and wins Blanche for his bride.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Bertram Millhauser

A visual fragment from the archive: The thematic resonance of Sky-Eye perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: J.P. McGowan

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

A Royalist and his unknown son seek vengeance on his murdered wife's brothers.

Dir: Dallas M. Fitzgerald

Returning to England a hero after saving a British garrison in India, Leigh Dering marries Jean Desmond, the daughter of a wealthy merchant. Humiliated by the patronage of his wealthy father-in-law, Leigh turns to drink, estranging him from Jean. Returning home one night he finds the body of his wife's father. When Jean accuses her husband of the crime, Leigh disappears, making it seem as if he has been killed in a railway accident. Five years pass and Leigh has become a victim of drink and drugs, barely existing in India. Jean marries Willoughby, an unscrupulous officer who was forced to leave India when his betrayal of the Rajah's sister earned the enmity of the ruler, thus endangering the garrison that Leigh had rescued. When Willoughby returns to India with his new wife, the Rajah seizes upon the opportunity for revenge. Planning to blow up the palace during a reception, the Rajah is thwarted by Leigh. In a rage, the Rajah kills Willoughby in hand-to-hand combat, thereby permitting the reconciliation between Jean and Leigh, who have already paid the price of redemption.

Dir: Harry Garson

Marta Estevan is ready to leave the convent where she has been reared. Dona Luisa Artega, mother of Rafael and the young girl's guardian, arranges a marriage between the two, because she thinks that Marta's influence will rescue her son from the wild life he is leading and make a man of him. Marta rescues the American Bryton, when he is attacked by Indians, and falls in love with him. Rafael's mother sends Bryton away by telling him that the girl has entered a convent for life, and after telling Marta that Bryton had been killed on the trail she exacts a vow from the girl that she will marry her son. Marta marries Rafael. Bryton comes back after the marriage and after Marta has found out the true character of her husband. The story moves on from this point to a happy ending, but with much action of tense and strenuous nature in between. - Moving Picture World, May 15, 1920.