Recommendations
Senior Film Conservator

Since its 1919 debut, The Love Burglar has maintained a cult status status, the legacy of The Love Burglar is a beacon for those seeking the unconventional. Our criteria for this list were simple: only the most cult status and relevant titles.
The 1919 landscape was forever altered by the arrival of to sustain a sense of mystery that persists after the credits roll.
A young man infiltrates the underworld by pretending to be a convicted burglar. While undercover, he meets a young woman who turns out to be no more a part of gangland than he, but with similar reasons for disguising herself.
Critics widely regard The Love Burglar as a cult-favorite piece of cult cinema. Its cult status is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique cult status of The Love Burglar, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: James Cruze
A young man pursues a young lady with the same energy he applies to his other obsession in life, auto racing.
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Dir: James Cruze
Rival logging companies battle for the Valley of the Giants (redwood trees) when a young engineer returns home to help his father by building a new rail line to transport the logs to the sawmill. A romance between the engineer and the rival's niece complicates the situations.
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Dir: James Cruze
About a boob who put his town on the map by selling fake oil stock. For Gus didn't know an oil well from an oil stove, so the two crooks had easy pickings. Until the well started to spout.
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Dir: James Cruze
Heeding the pleas of Bobbie Brown, Jimmie Jones packs his trunk full of liquor to present to his desperate friend and hops on a train. Upon his arrival, Jones discovers that his cargo has been purloined in transit, and while attempting to replenish his supplies by bargaining with the local bootlegger, is detected by the local sheriff. To escape arrest, Jones impersonates reformer Anthony Goodley but his ruse takes him out of the frying pan and places him in the fire when some troublemakers decide to disrupt his lecture on the evils of tobacco. Matters are further complicated when Goodley's old maid fiancée begins to focus her attentions on the disguised Jones. After several harrowing brushes with the crowd, Jones escapes with his fiancée, Cissy Smith, leaving the real Goodley behind to face the music.
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Dir: James Cruze
When Captain Dieppe, an American agent of French descent, refuses to divulge confidential information he gathered for a small Italian principality until they pay him, he is pursued by secret service agent Guilamo Sevier to Fieramondi in Northern Italy. Dieppe agrees to help the lonely Count Fieramondi convince his wife to return from her isolated wing of their castle. The countess, after convincing her cousin Lucia to take her place in the castle, goes to Rome to raise money to pay Paul Sharpe, who is blackmailing her because of her gambling debts. Dieppe falls in love with Lucia, whom he thinks is the countess, and after he fights Sharpe and steals the evidence of the debts, he sacrifices his own love by preparing a reconciliation between the count and the countess. After Dieppe obtains his money from Sevier, the real identities are revealed. Finally the count and countess are reunited, while Dieppe and Lucia maintain their romance.
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Dir: James Cruze
Jack Temple adores his wife, but she remains extremely jealous of him. At an ice-cream parlor, Jack is attracted to a flirtatious vamp and meets her again later on a department store's roof garden. They linger so long that the store closes and the couple are locked out for the night. The next day, realizing that his wife will not believe the truth, Jack tells her that he spent the night with his friend, John Brown. Mrs. Templeton, suspecting that this is a lie, wires John Brown to come. Jack then convinces his friend Frank Fuller to pose as Brown, but the real Brown, who is Mrs. Temple's Italian hairdresser and is secretly in love with her, arrives on the scene. Brown's wife follows in a jealous panic. Then the vamp appears and confesses that she is actually Mrs. Temple's cousin, who hatched the whole scheme to cure her cousin's jealousy.
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Dir: James Cruze
Young scientist Anthony Osgood is engaged to Persis Meade, who has postponed their marriage several times after becoming interested in an overseas hero through Red Cross correspondence. Meanwhile, gambler Lorenzo Pascal stumbles upon the hero's suitcase and goes to Persis' home impersonating him. When Anthony calls and finds his fiancée in another man's arms, Persis explains that he lacks pep. This sends him to dancer Jeanette Adair for help in making him over. Under Jeanette's tutelage, Anthony embarks upon a career of jazz parties and succeeds in changing his image. Discovering that her hero is a fraud, Persis tries to go back to Anthony but she is too late, for he has fallen in love with Jeanette.
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Dir: James Cruze
Walsingham Van Dorn, a rather unsuccessful book agent, is stunned to learn that he has inherited forty million dollars from his two uncles. Van Dorn asks his attorney Wilkins to handle the responsibilities entailed in managing the fortune and then retires to his mansion. One evening, however, he is awakened by a young woman named Desiree Lane, who refuses to leave until the two million dollars that his uncles swindled away from her father is restored. Van Dorn tries to return the money but discovers that Wilkins has stolen it and fled. Van Dorn and Desiree set out to find him, but when the hotel in which they have stopped for the night burns down, they are left standing in the street clad only in pajamas. To avoid a scandal, they marry and happily settle down. Two years later, Wilkins, unable to handle the fortune, returns it, but the young couple wonders whether they will continue to be happy as millionaires.
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Dir: James Cruze
Department-store clerk Larry Young is determined to marry a rich girl. He falls for Elaine Debaux, whom he believes to be the daughter of a wealthy shipbuilder. However, when war breaks out Larry is drafted into the army. Before he is taken in, though, he and Elaine are rescued from gangsters by an ex-con named Mike Moran. It turns out that Moran wants to join the army but they won't take him because of his record. Larry, who doesn't want to go into the army because it will interfere with his plans to marry Elaine, comes up with an idea he thinks will work out for all concerned. Complications ensue.
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Dir: James Cruze
Well to do laundryman Franklin Pinney finds himself uninvited to a party his yacht club is throwing for a visiting Prince. However he does meet him , hiding from a band of anarchists who have mistakenly bagged another man in his place. To help his sweetheart's secret service father, Pinney and the Prince help capture the bad guys.
View DetailsAnalysis relative to The Love Burglar
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Roaring Road | Gritty | Abstract | 97% Match |
| The Valley of the Giants | Surreal | Dense | 98% Match |
| Gasoline Gus | Tense | High | 86% Match |
| What Happened to Jones | Gothic | Abstract | 93% Match |
| An Adventure in Hearts | Tense | Abstract | 88% Match |
This guide was algorithmically generated using the cinematic metadata of James Cruze's archive. Last updated: 8/17/2026.
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