The Cult Collection Comparable to the Style of The Love Trap: Cult ...

Dir: John Ince

Shrewd crook Boston Blackie is determined to go straight. At a celebration held on the eve of his marriage to Mary Dawson, Fred the Count plants a stolen jewel and Blackie is arrested and sentenced to twenty years in jail. Fred the Count tries to win Blackie's fiancée, but the honorable Mary rejects him. Blackie's only hope for escape is from the hospital, so he manages to get into a weakened state. He escapes from the hospital, but is trailed by the warden. Blackie refuses to shoot the defenseless man, and the warden recognizes Blackie as an honorable person and allows him to escape. Blackie frames the Count, and leaves for Honolulu with Mary.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: John Ince

Actress Nina Seabury is only interested in her lovers' bank accounts, but in the case of Emory Townsend, she miscalculates and believes he's a bank president when he's just a cashier. Hoping to afford her tastes, he steals $12,000 in bank funds, but she still breaks up with him, and he falls in love with Mary Winslow. A few months later, however, a detective working on the bank-funds case find evidence implicating Emory. Aware that he is about to be arrested, a desperate Emory goes to Nina and begs her to give him $12,000, so he can return the money to the bank. Nina refuses, but then Mary, who is pregnant, arrives; after pulling a gun on Nina, she forces her to write a check for the whole amount, thereby saving Emory from jail.

Dir: John Ince

A visual fragment from the archive: The thematic resonance of Her Maternal Right perfectly mirrors the editorial trajectory of our deep dive.

Thanya is a woman around whose presence there revolves an atmosphere of mystery. She is located in the Russian Capital, where she meets Vance Holden, an American artist. Although deeply in love with him, she is coquettish, and he, believing she is trifling with him, leaves her. Alexander Bagroff, Grand Duke of Russia, sees Thanya pass in her carriage and desires to know her. He arranges with a mutual friend to go to her apartment. He becomes infatuated with her but she dislikes him, not only because he is a man long past the prime of life, but for other and more important reasons. At midnight, after her guests depart, Thanya, in disguise, steals out to a small tavern where she meets Boris, her brother, leader of a club of social revolutionists. The gang is just about to choose a marked coin which will brand one as the man chosen to carry the next mission of death to a ruling power, in this case the most hated man in Russia, Bagroff. Boris draws the marked coin. Thanya falls in a swoon. In an agony of fear, she asks Boris to forsake his society. When he tells her it will be his pleasure to strike at the most hated man in Russia, the Grand Duke, Thanya is startled. Telling Boris of Bagroff's infatuation for her, she promises to assist him in his mission. Thanya is invited to attend a ball given by Bagroff. She notifies Boris to strike that night at twelve. Boris gains admittance into the grounds, but is discovered near the house. A shot is fired, the guests are terrified. Thanya surmises the cause, she controls herself. Boris, cornered, attempts to gain admittance into the house and lose himself among the guests. As he enters he is shot. Bagroff, believing someone among his guests has betrayed him, orders his soldiers to tie Boris to a pillar, strip him to the waist and lash him with the Russian pronged whip. As the blood streams down Boris' back, Thanya rushes to him, informing Bagroff that she is the traitor. They are both placed in a cell, where Bagroff offers Thanya her liberty if she will but become his mistress. He is rebuked, and both are sent with a train load of other prisoners to an exile in Siberia. During a storm, they escape and go to Paris. Vance, after leaving Russia, comes to Paris and here he and Thanya are brought together again, reconciled and married. Boris leaves for America. Vance encounters difficulties in selling his paintings. The following winter Bagroff comes to Paris. A Parisian doctor attending Vance, tells Thanya that he can bring her a client for Vance's pictures. He brings Bagroff, who tells Thanya that through the Prince Kenla he can make all the people of Paris patronize Vance, providing she pay the price herself. Desperate to obtain the welfare of her husband, Thanya resolves to give herself to Bagroff for a night. The Princess sits for Vance. He becomes popular as if overnight. The Princess, going to a week-end party to the country, implores Vance to accompany her. Thanya remains alone in the city and unbeknown to Vance, prepares herself for the terrible ordeal with the Grand Duke. The appointment is made. Bagroff dismisses his servants, Thanya comes, disrobes. As he looks upon his prey with the lustiness he has nourished for years, he is suddenly seized by Boris, who, upon returning from America, learns of Bagroff's presence there, and seeing his servants leave together, enters through a window in time to save Thanya. Pulling out his revolver, Boris makes short work of Bagroff, and immediately sets sail for America. The news of Bagroff's mysterious death causes the Princess to hurry back to Paris, and Vance returns with her. He finds Thanya in his den, prostrated. He raises her up, but, as she had promised Boris, she tells him nothing of her night's experience. Thanya and Vance open the window, and the sunlight pours into the room, an omen which prophesies a life of uninterrupted happiness for both of them in the future.

Dir: John Ince

Cyril Maitland and Henry Everard, friends since childhood, are of contrasting temperaments, the former hot-headed and rather impractical, the latter cool-tempered and possessed of a sane viewpoint. Cyril, studying for the ministry, is engaged to Henry's sister Marian, and Henry, studying medicine, is engaged to Cyril's sister Lillian. Unable to resist temptation, Cyril ruins a girl of his parish, Alma Lee, and when a child is about to be born, her father swears to kill the man, but Alma conceals his name. On the night the child is born, Alma's father is found dead. Cyril, being about Henry's build, has worn his clothes, and witnesses see him in the vicinity of the woods where the crime was committed. Henry is convicted of the crime of which Cyril is guilty. Lillian alone believes him innocent, and is sent to prison. Alma declares him to be her child's father. Cyril, believing his calling in the church above all other things, keeps silent, but at the last moment, about to speak, is held back by his father, who thinks him unstrung. Cyril marries Marian, but his conscience tortures him almost beyond endurance and his life becomes a living hell. Finally Henry is released after 20 years in prison, and he attends the cathedral presided over by Cyril, who has become the great Dean Maitland, the most eminent preacher in the country. Cyril sees Henry in the congregation and there is a powerful scene. Cyril meets his son, with a letter from Alma asking for his education, then Alma dies, and her son, learning his identity, renounces his father. Marian dies, and Cyril's troubled soul is grief and conscience-stricken. Henry, seeing the terrible pain of recognition in the cathedral, and remembering his old love for Cyril, now so changed, writes a letter of forgiveness to him, when beyond all endurance, Cyril's pride now broken, repentance enters his soul. The next day, Sunday, his sermon is at first a trite appeal to repentance, and then a dramatic confession of his own sins, when, falling from the pulpit, he drops dead. And after the storm, the sunshine: Henry and Lillian live happy in their true and undying love.

Dir: John Ince

A visual fragment from the archive: The thematic resonance of The Crucial Test perfectly mirrors the editorial trajectory of our deep dive.

Wealthy, beautiful Juanita Holland leaves the comfortable surroundings of her home in the North and journeys to the Cumberland Mountains to educate the illiterate mountaineers. Finding herself in the middle of a fierce feud between the McBriars and the Haveys, Juanita urges the clan members to end the violence and settle their differences in the courtroom. She and clan leader "Bad Anse" Havey fall in love, and under her influence, he convinces his followers to let the law punish the murderer of Jeb Havey's father. After one of the McBriars is found guilty and hanged, "Old Milt" McBriar swears that his family will obtain revenge and organizes a party to go after Bad Anse. When they shoot the young man, seriously injuring him, Juanita seizes a rifle and opens fire. Fearing that Anse will not recover, she marries him that night, but he eventually regains his health.

Dir: John Ince

Ashton Kirk is a young man of high social position and great wealth; he is a deep student and learned in the lore of ancient tablets and forgotten books. His keen mind delights in those mysteries which have proven too shadowy for the police. He finds a joy in the hunt; there is a thrill in matching his intelligence against the craft of the criminal. His interest in the mystery of the house of fear, Cramp's house, was awakened by Pendleton, who, as a guest of Cramp, communicated to Kirk, his friend, the strange sense of mystery and fear surrounding Cramp's house. In Cramp's household lives Grace, his sister, Miss Hohenlo, his aunt, and Kretz, his servant. Kirk learns through his agent in Mexico that Cramp's father was an expert engraver in Mexico years before, and his astute mind connects this fact with the number of Mexicans in the vicinity. He also learns that, in a time of financial stress, Cramp's father forged some currency plates for one Alva, an unscrupulous Mexican, but at the last moment failed to deliver them. At the time of Kirk's visit, the plates rested securely under a great stone in the cellar of Cramp's house, and the presence of the prowling, murderous Mexicans, headed by Alva, was explained by this. The perplexing question, however, was how these intriguers managed to gain nightly entrance to the cellar in their search for the plates. It takes Ashton Kirk to resolve the queer markings on the string of a package sent to Miss Hohenlo into the message "tonight." That night, Kirk and his aides wait in the cellar as the unsuspecting Miss Hohenlo lets in her confederates. There is a big scene in which Alva and his men are overpowered, and it is learned that Miss Hohenlo is Alva's wife. Thus does Ashton Kirk solve the mystery of The House of Fear.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of Sealed Lips perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: John Ince

Carew, surgeon at an army post, is in love with Marjorie Caldwell, but Marjorie, who is all for social stuff, thinks her feeling toward him is only friendship. Dames comes to the post as junior surgeon, and supersedes Carew in her regard, marrying the girl. Mrs. Drew, a widow, comes to the post and an intrigue begins between Dames and the widow. Carew sees it, and to save Marjorie tells her that his absences are matters of duty. He asks to be transferred to Manila, and he and Dames are both sent there. On the way Carew warns Dames that he will lose Marjorie's love, and they quarrel, Dames being partly drunk. The ship hits a reef, and Dames, in an effort to save himself, wrenches a life preserver from a woman. Marjorie and Carew are left on the ship, but Carew rescues her, and in the morning they are on the shore of an island with an overturned boat and the bodies of their fellow passengers in the surf. On the shore of another island Dames is rescued by an Abbot, but his wounds cause him to lose his identity. On the first island, Marjorie comes to see the strength of Carew's character but he refrains from telling her of the actions of her husband. A ship is sighted, and Carew, after a struggle, lights the beacon that will save them both but probably take Marjorie away from him. In San Francisco they learn that Dames is reported missing. He asks her to be his wife, but she thinks Dames may still be alive. Dames is on the island with lepers, and works with the monks as Father Fabrician. Carew comes to the island and finds Dames at work among the lepers. He recognizes Dames, but the latter denies his identity. He goes to the monastery, tells the Abbot the truth, and Dames leaves with Carew for Manila, and an operation that will restore his memory. After the operation Dames returns to his drunken habits, and reading some of Carew's letters he learns of the feeling of his wife, giving it a sinister turn. As he prepares to assault Carew he sees the marks of leprosy on his arm, becomes agonized with fear, jumps overboard and is lost. In San Francisco Carew finds Marjorie, tells her of the occurrences and of Dame's death, and while she feels sorry that he has gone as he did, she finds her true happiness with Carew.

Dir: John Ince

On a visit to the city of Boston, a village girl is taken advantage of by a man there and returns home feeling sullied and ashamed. A young man who had once sought her hand returns from years away in Europe and reiterates his suit. She returns his love and agrees to marry him, but has difficulty telling him the truth about her misadventure. When she finally does, his response seems to doom the pair to tragedy.