Deep Archive Finds Movies That Echo the Spirit of The Man from Pain...

Dir: Joseph Henabery

Wealthy, snobbish, patronizing Horace Winsby is refused by Patricia Owens, then must leave his California valley because of restiveness by farmers whose mortgages he is foreclosing. In New York Horace runs up large bills, cannot pay them when his wallet is stolen, is put out of his hotel, and finally is helped by Shorty, a park bum. Patricia and her father come to New York and find a changed Horace washing dishes, and everything is resolved.

Dir: Joseph Henabery

A visual fragment from the archive: The thematic resonance of Sixty Cents an Hour perfectly mirrors the editorial trajectory of our deep dive.

Although Jimmy Kirk earns only $7.50 a week as a soda jerk, he is ambitious and hopes to marry Mamie Smith, the bank president's daughter. He saves up enough money to rent a car, in which he finds money stolen from the bank. When James Smith tries to keep Jimmy from receiving the reward, Jimmy shrewdly claims that the bank encroaches on his 4-ft. plot of property. Jimmy wins both a financial compromise and Mamie.

Dir: Joseph Henabery

When his honeymoon is over, Knox Randall shifts his attention from his wife Ailsa to his business. Feeling neglected, Ailsa accepts her sister-in-law Clarissa's advice that a little jealousy might re-ignite her husband's interest. Undertaking a harmless flirtation with playboy Porter Maddox, Ailsa discovers that Clarissa has fallen madly in love with Maddox, who is using her to accumulate confidential information regarding Wall Street secrets. When Ailsa overhears Clarissa making plans to elope with Maddox, she hurries to save her sister-in-law. Rumor spreads that Ailsa is a faithless wife and, upon hearing the gossip, George Mott-Smith, Clarissa's husband, notifies Knox and the two set out to intercept the guilty pair. Once they overtake the threesome, Ailsa tells all and Knox finally realizes the value of his wife.

Dir: Joseph Henabery

A visual fragment from the archive: The thematic resonance of The Inferior Sex perfectly mirrors the editorial trajectory of our deep dive.

A conservative young man inherits his uncle's pearl-fishery concession in the South Pacific. Upon his arrival there, he becomes involved with a woman and a mystery.

Dir: Joseph Henabery

Traveling salesman Bob Blake finds himself at a railroad junction instead of his intended destination through a practical joke played on him by two drummer friends, and he spends the night in an unoccupied house up for sale. In Grand River he falls in love with its owner, Beth Elliott. Politician Martin Drury conspires with her suitor, Franklin, to buy the property cheaply, knowing it is wanted by the railroad, but Bob beats him to the sale and pays the taxes. Beth, thinking Bob has deceived her, accepts their offer, but when he learns that a wife's signature is invalid without the assent of her husband they get married, thus checkmating the schemers.

Dir: Joseph Henabery

A visual fragment from the archive: The thematic resonance of The Man Unconquerable perfectly mirrors the editorial trajectory of our deep dive.

Joan Doubleday is a shy spinster, who has been engaged to Monty Wade for 12 years, is secretly adored by Peter Flagg. Her young niece, Jerry, arrives and sets out to capture Monty. On the wedding day, Jerry announces that the grooms have exchanged places and that Peter will marry Joan. A quarrel prevents preparations for the wedding, but Jerry finally convinces Joan that she was meant for Peter.

Dir: Joseph Henabery

U. S. Senator Baldwin of Arizona succumbs to the charms of a widow who refuses to marry him as long as his daughter is single. His daughter, Judith, would prefer a trial marriage properly chaperoned at the Baldwins' country lodge. She finds Congressman Hamil a bore, but the liveryman notifies the Washington press that they have eloped. Courtney, her other suitor, arrives early at the lodge, and the news brings Ted Musgrove, Baldwin's ranch manager who has always loved Judith. Meanwhile, Baldwin, who has secretly married the widow, arrives at the lodge; and after the turmoil Judith decides that Ted is her man.

Dir: Joseph Henabery

A visual fragment from the archive: The thematic resonance of Traveling Salesman perfectly mirrors the editorial trajectory of our deep dive.

Ann Annington, book reviewer for a metropolitan newspaper, is assigned to interview author Harold Hargrave. Knowing that Hargrave has resisted previous attempts, Ann obtains a position in his apartment as a maid and resolves to break up his engagement to Evangeline, a girl chosen for him by his mother. She plants ladies' garments about his room and hairpins in the bed, and Evangeline is indignant. Discovering he has been tricked, Hargrave dismisses Ann. That evening they realize their mutual love, with the result that she does not report the details of his private life to the press.

Dir: Joseph Henabery

When respectable Lloyd Norwood becomes infatuated with moll Goldie Lewis, he falls into a life of debasement that results in his being accused of the murder of gangland henchman Joe the Swell. Norwood's wife Mary, convinced of her husband's innocence, determines to clear his name. Disguising herself as a vamp and infiltrating the underworld, Mary extracts a confession from the real murderer, Pussyfoot Connor, whom she dupes into believing that he sees the ghost of the murdered man. Later, to have witnesses to the story, Mary takes a midnight dinner with gang leader Jack Frost, arousing the jealousy of Connor, who enters and accuses Frost of instigating the murder. The police, alerted to the scheme, rush in and arrest the criminals. Finally, a phone call to the prison warden results in Norwood's release as a wiser man.

Dir: Joseph Henabery

Mountaineer Pap Clayton has promised his daughter Sairy Ann (Dorothy Gish) to his cousin Jed Martin, but Sairy Ann loves Dr. Richard Cavanagh (Sam DeGrasse), the son of Judge Lee Cavanagh. In the midst of a feud between the Claytons and the Jacksons, a jealous Jed sets out to kill Richard. Jed shoots a deputy who gets in his way and is taken before Judge Cavanagh, whom the Claytons have threatened to kill if Jed is convicted. The Claytons are true to their word when Cavanagh finds him guilty, and Richard immediately vows to kill Jed, who has escaped. Sairy Ann, however, reminds Richard that he has railed against family feuding and has said that only the law can take a life. A sobered Richard captures Jed and hands him over to authorities; then, after he has forgiven the Claytons, he and Sairy Ann become engaged.