
Ann Annington, book reviewer for a metropolitan newspaper, is assigned to interview author Harold Hargrave. Knowing that Hargrave has resisted previous attempts, Ann obtains a position in his apartment as a maid and resolves to break up his engagement to Evangeline, a girl chosen for him by his mother.


The first time we glimpse Mary Miles Minter’s Ann Annington, she is not perched at a typewriter but reflected in a brass doorknob—an image that forecasts the entire film’s obsession with surfaces that lie. Her Winning Way (1921), directed by the unfairly forgotten Joseph Henabery, is a silk-stockinged Trojan horse: a...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Joseph Henabery

Reggie Morris
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" The first time we glimpse Mary Miles Minter’s Ann Annington, she is not perched at a typewriter but reflected in a brass doorknob—an image that forecasts the entire film’s obsession with surfaces that lie. Her Winning Way (1921), directed by the unfairly forgotten Joseph Henabery, is a silk-stockinged Trojan horse: a romantic romp that smuggles in a scalpel-sharp autopsy of class, gender, and the newsprint colosseum of the early Jazz Age. Criterion devotees who genuflect before the altar of L..."
Gaston Glass
Lechmere Worrall, Douglas Z. Doty, Edgar Jepson
United States


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