Hand-Picked Alternatives for Fans of The Marriage of Molly-O: Cult ...

Dir: Paul Powell

William needs to impress millionaire Bradford who is willing to invest in William's struggling business. So William and his wife Maude pose as servants while their guests Elizabeth and Richard pretend to be landlord and landlady.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of Betsy's Burglar perfectly mirrors the editorial trajectory of our deep dive.

Betsy Harlow is a hard-working maid in a boarding house. Her dream. however, is to be a detective, a dream she shares with her boyfriend Oscar, a delivery boy for a local grocer. One day a mysterious character named Harry Brent takes a room at the boarding house. Harry, seeing that Betsy is falling for his rather shady charms, persuades her to help him get a box of jewels owned by the Jaspers, an elderly couple who lives across the hall. It turns out that Harry is not quite who he seems; neither, however, are the Jaspers.

Dir: Paul Powell

After her father's death, little Briar Rose is taken in by the men at a lumber camp. The girl shows a definite preference for one of the lumberjacks, "Hell-to-Pay" Austin, so he becomes her new "father." Just as much as Hell-to-Pay takes care of Briar, she watches over him, and it is largely through her influence that he gives up hard drinking and needless fighting. Then, when Briar is old enough, she goes away to school and quickly falls in with the wrong crowd. Hell-to-Pay comes after her and takes her away from Doris Valentine, an adventuress who had been teaching Briar the tricks of the trade. When they are reunited, Hell-to-Pay and Briar realize that they are in love, so they decide to change their relationship from guardian and ward to husband and wife.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of Hell-to-Pay Austin perfectly mirrors the editorial trajectory of our deep dive.

When George Walsh learns that his director is ill, he hires a French director named Monsieur Hoe Beaux to write and direct his new film, and after it has been completed, they sit down to view the results. Kirk White, having finished college, boards a ship to South America to procure a large inheritance left to him by his uncle. On the way, he and his sweetheart, Violet Ray, encounter a group of revolutionaries led by Jazzbando Boullion. Because Boullion and his henchmen are also after the money, they imprison Kirk and Violet in a small town, but after a series of narrow escapes, the young man manages to send a wireless to the United States Marines. After their rescue, Kirk and Violet declare their love for each other. Following the screening back in the movie studio, Hoe Beaux is ordered off the lot.

Dir: Paul Powell

Two mysterious strangers arrive uninvited at the wedding of Sergeant O'Farrell of the Royal Mounted Police and Rosine Delorme, the daughter of an innkeeper. After O'Farrell receives a message that Rosine's wayward brother Louis has escaped from prison with the notorious devil-may-care outlaw Rossingnol, O'Farrell postpones the wedding to find the convicts. One of the strangers confronts Rosine alone and convinces her to guide him to a cabin at the end of the Passage Du Mort where, he says, Louis awaits. When they find the cabin empty, the stranger reveals himself to be Rossingnol. They struggle and Rosine faints. Rossingnol carries her to a bed and hypnotizes her, but just then Louis arrives wounded to warn that the mounted police are coming. Rossingnol tells Louis to take Rosine and hide in the bushes until they hear a shot to signal them to head for the border. After Rossingnol is shot and dies in the arms of his sweetheart who followed him to the cabin, O'Farrell resigns and joins Rosine and Louis in the United States.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of The Kid Is Clever perfectly mirrors the editorial trajectory of our deep dive.

Jimmy Conroy plans to marry Marna, stepdaughter of the wealthy Theodore Lewis, who disapproves of Jimmy as a son-in-law. His idea of a husband is Wally Henderson. Jimmy and Marna decide to elope. Jimmy cuts the tires on father's automobile and secures a rope ladder, while Marna packs up. Wally sees them eloping and informs father, who hustles him down to the train to prevent a ceremony until he can obtain injunctions and follow on the limited to serve it, Marna being under legal age. Jimmy has the marriage license, but has no time to get married before getting to the train. Wally takes the same train and lectures them on parental deference, but is shoved away. The train stops ten minutes at a way station. Jimmy rushes to the Rev. Tobias Tubbs, who is bathing. When he comes to the door, clad only in a bathrobe, Jimmy hustles him to the train just as it pulls out. Wally is on the platform and prevents them from boarding the cars. By the liberal use of money and I.O.U.'s Jimmy digs up a variegated costume for Tubbs and forces him along by hand car, mule back, afoot, and on the bumpers. After numerous adventures the limited, with father aboard, is flagged by Jimmy, who is thrown off, but pulls Tubbs up with him on the observation platform. He is about to be put off again when father pretends to be friendly. Instead he conspires with the conductor to have them arrested for stopping the limited. Meanwhile, Wally has convinced Marna that Jimmy has deserted her. She weepingly accompanies him to the hotel, there to await father's arrival. Jimmy and Tubbs are arrested when they disembark. Jimmy escapes and Tubbs is locked up. Father gives the injunction for service and has a scene with Marna. Jimmy has a hairbreadth escape from father and the officers as he attempts to get Marna from the hotel. Then he communicates by telephone and arranges for her to go to the city jail, where he will try to break in and Tubbs will marry him. Changing clothing with a sympathetic hotel maid, Marna eludes her guard and reaches the jail. Jimmy is sighted trying to break in, and a heart-breaking chase follows over rooftops, up and down the walls of buildings and over apparently unsurmountable obstacles. Mama, discouraged, is sent back to the hotel room. The search for Jimmy continues. He takes refuge on the telegraph wires overhead. Walking past several poles, he comes to one where a lineman is working. After explanations, the lineman agrees to help and makes a three-cornered telephone connection between Tubbs in jail, Marna in her room, and Jimmy on the pole. While the pursuers howl threats below, the unique wedding is under way. Father suddenly realizes it and dashes for the jail, arriving as the ceremony is completed. In conclusion, Jimmy is shown in his office settling I.O.U.'s. When alone again, he opens the vault, and out steps Marna into his arms.

Dir: Paul Powell

Susan ( Dorothy Gish ), a pretty society girl, bored with her lot in life, reads and decides to use her time and money to help the poor. She founds the Joan of Arc Mission and quickly becomes an easy mark for con men. She meets and becomes fond of Larry ( Owen Moore ), the son of a loved and respected politician. Soon Larry exposes the petty grafting that is going on and Susan almost ends their friendship. She is befriended by Jim Cardigan ( Fred J. Butler ), a saloon owner, who has evil designs upon her. Susan would like to turn his saloon into an ice cream parlor. Jim promises to do so, but uses his interest to lure her to his apartment and tries to advantage of her. When a con men runs to tell Larry that she is being attacked, he goes to rescue her and is wounded in the struggle. Susan nurses him back to health and happily wins his love.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of The Man in the Moonlight perfectly mirrors the editorial trajectory of our deep dive.

Meena, an Amish girl, is left wealthy when her parents die. She goes to live with her unpleasant relatives in New York. There she encounters a German count, who, though he believes her to be a servant girl, falls in love with her.

Dir: Paul Powell

The locale of the play is among the redwoods of California. The Nymph has grown up under the care of a mother who has forsaken civilization to live in a log house in the timber. There is a stalwart Amazon-like servant, who guards the girl jealously. The Nymph has known nothing of men's society. She is taught the ancient stories of the Greek divinities and plays hymns to these personages on her harp. But the restless girl is not content to stay at home. She runs and dances through the forest, her head filled with the wonderful stories that she has read. She gives the trees the names of the gods. One day she clasps her arms around a tree and calls on the divinity that inhabits it to appear. As the tree remains stolid to her impassioned cries, she clasps her hands and calls again for Apollo. A young hunter, who happens to have come on the scent, steps forward. The girl can hardly reconcile his hunting clothes and high boots with the picture of the half-draped Greek god. He wins her interest, however. There is a thrilling fire scene afterwards and the girl is rescued from danger and restored to her adorer.

Dir: Paul Powell

Hard-working insurance-company bookkeeper John Carter comes home on Easter eve to his suburban cottage with a potted lily for his loving wife and two daughters. The Carters live happily until cashier Charles Ryder is murdered by the night watchman, a "coke-sniffer" in need of money, and Carter is accused because he worked with Ryder that evening. During intense third-degree police questioning, Carter acts guilty, but cub reporter Ned Fowler, who loves Carter's daughter Helen, intervenes. After the watchman, arrested for fighting and in need of drugs, confesses, Carter is released, but insurance company president Ira Wolcott will not reinstate him because of his notoriety. During the next year, Carter fails to find work because of his age. As Easter approaches and his life-insurance premium comes due, Carter decides to kill himself in a gas-filled hotel room so that his starving family can collect the insurance money. When Carter's little daughter Nellie strays into Wolcott's yard, Wolcott learns about Carter's plight and rescues him. Carter returns to work, and Helen becomes engaged to Ned.