Cinematic Discoveries Resonating with the Themes of The Masquerader...

Dir: James Young

Ted Vandeveer, a lawyer without clients, receives notice that he has been included in his rich uncle's will, he and his partner, James Sweeney, are excited, then they find that Ted's cousin Archie inherited nearly everything. With the $700 left after paying their creditors, Ted and James go to a fashionable resort, where the hotel clerk mistakenly puts them in the exclusive suite reserved for Archie. Passing for a wealthy man, Ted attracts many eligible girls, among them Mildred Niles, the daughter of a wealthy broker. After Mildred and Ted become engaged, James encourages him to elope before the money runs out. When Mildred's father announces that he lost his fortune in the market, Mildred's mother persuades Mildred to elope before the news is known. Three days into their honeymoon, Mildred and Ted mutually confess their poverty and unable to pay their hotel bill, until Ted learns of a codicil to the will stating that he really inherited a million dollars. It was intentionally kept secret until he married so that no woman would marry him for money.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Usurper perfectly mirrors the editorial trajectory of our deep dive.

John Maddox, a man who has little use for women, travels out West to make his fortune. On the way he rescues a pretty young woman from a narrow ledge just below a steep cliff. She turns out to be Beatrice Clive, an English girl vacationing at the family estate with her wealthy father, Lord Bulverton. Six years pass and, now a wealthy rancher, Maddox discovers that the Bulverton estate is for sale. Finding himself still attracted to Beatrice, he contacts her about buying the estate, but finds that the Bulverton family is in such dire financial straits that Beatrice has been forced to become engaged to the wealthy but villainous Sir George Trenery.

Dir: James Young

Mountain girl Plutina lives with her grandfather, refuses to marry moonshiner Dan Hodges, preferring instead Zeke, a young farmer. When Zeke learns that Dan, in revenge, shot Plutina's pet trained bear, Zeke vows to kill him. After a revenue officer, shot by Dan, is cared for by Zeke's mother, Dan vows to kill Zeke. Dan and Zeke fight, and although Dan is beaten, he escapes into the mountains. Sometime later, the revenue officer secures for Zeke the position of overseer of government timber lands. As Zeke waits for a train after missing the first one, he learns that Dan, who has threatened to kill Plutina's grandfather and sister and set fire to their house unless Plutina marries him, has abducted her. Zeke arrives at a hidden cave where Dan has taken Plutina just as she is about to jump from a cliff. The ensuing brawl ends when Dan is plunged over the cliff. Finally, Zeke and Plutina marry.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Heart of the Blue Ridge perfectly mirrors the editorial trajectory of our deep dive.

When a woman's husband is presumed dead in the war, her sister, for her own unscrupulous reasons, attempts to get her remarried. But the husband, it seems, is not dead after all.

Dir: James Young

Kitty Bellairs is a flirtatious young girl on a holiday trip to Bath, in 18 Century England. Her sister becomes involved in a scandal, from which Kitty rescues her from, all the while leaving a string of conquests behind her.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Missing perfectly mirrors the editorial trajectory of our deep dive.

After his wife's death, Thomas Singleton suffers a temporary breakdown and is committed to an asylum by his scheming half brother, Jordon Morse. Although Jordon has been appointed the guardian of Thomas' little daughter Virginia, he shuns the responsibility, placing the girl in the care of an old mammy and planning to retrieve her only on her eighteenth birthday, when she comes into possession of her mother's fortune. Sixteen years pass. Thomas, deeply worried about his daughter's well-being, escapes the asylum, and after sending Virginia to live with a poor but kindly cobbler named Lafe Grandoken, he dies. Virginia's chance meeting with millionaire Theodore King leads to romance, and her happiness is complete until Morse, anxious to secure her money, hires Maudlin Bates to kill Theodore. When Bates, plotting to double-cross Morse, threatens Lafe, Morse enters and shoots the gunman, but Lafe is accused. Morse imprisons Virginia, but she escapes in time to free Lafe and bring the villain to justice.

Dir: James Young

A fascinating piece of cinema that shares thematic elements.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Sweet Kitty Bellairs perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: James Young

During World War I, young Dorothy Grant comes home from finishing school and informs her parents that she is going to contribute to the war effort by organizing a "Girls Aviation Corps". She has uniforms made and hires a veteran of the Spanish-American War to teach her "cadets" military routines and drills. Her father owns a munitions factory and is always telling her to be on the lookout for spies. She convinces herself that the family butler, Williams, is a spy because he cuts his grapefruit in an odd way. It turns out that Williams isn't a spy but the people whom Dorothy least suspects are in fact spies, and they discover that Dorothy knows the password to get into the factory after hours. They come up with a plan to get Dorothy to give them the password so they can blow up the factory.

Dir: James Young

With the electric-ray machine that he invented, a scientist brings his daughter back to life after she dies in a car crash but he fails to revive her soul at the same time.