Editor's Top Picks Following the Footsteps of The Mediator: Cult Guide

Dir: Otis Turner

With the help of futuristic technical inventions, a private detective investigates a bizarre murder case involving mysterious messages delivered in a small black box by the killer.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of A Little Brother of the Rich perfectly mirrors the editorial trajectory of our deep dive.

While working his way through college, Paul Potter acquires a flock of wealthy friends who encourage him to give up his hometown fiancée, Sylvia Castle, for Muriel Evers, a flirtatious married woman. After Sylvia releases Paul, and Muriel's husband divorces her for infidelity, Paul and Muriel marry. Meanwhile, when Sylvia's father dies after being ruined in the stock market, she goes from one job to another in the city until she tries acting in a stock company. There she befriends Henry Leamington, an alcoholic leading man, who, as he tutors her, falls in love and stops drinking because of her. When Paul discovers Muriel's unfaithfulness, he renews his acquaintance with Sylvia, who still loves him. After Muriel dies in an automobile crash, Paul's appearance in Sylvia's dressing room before an opening night causes Henry to drink, but after Sylvia refuses Paul's request to be his mistress, Henry braces himself to give a commanding performance, after which they marry.

Dir: Otis Turner

Ruth and Lem Heck are orphans. Ruth is a nurse in a small town populated by a religious sect called "The Seekers." Their object is to seek those that are needy and administer to their needs. Ruth and Lem live with Rev. Hood. Lem is apprentice in a machine shop. Two crooks in the machine shop rob the village bank with Lem's tools, which they stole. Lem is accused and sentenced to jail for 15 years. After three years, Ruth laments the absence of her brother, whose health is failing. Rev. Timothy Hood heeds the call of another little village of the same sect to send them a nurse and sends Ruth. She arrives at the little village of Canaan Mountain and is met by Sheriff John Mount, the son of Rev. Israel Mount, with whom she is to live. One Sabbath a drunken brute is abusing his wife at the church door. John, trying to aid the wife, is about to be shot by the husband, when he is saved by Ruth. John and Ruth help the wife and gain her friendship. Later, the sheriff and Ruth become engaged. Lem, her brother, is shipped out of jail by an old convict who places him in a huge packing box which he is filling. Lem makes his escape from the baggage train and meets Ruth in the woods. A gossip sees them in each other's arms and spreads the news that Ruth is untrue to John, her betrothed. He refuses to believe the tales. Ruth hides Lem in the barn and continues to visit him at night. John starts to get suspicious. It happens that Ruth is compelled to borrow $50 from Rev. Mount and signs a note for it, promising to work off the debt. She goes to the barn and John follows her and sees her give Lem the money. He confronts them, and Ruth tells the truth. They plead for liberty, but John's sense of duty is greater, and he starts to take Lem back. The men fight, and, as John is about to overpower Lem, Ruth strikes him over the head with an iron chain, knocking him unconscious. Ruth helps her brother to escape, and when she returns to the barn she finds it in flames. She rescues John, who tells the crowd of villagers who have gathered that he knocked the lamp over by accident. Several months pass. Ruth works off the debt, and the lovers are estranged. The customary time arrives to send a young couple to another part of the mountains to populate a new settlement. The couple are chosen by lottery. John is the young man chosen and Rev. Mount realizes that Ruth and John are torn with anxiety as to who will be the chosen wife. When the day comes, the maidens cast their names in the box, and the Rev. Mount so fixes the lottery that Ruth's slip is picked. In a big city Lem is at work in a printing shop. At every sound he starts guiltily, thinking that someone will arrest him. A man rushes in with a slip of paper and tells Lem to rush it out in type for the next edition. Lem reads the paper, and it is an account of his acquittal and the full confession of the two crooks who robbed the bank. The State has pardoned his escape and only want news of his whereabouts. Lem is happy that he is finally free. Ruth and John continue on their way over the mountains in the old buggy.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of The Seekers perfectly mirrors the editorial trajectory of our deep dive.

Young and wild, George Bell lives with his rancher father, Thomas Bell, in Paradise Valley, California. When George sells his father's favorite horse, Mr. Bell turns him out, and George becomes a grain salesman in St. Louis. Meanwhile, Polly Martin lives with her father Bill, an ex-businessman who has sunk to day-labor because of his addiction to alcohol. Bill frequently abuses Polly, and when he falls to his death from a high girder, Polly becomes a nurse in the Salvation Army in St. Louis. George falls in love with Polly after he saves her from the advances of a drunk, but she will not marry him because of his wild past. Instead, she applies for a job in Paradise Valley as a nurse, where she renders aid to Thomas Bell, who has broken his leg. She nurses him back to health at his ranch, and he grows fond of her. Eventually, George learns that Polly is in Paradise Valley and follows her to the ranch. When Thomas discovers that his son loves Polly, he sacrifices his love for George's happiness, and all live together as a family.

Dir: Otis Turner

Newly wealthy Isidore Lechat lives in a castle in the south of France. He believes that business is the most important thing in life, but manages to stay attached to his children, although he believes that his wife's slovenly appearance detracts from his social position, so he doesn't let her go out in public. He begins an affair with Celeste, an acquaintance of his wastrel son Xavier. He believes that this may be the beginning of a new cycle of personal and business triumphs for him, but soon matters begin to take unexpected turns.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of The Whirlpool of Destiny perfectly mirrors the editorial trajectory of our deep dive.

The tale is that of a curious expedition to a pearl lagoon off the South Sea Islands in search of untold treasures. The members of the party are a newspaper reporter, a degenerate Australian, who is literally seeped in gin, and a cunning Chinese, who supplies the money to fit out the vessel. When they arrive at the island, they find only a girl, Leila, who was shipwrecked with her father long before. Leila is so glad to see white men again that she eagerly shows them a bag of beautiful pearls brought up from the ocean bed by her father, who disappeared shortly afterward. The pearls are so tempting to the Australian and the Chinese that they form a combination against Leila and the reporter, Bruce Chalmers, when the latter refuses to aid them in robbing the girl. The struggle which follows for the possession of the pearls and the lagoon is very realistic.

Dir: Otis Turner

When the story opens Sylvia Lacey has been left an orphan. Her shiftless father, Sam Lacey, of artistic, but weak nature, left her without money. Her mother had died ten years before. The girl writes to her only remaining relatives, an aunt, Miss Martha Lacey, and her mother's brother. In his youth the Judge, Calvin Trent, wanted to marry Miss Martha, but they quarreled. When Sylvia's letter arrives, announcing that she will be in Boston the next day, both uncle and aunt are nonplussed. Neither wants the responsibility. Miss Martha finally decides to go and the Judge sends his young partner, John Dunham, in his place. Miss Martha waits with the young lawyer in the hotel parlor. Plainly she speaks her mind to John about the inconveniences of the girl's coming. Sylvia is already in the room and hears. She promptly refuses any aid from either relatives. Miss Martha is sorry, but it is too late. Dunham, however, goes back to the girl and forces her to accept a loan (of judge's money.) Back in the village, Miss Martha and the Judge both remember a cousin of the Judge's who manages the Judge's main farm. "Thinkright" is sent for and his white hair and kindly eyes soon win the girl to visit him. "Thinkright" once loved Sylvia's mother and is naturally drawn toward the girl. As she and "Thinkright" reach the Mill Farm near Portland, she sees the deserted old Tide Mill with all its shutters closed. Imaginative, she says then and always after, that the old mill is sorrowing and only love can open the shutters. Edna Derwent, a rich Boston girl, who owns a cottage on a nearby island, is a friend and disciple of "Thinkright's." He has taught her to be patient with the false social life which means so much to her mother. Each summer she comes to Hawk Island with Miss Lacey as chaperon. Sylvia becomes jealous of Edna and all her beauty, charm and wealth. "Thinkright" stops this trend of thought in the girl and after several severe tussles, turns her thoughts into the right road. She struggles bravely. Her uncle, penitent, arrives and promptly falls in love with this niece he has never seen before. She forgives him. The next day Miss Lacey arrives at Hawk Island with Edna. This forgiveness is harder, but Sylvia, strong in her new right thinking, manages it. She is invited to the Derwent cottage for a visit. John Dunham, an old friend of Edna's, comes for a visit and his fancy is quickly taken with the imaginative Sylvia whom he rescued in Boston the month before. Sylvia has a strong talent for painting. She has done some things with pencil, but longs for paint. She has no money and is too proud to ask any of her relatives. In her heart she adores John Dunham, but has held herself coldly toward him because she thought that he and Edna were engaged. Suddenly she discovers that he loves her. In her embarrassment she drops her book of sketches and "Thinkright'' finds pieces of brown paper covered with drawings, all showing much power and talent. Edna leagues Judge Trent in a plan, and Sylvia learns that she is to have lessons in painting. The winter passes. Sylvia is making rapid strides in her profession under Edna's special wing in Boston. Summer comes and she goes to the Mill Farm again for a visit. Walking alone on the edge of the basin, she sees the shutters of the Tide Mill have opened and the windows are gleaming brightly. Just then John Dunham appears and asks her to go with him to the Tide Mill. It is open. The first floor is vacant and so is the second. He asks her to go clear to the top and there she finds a luxuriantly appointed artist's studio. "Love opened the shutters," says John, "I bought the Mill and furnished this for my bride." The old story is told and the shutters of life open wide for the girl who learned to think right.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of Business Is Business perfectly mirrors the editorial trajectory of our deep dive.

Miriam Lee is a young woman in New York who works hard for a living. Her life changes when she meets Joe Valdez, a handsome and ruthless gambler. After the couple is married Valdez opens an elegant gambling house and uses Miriam, who is nicknamed "the queen of the night", as bait to attract rich and gambling customers.

Dir: Otis Turner

Terence O'Rourke an adventurer, has been courting Princess Beatrix long enough to ask her to marry him, but he realizes that, with no steady income, he has no right to propose. Then, the Pool of Flame, a huge ruby that adorns a statue of Buddha, is stolen, and officials in Rangoon offer Terence $500,000 to find the jewel and return it. In tracking down the gem, Terence must outwit such longtime adversaries as Chambret, Princess Karan, and another of Beatrix' suitors, Duke Victor. Finally, Terence manages to complete his mission, and then, with his fortune assured, he ends the long wooing phase of his romance with Beatrix and marries her.

Dir: Otis Turner

A fascinating piece of cinema that shares thematic elements.