The Definitive Guide Deeply Connected to The Monastery's Hunter: Cu...

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Hugh Ford

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.

Dir: Victor Heerman

In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.

Dir: Frank Beal

A visual fragment from the archive: The thematic resonance of The Great Day perfectly mirrors the editorial trajectory of our deep dive.

During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Max Obal

A visual fragment from the archive: The thematic resonance of The River's End perfectly mirrors the editorial trajectory of our deep dive.

Mr. Effington and his daughters Maud and Edith hear Miss Destinn at the opera. Edith expresses a wish to meet Miss Destinn, so her father invites Miss Destinn to the birthday party to be given for Edith. Maud is very fond of animals. A friend sends her some lion cubs which she trains to do tricks. She also has several full-grown lions in her private menagerie. Edith is very fond of music and loves her young teacher, Jack Harris. Her father objects to her attachment, and drives him from the house. Atwood, a business friend of Mr. Effington, asks for Edith's hand in marriage. At the birthday party he proposes to her, but is refused. At the party Maud is showing how tame her lions are, and on a dare Miss Destinn, who has accepted the invitation to be present, enters the cage with her and, with one of the lions lying on the piano, within a few inches of her, sings parts of Mignon, Atwood chagrined at Edith's refusal of his hand refuses to assist Mr. Effington in his business, with the result that the business fails. Mr. Effington does not survive the shock and the two girls, brought up in luxury, are forced to go out into the world to make a living. They consult Miss Destinn as to what they should do and receive her assurance that she will help them as best she can. They decide to use Maud's lions and advertise for a young man to play a part in a moving picture drama. Jack Harris sees the advertisement and answers it. He and the girls are much surprised to meet again and he renews his suit for Edith's heart. Edith accepts him and the preparations are made for the wedding. Maud is heartbroken and confesses that she has loved Jack for a long time. She goes with the happy couple to get the marriage license, but cannot face the ordeal. Disappointed and dejected, she goes back to the house and dressing in her sister's wedding dress, enters the cage of the lions. The lions do not seem to recognize her and she loses control of them. When Jack and Edith return they are horrified to find that Maud has become indeed "The Lion's Bride."

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.