Masterpiece Selection Resonating with the Themes of The Ne'er Do We...

Dir: Colin Campbell

Caleb Conover, a railroad section boss, marries Letty, the daughter of a man of higher social standing, after rescuing her from harassment in a rough Italian neighborhood. By unrelenting force and tenacity, Conover becomes the corrupt political boss of his county, and the railroad president. His son Gerald refuses to work, and marries a chorus girl who is after his money and who retains her former lover. When Conover's daughter Vera returns from Europe supposedly married to a prince, Conover throws an elaborate reception and drunkenly nominates himself for governor. Anice Lanier, Conover's trusted secretary, to whom he is attracted, likes Clive Standish, a lawyer Conover cannot corrupt. After she steals compromising letters Conover wrote to his broker, Conover learns that Anice is the daughter of a man he earlier ruined. When Letty informs him that Vera's "prince" was untitled, the marriage not legal, and that she is starving in Paris, Conover, his drive now gone, loses the election to Standish.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The Still Alarm perfectly mirrors the editorial trajectory of our deep dive.

"Bird," a clerk in Fordham's drugstore, agrees to place a large sum of money in the store's safe for a traveler, but when the man requests a bottle of medicine, Bird poisons the remedy, and the visitor is found dead in his hotel. Bird flees with the money, but several years later he returns, the money long since squandered. Unless Fordham's daughter Eleanor marries him, he threatens, he will tell the police that Fordham committed the crime. Eleanor's sweetheart, fireman Jack Manley, is puzzled by her involvement with Bird and decides to investigate. By chance, he meets an old alcoholic who once worked for Fordham and possesses the evidence to clear the druggist and convict Bird. The latter, fearing that he will be exposed, cuts the signal wires to Fordham's house and then sets it on fire, but Eleanor telephones the fire station, and the entire department is soon on the scene. Jack risks his life to save Eleanor and the old drunk, who finally exposes Bird. Soon afterwards, Jack and Eleanor climb aboard the fire engine to ride to their own wedding.

Dir: Colin Campbell

The Pasha's servant Mohamed, is entrusted to guard the Sacred Carpet of Bagdad with his life. In New York, after banker Arthur Wadsworth forces his brother Horace to give up his inheritance, Horace joins a band of crooks and plans to rob the Wadsworth Bank by tunneling from the adjacent home of antique dealer George P. A. Jones. The gang follows Jones to Egypt and Bagdad, where Horace steals the carpet and sells it to Jones. Fortune Chedsoye, the innocent daughter of a gang member, falls in love with Jones. When Fortune discovers that Mohamed plans to kill Jones to retrieve the rug, she hides it with her mother's belongings. Mohamed forces Jones, Wadsworth, and Fortune into the desert, but they escape his torture during a sandstorm. Wadsworth then rejoins the gang at Jones' home in New York. When Fortune and Jones catch the crooks tunneling, Jones, sympathetically, gives them a two hour head-start before informing the police. Fortune and Jones keep the carpet, while in the East, Mohamed bows in resignation to Allah's will.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The Carpet from Bagdad perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Colin Campbell

Miss Otis nearly hits a derelict with her car, and out of sympathy she gives him some money and advises him to "clean up and keep clean." Soon after, the derelict meets Esther, an anarchist who involves him in a plot to blackmail a banker. When he realizes that Miss Otis is the banker's daughter, the derelict tears up the banker's check but is arrested and committed to an asylum. Esther, who is in love with the derelict, helps him escape, and he resolves to attain a position of wealth and importance. After he earns his fortune, he rejects Esther's affections and asks Miss Otis to marry him.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of Beware of Strangers perfectly mirrors the editorial trajectory of our deep dive.

Tom and Sally are the only survivors when their wagon train is attacked by Swift Wing's braves. Starlight aids in their escape and they join a group of hunters. But there is more trouble when the tribe attacks again.

Dir: Colin Campbell

In the small shipbuilding town of Danforth, Albert Walker realizes, to his distress, that German sympathizers, spies and draft evaders, by voicing doubts about the United States' involvement in the war, are having a disastrous effect on the patriotic spirit of the townspeople. In order to silence these "yellow dogs," Albert organizes the boys of Danforth into a club, to be headed by a young patriot called "Nosey" White. The boys pledge to challenge unpatriotic remarks by handling the speaker a card labeled "yellow dog." While Nosey is in the home of his sweetheart, Kate Cummings, one day, he overhears her father, Alexander Cummings, in conversation with a group of German spies. Learning that the agents plan to set fire to the shipyard, he informs his father, who rushes to the scene and engages one of the spies in a fight. The spy is shot, and when Albert and Nosey expose Cummings, the German is sent to prison.

Dir: Colin Campbell

A visual fragment from the archive: The thematic resonance of The City of Purple Dreams perfectly mirrors the editorial trajectory of our deep dive.

Stephen Brice, a young lawyer in Civil War-era St. Louis, falls in love with Virginia Carvel, the daughter of his benefactor. But she is loyal to the South and Brice is committed to Lincoln's cause. In the course of the war, their convictions separate them, and Virginia becomes engaged to her cousin Clarence Colfax, a Confederate officer. Brice becomes an officer under General Sherman, and eventually finds himself faced with the captured Colfax, facing execution for spying. Brice must decide whether or not to intercede in his rival's behalf.

Dir: Colin Campbell

When her mother elopes with a lover and her father dies cursing the name of God, Domini Enfilden attempts to forget her pain in Beni Mora, an oasis in the Sahara. At the desert hotel, she meets and falls in love with Boris Androvsky, a tormented man of mystery. Abruptly announcing his departure one day, Boris bids farewell to Domini in the Garden of Allah, but passion overwhelms them, and after making love, they are married by Father Roubier. The two are happy until Capt. De Trevignac, a dinner guest, recognizes Boris as the former Father Antoine, a priest whose irrepressible lust forced him to leave the monastery. De Trevignac says nothing, but after his departure, Boris confesses to Domini, who urges him to return to the monastery. The years pass, and Domini rears her son Boris in the Garden of Allah.

Dir: Colin Campbell

The first of many filmed adaptations of Rex Beach's adventure novel of the Alaskan gold-rush.