Recommendations
Senior Film Conservator

Looking back at the 1929 milestone that is The Pagan, the cinematic shorthand used by W.S. Van Dyke is both ancient and revolutionary. Dive into this collection and find the spiritual successors to W.S. Van Dyke's vision.
As W.S. Van Dyke's most celebrated work, it defines to articulate the unspoken anxieties of United States's 1929 era.
A carefree South Seas native falls for the half-caste ward of a religious white man who desires her for himself.
The Pagan was a significant production in United States, showcasing the immense talent of Donald Crisp, Ramon Novarro, Renée Adorée. It continues to be a top recommendation for anyone studying Drama history.
Based on the unique nuanced performance of The Pagan, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: W.S. Van Dyke
Through a forged will, a crook assumes control of a valuable estate. He poses as the brother of a dead man, and endeavors to dispose of the deceased man's two daughters, one of whom is in love with the forger's son.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Bruno Ziener
A fascinating piece of cinema that shares thematic elements.
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Dir: W.S. Van Dyke
Out of the elite and civilized east into the rough and primitive west there comes a little party which judged the desert must be larger than all New York, and their trail a little longer than the Gay White Way. Ruth Harkness, who has inherited the Flying W ranch from a relative, heads the timid little band. A prim and conventional aunt and uncle and Willard Masten, her fiancé, all dolled up according to his Fifth Avenue tailors ideas of the west, accompany her. Headlong the little party plunges into the meshes of a conspiracy of two cowboys to mulct the girl of her holdings. Rex Randerson, a happy-go-lucky ranger with a clear-gray eye, steps in to frustrate the plot, and incidentally falls in love with Ruth. This enrages Masten, who joins the conspirators and extends their plot to include Randerson's death. The girl and the ranger are caught in their "death trap'' and count themselves lost, but the fearlessness of Rex in a single-handed battle with the villains saves the day. Ruth thanks him by consenting to become his bride, and an old-fashioned cowboy wedding ends the dark adventure.
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Dir: W.S. Van Dyke
Real life outlaw Al Jennings tells a "real" story about how he came to the aid of a woman who was abused by her alcoholic husband.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
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Dir: W.S. Van Dyke
In the land where the Sun hangs low and the hungry wolves shadows play ominously over the everlasting snow, Joe Mauchin meets Jeanne Verette. He is a trapper, come down to the little post of Mead's Pocket, a vicious mining town, for supplies. She, the daughter of a saloonkeeper who compels her to "drum up trade" among his maudlin patrons. Joe falls in love with Jeanne. A brute of a man seeks to interfere and in the resultant struggle falls dead. Joe and Jeanne flee to his camp miles away and a year's happiness follows. Then the trapper finds Constable McKenzie of the Mounted Police half dead in the snow. Joe revives the officer and carries him to his cabin. Straightway McKenzie arrests the trapper for the saloon death. A desperate fight ensues between the two and the constable, overpowered, flees for aid. He is last seen in the woods, staggering from the effects of a wound, and with a pack of wolves slowly drawing in on him. Joe, in the cabin, draws to his arms Jeanne who is shyly clutching a newly made bit of baby clothes. It is that for which Joe had fought.
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Dir: W.S. Van Dyke
Jack Derry accidentally becomes involved in a mystery surrounding Glory Billings, when fate makes him her rescuer in a kidnapping episode.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
View DetailsAnalysis relative to The Pagan
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Blackmail | Surreal | High | 88% Match |
| The Hawk's Trail | Tense | Linear | 97% Match |
| The Flame | Surreal | High | 97% Match |
| Eva, wo bist du? | Gothic | Dense | 86% Match |
| The Range Boss | Gothic | Dense | 87% Match |
This guide was algorithmically generated using the cinematic metadata of W.S. Van Dyke's archive. Last updated: 5/14/2026.
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