Masterpiece Selection Resonating with the Themes of The Penalty: Cu...

Dir: Wallace Worsley

A rich young boy has to prove his worth to the gang he has just joined by enduring all sorts of hardships, including a kidnap attempt, before they'll accept him.

Dir: Wallace Worsley

When taken to a San Francisco cafe by her sweetheart Jimmy, Georgia Rodman witnesses the shooting of a policeman by an underworld gang. The owner, O'Rourke, whom Jimmy believes to be his friend, sends one of his men to their table to inquire about Georgia, and after he shoots the policeman, Georgia and Jimmy are held for questioning. As a result, Georgia is turned out of her home, and O'Rourke gives the couple a room in his hotel. Assistant District Attorney Steven Graham links the missing couple with O'Rourke's activities and collects evidence against him. O'Rourke plans to bribe Graham and have Jimmy shot on the night of his annual ball, and Sally, O'Rourke's ex-mistress, learning of the plan, turns against him and informs Georgia; finding Jimmy wounded, Georgia seeks revenge at the ball, but Sally shoots O'Rourke. Georgia is reunited with her family and Jimmy, while Graham finds happiness with her sister Mary.

A visual fragment from the archive: The thematic resonance of Voices of the City perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Wealthy and middle-aged Gerald Fitzgerald begins to tire of his wife who is an extremely temperamental and romantic opera singer and believes he has found another woman who suits him better. He endeavors to arrange with his wife for a divorce. She agrees, but returns home from her foreign opera tour. The situation brings her face to face with the fact that she really loves him but with a woman's wiles she adopts a more subtle method. When she finds that her policy of agreeing with him is having its effect, she cleverly arranges for a dinner party and invites him to bring the other woman. She makes every situation work to her advantage and presses her advantage after dinner with the final result that she wins her husband back.

Dir: Wallace Worsley

Unknown to his proud, wealthy family, Granger Hollister marries telephone operator Margery Harding. Granger presents his new wife at an engagement party given for his sister Jane, but Jane's fiance', Lord Cecil Graydon, threatens to break off the betrothal unless Granger's marriage is annulled. To please his sister, Granger sacrifices Margery, who seeks work and later gives birth. After her baby's death, Margery goes West, where she befriends and old miner who later leaves her his fortune. Meanwhile, Granger becomes involved in a fraudulent mining deal, and because of George Osborne's perjured testimony, he is sent to prison for five years. When he escapes, Margery agrees to hide him and is ultimately responsible for obtaining his pardon. Granger then remarries the wife he had abandoned.

A visual fragment from the archive: The thematic resonance of Enter Madame perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

After Alice Dane, a poor English schoolteacher, witnesses Sir John Turnbull throw an adversary over a cliff, Turnbull offers her money and marriage, because a wife cannot testify against her husband. To support her invalid father and for desired luxuries, Alice accepts, but she finds her husband humiliating and insulting. When Bobby Ralston, the superintendent of Turnbull's South African mines, reports that Turnbull's interests are endangered by a Zulu uprising, Turnbull takes Alice to Africa. After Turnbull shoots an emissary of Zulu chief Cetygoola carrying a flag of truce, Alice is taken hostage, to be burned at the stake unless the messenger's killer is offered. Knowing that Ralston loves Alice, Turnbull dares him to offer himself, which he does, but the Zulus realize he is not the guilty party. During the Zulus' subsequent attack, Ralston and Alice escape to an observation balloon. Reinforcements defeat the Zulus, but Cetygoola hides and kills Turnbull. Ralston and Alice are then free to marry.

Dir: Wallace Worsley

Wealthy heiress Diane Westfall, bored with her life, hops into a green van and sets out to seek adventure. She doesn't know that four men are pursuing her--her cousin Carl, who wants her inheritance; Baron Tregar of the small Balkan country of Houdania, who believes that Diane may be the rightful heir to the Houdanian throne; Prince Ronador, who also believes she may be the heir to the throne but wants to kill her so he can get control of it; and Philip Poynter, a young American friend of Baron Tregar's who has met and fallen in love with Diane, and sets out to protect her.

A visual fragment from the archive: The thematic resonance of Wedlock perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Alouette, the daughter of prosperous French vintner LeSieur Juste DeLarme, secretly marries Bertrand Beaubien although her father wants her to wed wealthy German Kurt Von Klassner. After Kurt slays Bertrand, Alouette is forced to marry the brutal German, and only her love for her little son Bertrand, whom Kurt imagines is his offspring, but who actually is the slain Frenchman's, saves her from complete unhappiness. Years later, when the Germans invade France during World War I, Kurt assists them although they have killed his father-in-law. Bertrand's young sweetheart is killed during the German occupation of the village, and fiercely determined to drive them out, he enlists in the French army. With the arrival of the French forces, the town is rescued, and Kurt, through Bertrand's testimony, is arrested as a spy.

Dir: Wallace Worsley

Neysa von Igel, who is living with her supposed grandfather Adolph Schmidt, loves America, although she believes herself to be German-born. Unknown to Neysa, when she was three years old, her American-born parents were killed in Germany by Emil Koenig, whose punishment was to be sent to the United States to work in the interest of the government of the Fatherland, and who is now associated with Schmidt in his manufacturing enterprise. Koenig demands that Neysa work in behalf of Germany. She revolts and escapes to the home of David Hale, who had been her grandfather's attorney but who is now in the service of the United States Government. Hale and Neysa are married and depart for France, where the girl again encounters Koenig, and, after many thrilling adventures, she kills him in self-defense.

A visual fragment from the archive: The thematic resonance of A Woman of Pleasure perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wallace Worsley

Viola Baxter is deceived into a hasty marriage with her guardian, Marshall Welch, who is after her money and has framed her fiancé, Dick Fletcher, for theft. She discovers and exposes her husband's perfidy. Humiliated, Welch decides to take his wife's life along with his own, but she is saved by her Great Dane.

Dir: Wallace Worsley

New York playwright Vincent Manton invests his entire fortune in stock, to keep his socially ambitious wife Lucille happy, but quickly loses it. Devastated when Lucille angrily elects to divorce him, Vincent moves to Alaska and begins to drink heavily. His sad rendition of "Home Sweet Home" on the piano in Big Dan Johnson's dance hall moves Johnson's foster daughter Rose to pity, and she gently reproaches him for his drinking. Unaware of her relation to Big Dan, Vincent treats Rose like one of the dance hall girls, and as a result, he is beaten senseless. Rose faces rejection for nursing the stranger's wounds, but Vincent falls in love with her, and they are married. Shortly afterward, Vincent strikes gold, and while he is visiting New York to incorporate his mine, he encounters his first wife. Lucille musters all of her charms to regain Vincent, but he soon realizes that she is only desirous of his money and decides to return to the woman who really loves him. Upon his arrival, Rose presents him with a baby son.