The Auteur's Selection In the Shadow of The Place of Honeymoons: Cu...

Dir: Kenean Buel

Young Margaret Walsh's husband dies while on a polar expedition. Grief-stricken, she consents to marry Morgan Delafield, a much-older man who is a close friend of her father. However, it's not long before she falls in love with Stephen Bond, a man who's actually younger than she is. While she tries to resist her feelings for Stephen to not endanger her marriage, gossip about the pair nevertheless begins to make the rounds, with unintended consequences for all concerned.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of She perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

Colette is a model who poses for two artist brothers, Don and Andrien Walcott. Andrien, a hunchback, creates a beautiful portrait of her which is seen by evil Bulgarian Prince Vacarra. The prince tracks her down and locks her in.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of The Woman Who Gave perfectly mirrors the editorial trajectory of our deep dive.

Jane and Katherine are the sweetest youngsters in the world--in their mother's eyes. The family is summering at a seaside resort when Mama is called to town for a week. Not wishing to interrupt her darlings' good time, she summons her young bachelor brother to the hotel to look after the girls until she returns. "Billy" Parke undertakes the job. On the way to the resort he meets Betty Murray. The two are bound for the same hotel and it's love at first sight. Billy would have enjoyed the bus ride from the station to the hotel with Betty if his nieces hadn't entered, recognized him, and made themselves at home on his lap after being drenched when they drove an electric wheelchair into the surf. He must neglect Betty on reaching the hotel to get the youngsters dry clothing and clean them up. Soon after her arrival at the hotel Betty and her father enter the dining room at the same time Billy and Katherine appear. Katherine had previously met Mr. Murray and introduces Uncle Billy to Mr. Murray and Betty. They are talking when Jane, who had been left in her room asleep, appears in an exceedingly brief costume on the trail of something to eat. Billy grabs her and bundles her back upstairs. Jane and Katherine keep the hotel in a turmoil. Every time Billy tries to advance his suit for Betty is an opportunity for a new escapade by the youngsters. On one of her trips about the resort Katherine comes upon Bob Murray, the son of Mr. Murray, whose father cast him out for forging a check. Bob is in a bad way when Katherine finds him, and her motherly attentions awaken his deadened manliness and he promises her he'll go straight and earn his father's forgiveness. Meanwhile, Mr. Murray confides in Katherine his great sorrow and she asks him why he doesn't ask his prodigal son to return, to which the elderly man replies that he would if he could find him. Katherine promises to help him. A few nights later two crooks with whom Bob was connected plan to rob the Murray apartment in the hotel. Bob, though not knowing his pals were planning to rob his father, tries to quit the job, but is finally prevailed upon to undertake it. The first thing the boy's flashlight hits on entering the apartment is a picture of his dead mother. He refuses to go farther and telephones to the hotel desk asking for help just as one of the crooks fells him. The thieves flee from the room just as Mr. Murray enters and finds his son. They take refuge in Jane's room. Recognizing the men as crooks she slips from bed and hides in a bureau drawer. Uncle Billy enters, grapples with the men and is being overcome when Jane hits one of the robbers on the head with an iron. Billy soon quiets the other. The racket attracts Mr. Murray and hotel attendants, who arrest the crooks. After the excitement subsides Mr. Murray embraces his son and restores him to his estate. Billy and Betty withdraw and decide there is no blessedness in being single, and Jane and Katherine watch with mingled pleasure and surprise the outcome of the events in which they were small but important factors.

Dir: Kenean Buel

This picture opens on the big, helpless humanity which is huddled together in Blossom Street, in the East Side's slums. The sweetest spirit of the thousands dwelling there is Anne, in love with Jimmy Graves, a man she knows is a crook. In warning Jimmy one night that the police are on his trail, she is caught in the maelstrom, brought into court with him and sentenced to jail. When she is released she plots revenge on the man who put her behind the bars, Judge Marcus, about to be nominated for a higher position in public service. Through a ruse, she obtains employment in the Marcus household. The Judge does not recognize in his wife's secretary the same woman who was once just a "poor, Blossom Street thing." He finds that he is rapidly falling in love with her. Anne is approached by a stool pigeon working for Marcus's political opponents, who are trying to fasten a scandal upon the Judge. Anne promises to aid them. She agrees to put him in a compromising position that evening, when witnesses will be on hand. Meantime, Jimmy Graves is released. He has been living through the years of his prison term, with the face of Anne always before him. He learns that the girl is at the Marcus home, and starts for the house. As the hour for the denouement draws near, Anne realizes she loves Marcus. He kisses her again and again. She notices the clock and pushes him from her just before the curtains are thrust back by the politicians and Mrs. Marcus. Jimmy arrives, and in the face of her love for Marcus, she sacrifices herself that the judge may win.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of Two Little Imps perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

Little Kate and Janie O'Dowd are sent to their wealthy American uncle, Michael O'Dowd, after their Irish father loses his life on a World War I battlefield. Having been locked accidentally into O'Dowd's munitions plant one evening, the children catch sight of their intoxicated cousin Miles O'Dowd admitting two men into the factory. The girls recognize the two as spies they had seen on the boat to America sending signals to a German submarine. After the spies knock Miles cold, the children trap them in a die-stamping machine until help arrives. Miles and factory worker Jerry Flynn, who loves young Patricia O'Dowd, enlist and are soon joined by Alfred Vanderspent, whose wealthy mother's plot to falsify his birth records is foiled by the children.

Dir: Kenean Buel

A visual fragment from the archive: The thematic resonance of The Bitter Truth perfectly mirrors the editorial trajectory of our deep dive.

Letters from the late mother of orphaned sisters Jane and Katherine seem to indicate that their father is Capt. Bob Dutton. Under orders from his superior, Colonel Harding, to acknowledge the children or quit the service, Dutton accepts responsibility for them. Shocked by his presumably checkered past, Cecile Harding, Dutton's fiancée and the colonel's daughter, breaks their engagement. One evening Jane surprises Capt. Robert Duncan, Dutton's rival for Cecile, stealing Bob's papers. Subsequently shot, the dying Duncan reveals that he is an Austrian agent, as well as the father of Katherine and Jane, having eloped years earlier with Ethel Harding, the colonel's older daughter. The colonel assumes the care of Jane and Katherine, and Dutton and Cecile are reconciled.

Dir: Kenean Buel

A fascinating piece of cinema that shares thematic elements.

Dir: Kenean Buel

General Wolfe, appointed commander of the expedition against Quebec, comes to bid his mother goodbye. Before sailing, the general calls upon his sweetheart, Katherine Lowther. She presents him with a locket containing a miniature of herself. Wolfe places the jewel on a chain about his neck. Mignon Mars and her brother, Hubert, of a Canadian family, are captured by a body of men attached to the Royal Americans. Lieutenant Arleigh, the officer in charge, secures their release. Mignon loses her heart to the young officer. General Montcalm arrives at Quebec and takes command of the French forces. Under his supervision, fortifications are erected on the isle of Orleans, to protect the approach to the city. The general gains the enmity of Vaudreuil, the vainglorious governor, when he protects Mignon Mars from the unwelcome attentions of the latter. Mignon's brother enlists in the French army and is made an officer. The English fleet carrying Wolfe's men arrives off the Isle of Orleans. Wolfe entices the Canadian pilots aboard his vessel by raising the French flag. The pilots are compelled to take the fleet up the river, under penalty of death. Mignon discovers Wolfe's ruse and rides to warn Montcalm of the approach of the English fleet. Wolfe lands his soldiers on the Isle of Orleans, twelve miles below Quebec. The fleet then proceeds up the river and anchors before Quebec. In an effort to destroy the fleet, Montcalm prepares to fire the ships. But the wind and the tide are against the French, and the fire ships drift ashore. Under orders from the young commander-in-chief, Monckton, one of the British generals, seizes Point Levis, overlooking Quebec. Wolfe offers amnesty to the Canadians who lay down arms. The inhabitants, however, prove unruly. Later, the English batter away at Quebec, with the fortifications at Point Levis and the guns of the fleet. The bombardment does terrific destruction, houses being rattled by the shot and shell, while fires, caused by the rain of death, spring up everywhere. Bushwackers attack the Chateau Mars, on the Isle of Orleans, the home of Mignon. The girl and her father are in dire peril, when Wolfe and his men approach and drive the renegades before them. Wolfe makes the chateau his headquarters. Wolfe orders an attack on the French redoubts above Montmorenci Falls. The impetuosity of the Grenadiers leads them to disobey orders, with the result that the English are compelled to retreat, after a desperate battle. The approach of the Highlanders, who cover the retreat of the army, saves the English from annihilation. Lieutenant Arleigh strives in vain to check the retreat. Fighting like a hero, he is shot by an Indian, a Caughnawaga ally of the French. The redskin is about to scalp the young soldier when Hubert Mars comes to the rescue. The Canadian saves Arleigh's life, but is himself desperately wounded. Wolfe is greatly downcast by the defeat. He returns to the chateau in dejection. Mignon looks in vain for her English lover. She learns that he is among the missing. Setting forth, she searches the battlefield among the dead and wounded. Mignon hears that Hubert is wounded and goes to the hospital to see him. To her delight, she sees Arleigh lying on the cot next to her brother. Mignon returns to the chateau and reports to Wolfe that his young aide is captured. That night, Arleigh makes his escape by changing cots with a French soldier who has died. He dons the man's uniform and leaves the hospital. Later, Arleigh succeeds in escaping through the French lines. He swims out to the English fleet. The following day, Mignon returns to the hospital and is informed that Arleigh is dead and has just been buried. Heartbroken, she returns home with the sad news. Wolfe is stricken with a fatal illness and learns that he cannot recover. During his sickness, his brigadiers recommend an attack without his knowledge. Wolfe learns of it. Despite his weakness, the commander-in-chief rises from his bed and goes to take command. In his escape, Arleigh has learned of Montcalm's intention to send boats and supplies down the river at nightfall. He returns to the chateau and delivers his information to Wolfe. Mignon is overjoyed to find her sweetheart safe. Wolfe learns of a narrow path leading up the mountain side to the Plains of Abraham. The English troops are sent down the river and due to the password given by Arleigh are enabled to slip by the French sentries. All night long the English toil up the mountainside. When morning dawns, they are drawn up in battle array on the Plains of Abraham. The fight commences. Montcalm, emerging from his tent, grows uneasy when he hears the sound of firing. He learns of the state of affairs. The bugles summon the French troops to battle and they march forth to the Plains of Abraham. Montcalm calls upon Vaudreuil, the governor, for assistance, but that cowardly official refuses to render aid. The French approach within firing distance of their foe. Wolfe delivers a stirring address to his men as the French approach. The battle commences. The opposing forces come together with a clash that sends both sides reeling. Forward they spring, slashing and stabbing like madmen. Wolfe is in the thickest of the fray. A shot strikes him. He falls. A tremendous shouting arrests his agony. "They run, they run," cries one of his aides. "Who runs?" gasps Wolfe. "The enemy." "Now God be praised," the dying man whispers, "I die happy." At the same moment, Montcalm, desperately striving to check the rout, is mortally wounded. The French commander is carried to his headquarters. He is informed that his wound is mortal. "How long shall I live? Twelve hours more or less? So much the better. I am happy that I shall not live to see the surrender of Quebec," he gasps. Wolfe's body is placed aboard the English flagship to commence its journey to the land for which he gave his life. Seated in a boat on the river, Arleigh and his bride, Mignon, watch the vessel sailing out towards the setting sun.