Summary
Under the gas-lit opulence of Belle-Époque Paris, golden-throated Nora Harrigan—soprano whose trills intoxicate the Tout-Paris—reigns over the Opéra like a secular Madonna while her shadow-twin, Flora Desimone, fumes in the wings, voice velvet yet fatefully eclipsed. Enter Edward Courtlandt, American connoisseur of beauty and bruised silences, whose gaze lassoes Nora mid-aria; she parries his hunger by draping herself on the arm of Herr Rosen, Teutonic impresario whose smile is a scalpel. One velvet night, after a Tosca that detonates bravos, Nora vanishes—kidnapped by phantoms in silk masks—only to resurface with a single accusation: Courtlandt. No trial, no shackles, yet the rumor calcifies into truth. Months later, convalescing amid cicadas and mimosa along the Côte d’Azur, she re-encounters her alleged abductor in the rose-scented salon of Colonel Wester; her father, enchanted by Courtlandt’s erudition, forges a masculine camaraderie that clangs against Nora’s barricaded heart. Rosen reappears, cigarette glowing like a fuse, until Courtlandt unmasks him as architect of the abduction and exiles him across a border drawn in blood-red ink. Just as dawn seems possible, Flora detonates her final grenade: a forgotten marriage certificate bearing both her name and Courtlandt’s. Yet Flora’s lawful husband—an aging marquis weary of melodrama—drags the truth into sunlight: the union was annulled before consummation, freeing Courtlandt to pursue the woman whose arias once shattered crystal.
Synopsis
Nora Harrigan is the idol of Parisian opera lovers, much to the envy of her rival Flora Desimone. Edward Courtlandt finds himself attracted to Nora, but she rejects him in favor of Herr Rosen. When Nora is mysteriously abducted, she denounces Courtlandt as her abductor, although he is never charged with the crime. To recover from her ordeal, Nora sojourns to the south of France with her parents where, at Colonel Wester's, she again meets Courtlandt. Her father becomes great friends with him, but Nora remains obdurate, although she has lost interest in Herr Rosen. Subsequently, Courtlandt discovers that Rosen was responsible for Nora's abduction and orders him out of the country. Just as romance is about to spring up between Nora and Courtlandt, Nora's father discovers that Flora and Courtlandt were married at one time and then separated. However, Flora's husband intervenes, forcing his wife to explain the misunderstanding and thus clearing all obstacles from love's path.
Review Excerpt
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Paris, 1919: the war is over, the world is drunk on survival, and the camera of The Place of Honeymoons glides across gilded balconies like a voyeur who has paid for the most expensive box. From the first iris-in on Nora Harrigan—her throat a cathedral of breath—director Joseph Selman announces his agenda: opera is not mere soundtrack, it is bloodstream. Each aria cues emotional pirouettes; each close-up of Emily Stevens’s face is a chiaroscuro sonnet where cheekbones argue with shadows.
A sop..."
