Deep Archive Finds in the Vein of The Prince and Betty: Cult Guide

Dir: Robert Thornby

Mining engineer Paul Grayson writes a play that is sent to theatrical producer McKay Hedden, who decides that it is so good it is worth stealing. Hedden makes a copy and then returns the original with a note that it is worthless. At Hanleytown Harbor on the New England coast, Hedden meets Silver Sands, the daughter of an old sea captain, and decides to star her in the play. Paul also visits the harbor and falls in love with Silver. Hedden begins rehearsals with Silver in New York, then a drama critic notifies his friend Paul of the treachery. Paul arrives in New York and rescues Silver from Hedden's advances. Hedden acknowledges Paul as author of the play which is a success with Silver in the leading role.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Rose o' the River perfectly mirrors the editorial trajectory of our deep dive.

Rose, a pretty young country girl,gets engaged to Steve, a handsome young lumberman whom she loves, but Claude, a city slicker who wants Rose, cons her into believing that Steve's obsessive love for her is ruining his life and that she should leave him for his own good. Steve, however, mistakenly thinks that Rose and Claude are having an affair, and breaks off the engagement. Complications ensue.

Dir: Robert Thornby

As Nan Lorimer's mother lies dying, she makes Nan promise to take care of her younger sister Masie. Unfortunately, Masie falls for the shady Dr. Thornton and travels secretly around New York City to meet him. One night she is rescued during a subway accident by wealthy John Harwood, a miner, who falls in love with her and marries her. Although the two are deeply in love, John begins to neglect his wife for his mining business, and soon Masie begins to see Dr. Thornton again. Complications ensue.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of The Almighty Dollar perfectly mirrors the editorial trajectory of our deep dive.

Young Celeste Janvier ( Bessie Love ) lives in an East Side tenement with her immigrant grandfather, a humanitarian and socialist. Like her kindly grandfather, Celeste also has a kindhearted soul, and her friendly nature has earned her the nickname, " the little sister of everybody." When several unpleasant men try to court her, Celeste turns them down. Meanwhile, Hugh Tavers Jr., ( George Fisher ) whose father owns a factory, has died suddenly. The young Tavers poses as a laborer in order to understand why the workers want to strike. He meets and falls in love with Celeste, who works at the factory, and he secures a better job for her. Celeste learns that anarchist Ivan Marask ( Hector Sarno ) plans to kill Travers, she hurries to warn her employer and is shocked to learn that he is the poor laborer whom she loves. Marask comes to respect Travers, who agrees to improve working conditions for the factory workers, and finds lasting contentment with the lovely Celeste.

Dir: Robert Thornby

Captain Ford, U.S.A., is sent down south to trail a gang of moonshiners. Jefferson Gwynne, a lovable but rather hot-headed young southerner, believes Ford is aiding the negroes in their political fight against the whites, and as Ford is compelled to keep his mission secret, Jefferson conceives a violent dislike for this agitator as he believes Ford to be, and makes no pretension of concealing his aversion. Georgia Gwynne, Jefferson's young sister, on the other hand, is attracted to the young northerner, and after her saves her in a runaway accident, their friendship develops rapidly, to the dismay of Paul Fitzhugh, Georgia's cousin, who is much in love with her. When Georgia refuses Paul's offer of marriage, he accuses her of being in love with the strange agitator, but she also ignores his remarks and he goes away angry. Jefferson accuses Ford of stirring up the negroes to vote against the whites. Ford tries to quiet the excited boy, but his calmness only tends to heighten Jefferson's anger, and drawing Ford's sword from his scabbard, he begins a fight. Ford defends himself with a piece of wood. A scuffle ensues, and Jefferson falls wounded. Ford rushes to the house for assistance. While he is gone, Sampson, a negro political leader, who hates the Gwynnes, steals up and seeing the wounded boy and the sword lying at his side, is possessed of a demoniacal idea. He seizes the sword, and plunges it into the boy's body. Captain Ford, coming up with Georgia, her father and others, is overcome to find Jefferson dead. Circumstantial evidence points to Ford as the criminal, and despite his vehement protest of innocence, he is led away to prison. Georgia alone believes in him and comforts him with her assurance of faith. Paul, who saw Sampson stab the boy, and knows therefore that Ford is innocent, is torn by conflicting emotions, but his hatred of his rival, and his desire to get him out of the way proves stronger than a sense of justice, and he conceals his knowledge of the crime, and allows Ford to be led away to prison. Despite the unpleasantness of his surroundings in prison. Ford conducts himself bravely and manfully. In defending an old negro against the guard, he incurs the enmity of that official, and in revenge the guard has him whipped by the negro Sampson, who had been in prison for stealing a ballot-box. Angered by this unnecessary indignity, Ford still submits in silence, but that night when the prison catches fire, he seizes the opportunity to escape, and is trailed by the guards with dogs to Georgia's home. Georgia scarcely recognizes in this worn, haggard prisoner, the man whom she loves, but she receives him gladly, and struggles hard to conceal him from the guard. Her efforts, however, are futile; the door is broken in and Ford dragged out. Georgia has read that an individual can lease any convict he or she may desire, by applying to the Governor for a permit, and she determines now to make use of this knowledge. By clever maneuvering, she manages to detain the arresting party, white she rushes a messenger to the Governor, with an application for the releasing of Ford. Just as the guards are ready to lead Ford away, the messenger returns with the permit, signed by the Governor, and Georgia demands that the prisoner be turned over to her. Ford finds his new captivity much to his liking, and the affection between captor and captive rapidly grows. The old negro, whom Ford defended in prison, is released, and hurries to Col. Gwynne. to toll him the real truth about the murder; how Sampson, talking in his sleep, revealed how he seized the sword and killed Jefferson. By a clever re-enactment of the murder scene, Sampson is led to confess the truth. Ford is cleared, and he and Georgia are happy in each other's love.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of A Little Sister of Everybody perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Robert Thornby

Vaudeville artist LaBelle Geraldine and her dancing partner Freddie Montgomery are stranded in Arizona when their troupe breaks up. In order to raise money, Geraldine orders Freddie to impersonate masked bandit Black Jim so that she may turn him in and collect the $2,000 reward. When the real Black Jim holds up her coach, Geraldine, believing that he is Freddie, boldly pulls out her gun, and the bandit shoots her in the wrist and takes her to his cabin. Later Freddie is captured too, but when members of the gang insult Geraldine, he refuses to protect her. Gradually Black Jim falls in love with her, and she comes to admire him so deeply that instead of seizing a chance to escape one night, she returns to warn him of the gang's plot to kill him. Together they hold the gang off until their cabin is set on fire. Dashing through the flames, they leap onto their horses and escape to safety.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of The New South perfectly mirrors the editorial trajectory of our deep dive.

Young playwright Harold Montague travels to the Kentucky mountains to seek the local color that his manager has complained is lacking in his new play. There he falls in love with Kate Kendall, a mountain girl, and tries to befriend a group of moonshiners, who regard him with suspicion because of their fear of revenue officers. Looney Lige, jealous of Harold's success with Kate, alerts the officials to the location of the still, and the mountaineers, led by Big Hank, decide that the outsider whom they assume has betrayed them must hang. Kate saves Harold at the last moment, and, badly shaken, he catches the next train back to New York. At the rehearsal of his play, his manager introduces him to his leading lady--Kate Kendall, who had also been sent to the mountains for local color.

Dir: Robert Thornby

A feud over boundaries between the McKinstry and Harrison families, both from Kentucky, but squatting in California in search of gold, has caused Cressy McKinstry to show disdain for Joe Masters, a cousin of the Harrisons, even though she secretly loves him. Nellie Dabney, who left her husband Ben for city-bred John Ford but then was deserted by him, returns and is rejected by Ford, who is now the schoolteacher of the settlement and is attracted to Cressy. After Ben fights Ford and takes Nellie back, Cressy schemes with Ben for him to buy the land in her name. A San Franciscan representative of the legal owner arrives to take possession and provokes a fight at the boundary line which leaves Joe with a bullet in his arm. Cressy proves that the land belongs to her and Joe, who she will soon marry, and the families are reconciled.

Dir: Robert Thornby

When the Duke of Wynninghame, a "simple soul" who prefers science to royalty, meets Molly Shine, a London shop girl, he is enthralled by her love of books and begins to send her two pounds weekly so that she can purchase the books that she adores. Molly's mother discovers the money and, assuming that the duke is paying her daughter for immoral reasons, drags the girl to the duke's home, where she charges him with seduction. The duke good-naturedly agrees to marry Molly, and then ignores her. Molly loves her husband, but his neglect, coupled with the enmity of Octavia, the duke's sister, compels her to leave. As she prepares to flee, the duke realizes that he has fallen in love with his wife, and the two face a happy future together.