The Recommended Vault Deeply Connected to The Prussian Cur: Cult Guide

Dir: Raoul Walsh

After Mary Carroll's husband learns that she has had an affair, he challenges her former lover to a duel and is killed. Mary is thrown out by her husband's wealthy family and separated from her little boy, John Carroll, Jr. Years later, John Jr. falls in love with Ruth Fulton, the daughter of the horse trainer for Rex Burleigh. When her father dies, Ruth accepts Rex's offer to care for her, but she leaves the expensive apartment he has provided when she learns his true motives. Boxer and former jockey Kid Dugan kills Rex because he also loves Ruth. Ruth later becomes a secretary to Mary, unaware that she is John Jr.'s mother. Ruth leaves after Mary learns of her involvement with Rex, then Mary acknowledges to John Jr. that she is his mother. John Jr. introduces Ruth to his mother, who advises her to confess everything to her son. Ruth does so, but John Jr. refuses to believe in her innocence. When John Jr. is set up to lose on a big horse race, Ruth rushes in and rides the horse to victory and is forgiven by John Jr.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of The Regeneration perfectly mirrors the editorial trajectory of our deep dive.

A boy surrounded by violence grows up to become an infamous gangster.

Dir: Raoul Walsh

In the Canadian province of Acadia, young Evangeline is betrothed to Gabriel. But before their wedding can take place, the British imprison the men and send them into exile with their lands forfeit to the Crown Evangeline follows the exiled men in hopes of finding her beloved, but even after he and the other Acadians are released in Louisiana, she cannot find him, always arriving at some locale just after he has departed. But she dedicates her life to searching the continent for the man she loves.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of Evangeline perfectly mirrors the editorial trajectory of our deep dive.

Given a choice between traveling to South America as an emissary for his father's ammunition company and foregoing his weekly allowance, Billy Drake heeds his father's warnings and buys an ocean liner ticket. Before leaving, however, the movie-struck Billy spots a beautiful woman standing in front of a theater and imagines that she is a film star. To his delight, he finds the woman on board his ship, as well as Count Von Nuttenburg, a political troublemaker, who has stolen a movie camera, thinking that it is a new brand of machine gun. Von Nuttenburg shows the camera to Billy, who concludes that the count is a director and the ship is a set for a movie melodrama. When the boat lands at a port torn by revolution, Billy insists that the guns and soldiers are part of the show. Not until he and the girl are seized by the rebels and threatened with death, does he admit his error. By a clever ruse, he escapes from his captors and with the help of Federal troops, defeats the count and wins the heart of his pretty shipmate.

Dir: Raoul Walsh

Hearing that the United States has just declared war on Germany, Bill Durham hurries to a recruiting station to enlist, but because he has flat feet, he is rejected. He falls in love with Barbara Knowles, whose guardian, August Myers, unknown to Barbara, is a German agent. When Bill learns that Myers plans to stir up trouble on the border of the United States and Mexico, he catches the train to New Mexico and routs out Myers' gang of bandits. Meanwhile, Myers has sent Barbara back to New York to be married to German spy Carl Vogel. Bill returns East and arrives at the church just in time to dispose of the German bridegroom and marry Barbara himself.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of This Is the Life perfectly mirrors the editorial trajectory of our deep dive.

Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.

Dir: Raoul Walsh

Harold Whitley, a member of New York's idle rich, is upset when the United States enters World War I. Upon learning that married men are exempt from the Selective Draft, Harold urges his fiancée Mary to wed him quickly, but Mary indignantly threatens to break their engagement. At the twenty-story skyscraper that Harold's father is building, Mary meets Jim Kelly, the contractor's son, and is impressed as he rises on a beam. Jim returns Mary's gloves to her Fifth Avenue address, where Harold insults him. At training camp, Jim, enthusiastic about the draft, is promoted to aviation captain, while Harold, who exhibits cowardice as a captain, is released. In France, Jim is knocked unconscious by a shell and nursed by Mary, now in the Red Cross. Jim captures a German raiding party, and after he makes them exchange clothes with allied soldiers, they are shot by their own men. When Mary is abducted by a German prince, Jim pursues on horseback, tumbles over a cliff, swims ashore and arrives in time to rescue her. They then escape in an airplane.

Dir: Raoul Walsh

A visual fragment from the archive: The thematic resonance of I'll Say So perfectly mirrors the editorial trajectory of our deep dive.

The life of Sam Houston--soldier, statesman, patriot, and one of the founders of the Republic of Texas--is depicted.

Dir: Raoul Walsh

Jack La Salle marries South American heiress Blanquetta Del Castillo, and the two settle into a happy life in New York City. Following the birth of their son, Jack, Jr., however, Jack becomes involved in an affair with the notorious Josie Sabel and thereafter ignores his wife. Outraged upon learning that Jack has taken their son to Josie's apartment, Blanquetta files for divorce, the court finally ruling that the boy must live with each parent for a portion of the year. As the time of little Jack's departure from his father approaches, Jack, Sr. declares that he will never return the boy to his mother, whereupon the tortured Blanquetta shoots and kills her faithless husband. The jury, moved by Blanquetta's desire to love and protect her son, ultimately acquits her.

Dir: Raoul Walsh

When the United States enters World War I, a mother sends her two eldest sons off to the battlefields with a smile, although her heart is breaking. She soon learns that the eldest is missing and the second son is wounded, however, and resolves to keep her youngest at home. The boy, due to the influence of pacifist literature, willingly accompanies his mother on a secret journey to their seaside home, but the father, ashamed that his son is a "slacker," discovers their whereabouts. The three are in the midst of a heated argument when the pitiful survivors of a ship destroyed offshore by a German U-boat come to the house seeking refuge. The mother and son realize the importance of the cause and the son enlists. At Christmas, all three sons come home, the eldest accompanied by his new French bride.