Recommendations
Archivist John
Senior Editor

Delving into the atmospheric depths of The Rainbow reveals a master at work, the artistic provocations of The Rainbow demand a follow-up of equal intensity. These hand-selected movies are designed to satiate your craving for cult quality.
The enduring power of The Rainbow lies in to transcend the limitations of its 1917 budget and technology.
Neil Sumner and his wife, Ruth, at the end of six years of married life, find that they are not suited to each other, and separate, the wife taking their small daughter, Cynthia. Dick Harcourt. Ruth's brother, a ne'er do well, who by the will of their father was the executor of her privately owned estate, squanders it in riotous living, and reaching the end of his resources, after losing quite a large sum of money to Neil Sumner, his brother-in-low, commits suicide. This brings an end to the married life of Ruth and Neil. She blames Neil for Dick's untimely end, and proceeds to get a divorce. Neil tails in with a part of the so-called "fast set" in New York. During this period, Ruth has lived in London with Cynthia. Ruth determines to return to America. When Ruth's brother Dick committed suicide, he left a letter, addressed to the family lawyer, telling him that he had dissipated Ruth's entire fortune. The lawyer, who is a friend of Neil's tells him of this circumstance, and asks him what the outcome will be for Ruth. Neil generously offers to continue paying the dividends on all the stocks Ruth still supposes she owns, knowing nothing of the defalcation of her brother. Ruth and Cynthia arrive in New York, and that same night Betsy, Neil's sister, who is very fond of Ruth, asks her if she will allow Cynthia to go with her to pay a short call to her father. Ruth consents, much to Cynthia's delight, and they arrive at Neil's house in the middle of a hilarious party, attended by some of his sporting friends. Neil decides to open his Port Washington home for the first time since Ruth has departed with the baby. Coming back from the race one day, some of Neil's sporting friends meet Cynthia on the street, and some of them, knowing who she is, invite her to go with them to the Red Lion Inn for some refreshment. She, in her innocence, accepts. Neil, happening to pass the Red Lion, sees the party coming out. He takes her in his car with Mrs. Palmer, a lady whose name has been coupled with his in gossip, and takes her home. Ruth, reading in the town topics that same day some of the gossip connecting Neil with Mrs. Palmer's name, the lady he was riding with, decides that the only safe way is to get Cynthia and return to London. Several months later Neil finds himself in London, where he also meets the family lawyer, Mr. Fellowes. Fellowes, who all these years has been trying to effect a reconciliation between Ruth and Neil, hits upon the happy idea of taking Neil to Ruth's home, determined there to tell Ruth that Neil, all these years, has been supporting her. While they are discussing the ways and means of fixing Ruth's fortune so that she may never know, she overhears their conversation. Cynthia, hearing her daddy's voice, rushes into the room and embraces him frantically, telling him that she is to be married the next day, and that she will go and bring her fiancé for his approval. She does so, and when she enters with him, Neil has just finished making an unsuccessful plea to Ruth for the restoration of their happiness, and it is the sweet love of the young girl for both her mother and father that brings this beautiful play to a happy ending.
The influence of Ralph Dean in The Rainbow can be felt in the way modern cult films handle artistic bravery. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of The Rainbow, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Ralph Dean
Emmy Morgan lives with her parents and sister in humble circumstances far from the big city. Emmy's only goal is to marry well in order to attain all the luxuries in life. Her sister, on the other hand, is content with her humble surroundings and modest marriage. After her father dies, Emmy persuades the family to use the insurance money to move to the city. There she meets Chanler, an author, and wins his affection. When the writer goes to Virginia for a rest after finishing his book, however, Emmy stays behind and marries an elderly rich man. She gains her dreams of luxury, but realizes that money cannot compensate for love. After her husband's death, Chanler returns, but having discovered Emmy's shallow values and disloyalty, he rejects her. Emmy then attempts to retrieve all that she has lost, but after pursuing a series of wealthy men, she sadly realizes that she has lost the greatest prize of all, love.
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Dir: Ralph Dean
Spoiled and lonely daughter of a wealthy Wall Street entrepreneur, Katherine Harcourt, wanders into the Tango Tea Set and meets the charismatic Antonio, a professional dancer. Infatuated, Katherine follows Antonio to his hotel room but, at the last moment, rejects his advances and leaves at the point of a knife. Later that night, Pepita, Antonio's lover, is found murdered and Antonio is arrested. As his alibi, Antonio claims that he was with Katherine. To save the Harcourt name from scandal, Miriam Collins, the sweetheart of Dick Harcourt, Katherine's brother, says that she, not Katherine, was in Antonio's room. Although Miriam's gesture is an attempt to improve her image with Dick's father, who thinks that she is too poor for his son, it soon backfires and Dick breaks off their engagement. Guilt-ridden, Katherine finally confesses to knowing Antonio, clearing both her own and Miriam's name. With the blessing of Mr. Harcourt, Miriam and Dick reunite.
View DetailsAnalysis relative to The Rainbow
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Song of Sixpence | Surreal | Dense | 91% Match |
| The Accomplice | Gothic | Layered | 92% Match |
This guide was algorithmically generated using the cinematic metadata of Ralph Dean's archive. Last updated: 5/13/2026.
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