Recommendations
Senior Film Conservator

The evocative power of The Right to Happiness (1919) continues to haunt audiences with its stylistic flair, its status as a United States icon makes it a perfect starting point for discovery. The following gems are essential viewing for anyone captivated by The Right to Happiness.
The visceral impact of The Right to Happiness (1919) stems from to serve as a cornerstone for cult enthusiasts worldwide.
The story of twin sisters, one raised in Russia, the other in America, and how their lives diverge and re-entangle.
Critics widely regard The Right to Happiness as a cult-favorite piece of cult cinema. Its stylistic flair is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique stylistic flair of The Right to Happiness, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Allen Holubar
When, after three years of active service, ace detective Jerry Brennon is ordered by his doctor to take a rest, Senator Reed, Jerry's staunch supporter since he arrested two crooks burglarizing the Reed home, prevails upon the detective to stay at his cabin in the mountains. Warned that the cabin is haunted, Jerry's suspicion is aroused when a bullet whizzes past his head. While searching the cabin, Jerry discovers a secret door that conceals a sobbing Helen Reed, who has been missing since her refusal to marry Schuyler Hastings. Learning that Helen has been kidnapped, Jerry drives to the village, enlists the aid of the sheriff and rushes back in time to arrest the kidnappers when they return to the cabin. Caught in the act, Helen's abductors admit that they were hired by Schuyler, who was planning to rescue Helen in a ploy to win her love. The Reeds are overjoyed to have their daughter back, and Jerry makes their happiness complete when he proposes to Helen.
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Dir: Allen Holubar
After Neila Pendleton's father dies, leaving his wife and daughter penniless, the avaricious Mrs. Pendleton decides to marry Neila to the highest bidder. At the cost of her daughter's reputation, Mrs. Pendleton accepts money from elderly broker Wilbur Simons, and later tries to force Neila into a marriage with a dissolute old millionaire named Hale Faxon. Even though she loves young Steele Minturn, Neila decides to consent to Hale's proposal for her mother's sake. One evening, however, Mrs. Pendleton discovers that Steele has won a large sum of money, and unable to resist the temptation, she steals it. Clad in her nightgown, Neila enters Steele's room hoping to replace the money, but he awakens and, misunderstanding her intentions, nearly attacks her. Finally convinced of her mother's selfishness, Neila accepts a job in another town, and later Steele encounters her again. While the two are trapped on a burning roof, Neila tells Steele the truth about her midnight visit, and he takes her in his arms as the firemen appear to rescue them.
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Dir: Allen Holubar
After Ralph Carter steals $50,000 from the bank where he is employed, his wife Gloria phones bank official Jerome Harris, a wealthy man who has loved her for years, and is told that the charges against Ralph will be dropped if Gloria will offer herself as security against her husband's "loan." Accordingly, she moves into Jerome's house but rebuffs his advances, and soon he leaves her in peace. When Ralph, who has been seen in the company of chorus girls, angrily demands money from Gloria, Jerome appears and orders him from the house. Because of the covert dealings of Meyer, Jerome's secretary and a German spy, Jerome nears financial ruin, which moves Gloria to pity. Having learned of Meyer's duplicity, she confronts the spy, and as they struggle, Ralph enters and is killed. Meyer is arrested, and Gloria realizes her great love for Jerome.
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Dir: Allen Holubar
Aurora Meredith, the village blacksmith's eldest daughter, is blessed with a natural singing voice. One day, wealthy New Yorker Mrs. Thorndyke visits Aurora's village and, upon hearing the girl sing in the church choir, is so impressed with her ability that she sends her abroad to study. At the end of her third year of studies, Aurora's benefactress dies, and she is forced to accept the aid of Juliantimo, an Italian admirer. After attaining great fame as a singer, Aurora returns to America to escape her Italian admirer's attentions and is awarded the starring role in a new opera. Juliantimo follows her, though, and on opening night he positions himself in a box above the stage, shoots Aurora, and kills himself. She recovers, but loses her voice, and with the loss of her talents, her friends desert her. Lonely, she returns home, where she is welcomed by her family and her childhood sweetheart Phineas Scudder. The traumatic death of Aurora's mother restores her singing voice, but she finally realizes that true love comes but once to every woman, and she chooses to stay in the village as Phineas' wife.
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Dir: Allen Holubar
Through circumstantial evidence, Yvonne Desmarest is branded by Judge Duroacher as the "other woman" in a sensational murder case. She retreats to her father's hunting lodge near Hudson Bay, Canada, where she meets Scarborough, an Indian girl, and Émile (an old trapper who becomes her protector). Realizing his error, Duroacher follows Yvonne, thus precipitating a series of events in which the judge is suspected of murdering Scarborough, and Émile injures Duroacher out of jealousy. Yvonne's name is cleared, as is that of Émile, who has been sought for many years on a murder charge. Yvonne and Duroacher realize their love for each other.
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Dir: Allen Holubar
An American woman is terrorized by the ravages of war and a lecherous Prussian lieutenant when she becomes a Red Cross nurse overseas during the Great War.
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Dir: Allen Holubar
After being abandoned by her mother and adopted by Dr. McLean, little Johanna grows into an attractive young woman. She falls in love with medical student Gerald, but trouble ensues for both when the naive fellow falls for an older woman--who turns out to be Johanna's long-lost mother. Now it is up to the kind doctor to bring Johanna and Gerald back together.
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Dir: Allen Holubar
Rebelling against a forced engagement to Schuyler, Victoria falls in love with young attorney David Courtney and marries him. At first they are happy, but when David is drawn into political corruption and accepts the attentions of other women, she tries to compete with them, then denounces him. When he runs for U.S. Senator, she is nominated as a dark-horse candidate against him and wins. He is indicted for bribery during the campaign and while in prison is redeemed through her visits. In each crisis Victoria dreams of the women of corresponding ages: the stone age, the age of chivalry, Amazons and their supremacy over men, the life of debauchery in the Roman era, and the dawn of Christianity in her dream of David as Constantine and herself as a Christian slave who converts the pagan world.
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Dir: Allen Holubar
Two soldiers are in love with the same woman. Before they go off to war, she marries one of them, who turns out to be a coward in battle. The other soldier, believing that his rival has been killed, takes it upon himself to protect the man's reputation, only to find out that he isn't dead after all.
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Dir: Allen Holubar
The enemy's success in smuggling a spy through the lines places the Stratiria armies in a dangerous position. The spy is intercepted and killed by Pettrus Baariot, the telegraph operator, who then succeeds in sending a message that saves the Stratiria forces from defeat. For his heroism, Pettrus is promised a promotion, but after his recovery from his severe wounds, he is humiliated through the treachery of Danick Rysson, a government official who desires to marry Floria Natarre, Pettrus' beloved. Bitter, Pettrus listens to the overtures of one of the enemy and steals the new telegraph code. Soon after Pettrus is again made an ardent supporter of his country when he is awarded his promotion. He then follows the spy to the frontier and recovers the crucial document.
View DetailsAnalysis relative to The Right to Happiness
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Reed Case | Gritty | Abstract | 93% Match |
| A Soul for Sale | Surreal | Dense | 91% Match |
| The Mortgaged Wife | Gothic | Linear | 86% Match |
| Once to Every Woman | Surreal | Dense | 96% Match |
| Slander the Woman | Gritty | Linear | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Allen Holubar's archive. Last updated: 8/16/2026.
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