Recommendations
Archivist John
Senior Editor

Delving into the atmospheric depths of The Sale of an Appetite reveals a master at work, the artistic provocations of The Sale of an Appetite demand a follow-up of equal intensity. These hand-selected movies are designed to satiate your craving for Comedy quality.
The enduring power of The Sale of an Appetite lies in to transcend the limitations of its 1928 budget and technology.
After eating too much, the glutton-millionaire realizes that he has ruined his stomach. The hired scientist, Professor Fuchs, proposes a new surgical treatment that would separate the processes of satiety and digestion. To do this, you need to find a healthy person who agreed to provide the stomach. He is found, and soon the millionaire showed fantastic food absorption abilities. The painful sensations of an overloaded stomach were experienced not by the glutton, but by the unemployed driver, Emil.
The influence of Nikolai Okhlopkov in The Sale of an Appetite can be felt in the way modern Comedy films handle cinematic excellence. From the specific lighting choices to the pacing, this 1928 release set a high bar for atmospheric immersion.
Based on the unique cinematic excellence of The Sale of an Appetite, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Lloyd Ingraham
While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.
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Dir: Robert Thornby
Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Sidney Franklin
A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.
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Dir: Hal Roach
An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.
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Dir: Unknown Director
The village youths are rivals for the hand of the local belle. Their battles lead them to the village store, where chaos soon reigns, terminating in the place being blown up, leaving Bobby a happy victor.
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Dir: Herbert Blaché
After Schuyler Rutherford's divorce from his rich wife Caroline, who was his meal ticket, his sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her sculptor friend Mary Carter, who offers her a job as her secretary. While working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her. Kathleen's plan succeeds, and then, to spite Robert, she announces her engagement to wealthy Murray Van Allan. After a series of incidents, Robert makes Kathleen realize that she really loves him and, after forgiving him, she agrees to be his wife.
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Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
View DetailsAnalysis relative to The Sale of an Appetite
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Mary's Ankle | Surreal | High | 86% Match |
| The Deadlier Sex | Gothic | Layered | 97% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
| Don't Weaken! | Tense | Dense | 89% Match |
| Striking Models | Tense | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Nikolai Okhlopkov's archive. Last updated: 5/13/2026.
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