Curated Recommendations Seeking the Same Brilliance as The Savage: ...

Dir: Rupert Julian

Anthony Eckhart, a student of Oriental music, meets Crocker in a Geisha house where he extricates the intoxicated man from the results of an attack upon a waiter. Crocker explains that his wife has left him and there is only drink left. Anthony discovers a woman with marvelous voice at the hotel and falls in love with her before he finds that she is Crocker's wife. He confesses to Crocker and offers to leave if Crocker will leave her alone. Crocker promises an answer, but comes to kill his wife. Anthony prevents him and at last Crocker proves a man.

Dir: Rupert Julian

Lucille, a beautiful and romantic young woman, marries John Linforth, a wealthy businessman, who is twice her age, and too distracted by his business affairs to give her the attention she craves. John is pleased when she takes a liking to his young friend, Ronald Standish. After the friendship has grown to romance, however, John tries to keep the two apart. As he is about to depart on a short trip, John orders Ronald from the house. Later that night, Ronald asks Lucille to elope with him, but before they leave, they realize that an illegal union would only lead to unhappiness, and Ronald returns home. A burglar, who, in stealing certain securities from John's desk, witnesses the couple in an embrace, blackmails Ronald into purchasing the bonds. To save her lover, Lucille confesses everything to John, who promises to give his young wife her freedom. A year later Lucille and Ronald marry.

A visual fragment from the archive: The thematic resonance of Fires of Youth perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rupert Julian

Christoper Foy, who is running away from the authorities, is injured during his escape and takes refuge at the mountain cabin of Colonel Vorhis and his daughter Stella. Stella takes pity on Foy, and the Colonel, admiring Foy's confession of guilt, takes steps to have him pardoned. He and Stella fall in love and Foy remains honest, but when he is accused of cattle stealing, he again runs away. When John Wesley Pringle, who also loves Stella, learns that Foy is innocent but is the object of a conspiracy, he helps Foy by uncovering the plot. Despite his love for Stella, Pringle helps to prove that Foy is innocent so that Stella can find happiness with the man she loves.

Dir: Rupert Julian

A heartwarming retelling of Charles Dickens' 'A Christmas Carol' where Ebeneezer Scrooge is visited by three spirits in an attempt to save his soul.

A visual fragment from the archive: The thematic resonance of The Desire of the Moth perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rupert Julian

Ex-convict Dale Revenal arrives at Dudley Appleton's ranch bearing a letter of introduction from John Silver, Appleton's old friend. Appleton hires Dale, who, through his winning manner, soon wins the respect of the ranch hands and the love of the ranch owner's daughter Mary Jane. Believing himself unworthy of her, Dale tells Mary Jane that he has a wife and child in Arizona, and she reluctantly agrees to marry Jack Nelda, a local rancher. Nelda realizes that Mary Jane is still in love with Dale and plots with Bessie Dupont and her brother Pinto to kill him. Bessie, however, warns Dale, but when he confronts Nelda at the saloon, Pinto shoots him, wounding him in the shoulder. John Silver comes to Dale's aid and Nelda is killed. Silver reveals that Dale's "wife" in Arizona is really his sister, and Dale finally accepts Mary Jane's love.

Dir: Rupert Julian

Two families had been neighbors in the South for years; Maud, her brother Howard, and Cecil Lane were playmates. One day as they were playing on the lawn the fathers of Maud and Cecil betroth their children in a bumper of wine. Shortly thereafter Cecil's father loses his fortune through poor speculation and commits suicide. Maud is sent away to school. Cecil begins a musical education, remaining at home and growing up to be the village music teacher. Years later Maud returns home, and soon her brother Howard arrives with a foppish friend, Lord Lovelace, who straightaway lays siege to Maud's heart. Maud and Cecil meet at the village shrine and renew their childhood love. Against her will Maud consents to a betrothal with Lord Lovelace. On the night of the betrothal party Maud and Cecil plan to elope, but their arrangements are discovered and thwarted, a duel between Cecil and Howard developing with in the hour. Maud hears the shots fired, and beholding her brother slightly wounded sends Cecil away in anger. He leaves the village under the impression that Howard will die. Cecil goes far away, and in a great city his musical talents are recognized. Maud, meanwhile, in contrition, would have Cecil return to her, but he keeps his mother poorly informed and Maud is unable to get word to him. When Cecil composes the song, "Come Into the Garden, Maud," his fame is assured. At this time war breaks out and Cecil, Lord Lovelace and Howard become soldiers, eventually meeting on the battlefield. Lord Lovelace knows of Cecil's song and his great fame as its composer, and at the moment he is about to die of his wounds, Lord Lovelace sends word to Cecil, that Maud is waiting for Cecil in the garden. Believing that Cecil has been killed in battle at the same time her brother Howard and Lord Lovelace die of their wounds, Maud decides to dedicate her life to religion and enters a convent. When Cecil ultimately comes home he is too late to reach Maud with any communication. He spends the rest of his life in sorrow going every day to the convent walls and playing his famous song that Maud might hear and know that he thus awaits the final end, faithful to his childhood sweetheart.

A visual fragment from the archive: The thematic resonance of The Right to Be Happy perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rupert Julian

In modern times Paul Winthrop visits an island and paints a picture of Joe, a picturesque pearl diver. He dresses him in pirate garb and when the picture is done Joe cannot take his eyes from it. The two men instinctively recognize each other. Joe is another Jean Lafitte, Paul is his antagonist of the years before. Later Joe stumbles across a case of pirate treasure buried along the shore. By a plate on the box he reads the name of the one-time owner, Jean Lafitte. With this treasure he is enabled to visit the United States, where in New York he again finds Paul Winthrop. Paul is in love with Lily Demorest, but her parents have signified their desire that she marry Robert Spurr, a millionaire. Joe is immediately attracted to her and decides to kidnap her. First his motive is charitable. He intends turning her over to Paul, who is timid about such action himself. Then he decides to keep her for himself, but Lily cries out for Paul and then to the pirate descendant dawns the true meaning of the curse fastened on his ancestor by the woman he coveted. So he returns her to Paul, and though it is difficult he finds some happiness in the thought of their reunion.

Dir: Rupert Julian

A poor man assumes the identity of a wealthy look-alike after accidentally killing him; his wife prefers the new, non-abusive version and falls in love him.

A visual fragment from the archive: The thematic resonance of Hungry Eyes perfectly mirrors the editorial trajectory of our deep dive.

Dir: Rupert Julian

In the act of robbing a set of rare jewels from a museum, a robber is wounded in the hand. Prentice Tiller, while dressing a wound in his hand, overhears the woman in the next hotel room, Gertrude Temple, telephoning Aaron Molitor, to whom she is to deliver some jewels. Posing as Molitor, Prentice calls on Gertrude but disappears when Molitor, who also has been wounded in the hand, suddenly arrives. Molitor's men capture Prentice, who narrowly escapes death in the ruins of an old church and then continues to track Molitor. Gertrude accompanies Molitor and her uncle, Simon Temple, to Paris, where they are met by master crook Chevat and the woman who loves him, Lola Montez. Lola becomes jealous of Gertrude and tries to kill her, but Prentice rescues her. Through a ruse, Prentice, who finally is revealed as a detective, captures Chevat and his gang, returns the jewels to their rightful owner and then proposes to Gertrude.

Dir: Rupert Julian

Police headquarters has been plagued by a series of robberies, culminating in the theft of a priceless necklace smuggled from Europe. The detectives are on the track of a gang led by master thief Ramon Mordant and his accomplice known as "the Face" because of his twisted and hideous countenance. Among the detectives on the case is undercover agent Clara Hawthorne, masquerading as a mysterious, glamorous woman. The Face and Clara play a cat and mouse game until, while they are both in pursuit of Mordant, the Face secures the necklace and turns it over to Clara, at the same time revealing himself to be Prentice Tiller, chief of the Secret Service.