
Italian potter Tony Varralo adopts a waif named Little Tony, and they leave New York City for a ranch out West, with the promises that Tony will send for his fiancée, Carlotta, after he has established himself. Once settled in the Western town, Tony manages to make an enemy of Durant, the town's chief gambler, by refusing to drink whiskey and by freely admiring dance-hall queen Kate Billings, who Durant has claimed for himself.

Elliott J. Clawson, Bernard McConville
United States

In the annals of silent cinema, the Western stands as a foundational pillar, shaping the very iconography of American identity. The Sleeping Lion, a 1919 offering from writers Elliott J. Clawson and Bernard McConville, stands as a compelling, if often overlooked, artifact of this formative era. It delves ...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Rupert Julian

Rupert Julian
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" In the annals of silent cinema, the Western stands as a foundational pillar, shaping the very iconography of American identity. The Sleeping Lion, a 1919 offering from writers Elliott J. Clawson and Bernard McConville, stands as a compelling, if often overlooked, artifact of this formative era. It delves into the crucible of transformation, charting the odyssey of Tony Varralo, portrayed with nuanced restraint and eventual ferocity by Monroe Salisbury. Varralo, an Italian potter fr..."


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