Editor's Top Picks Following the Footsteps of The Scarlet Daredevil...

Dir: T. Hayes Hunter

Dr. Montrose's attempts to develop a chemical which would make a person super-intelligent fail, and the subjects of his experiments metamorphose into hideous monsters who band together and prey on humans. With the police stymied, a young detective attempts to track down the leader of the group of killers, known only to have a small crimson stain in one eye.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: T. Hayes Hunter

Hunting the desert for his daughter, Jonas Warren finds the man who took her away, who then produces a marriage certificate to pacify Warren's anger. After the husband finds a gold mine and uses the certificate to mark it, they die in a sandstorm. Later, Dick Gale, an Easterner in search of adventure, rescues his friend Captain George Thorne and the captain's sweetheart Mercedes Castenada from Mexican bandit Rojas. Dick takes Mercedes to Jim Belding's ranch, where Dick falls in love with Belding's adopted daughter Nell. When Rojas arrives with a band of outlaws, Dick and the ranch cowboys escort Mercedes to the mountains, led by Dick's Yaqui Indian friend. After the Yaqui throws Rojas off a cliff and locates a water source for the ranch, he shows Nell the gold mine. The marriage certificate of her parents proves that the mine is hers. Since she now knows she is not illegitimate, she can marry Dick.

Dir: T. Hayes Hunter

Cowhand Jim Cleve is wrongly accused of murder and rescued by Jack Kells, leader of a band of Idaho outlaws known as the Border Legion. But when the Legion takes Joan Randall prisoner and leaves Cleve to guard her, he realizes that he cannot remain part of an outlaw band and decides to rescue Joan.

A visual fragment from the archive: The thematic resonance of Desert Gold perfectly mirrors the editorial trajectory of our deep dive.

Dir: T. Hayes Hunter

The tale is hung upon the rivalry of Mrs. Winkle and Slocum, each the owner of a pickle factory. Some of the most unusual and humorous situations arise. Andrew Slocum sends Andy, his son, to Winkle's factory to spy on the latter's secrets. Many who have been buying the Winkle pickles are taken ill. Mrs. Winkle suggests a partnership. Winkle answers her scornfully. She enters Slocum's office and finds out his secrets. One night she blows up his safe and escapes with the formulas. Meantime Andy has confessed his real name to Matilda. They elope. Mrs. Winkle finds Matilda's note. She decides to take back the secret papers. But John Heaps has already stolen them. She learns that Slocum has gone to Shreveport. While Slocum is being engaged with his bath a thief steals his clothes. Wrapped in the curtains he rushes downstairs. The constable is called. He protests that he is Andrew Slocum, "the pickle king." Andy denies knowing him. Andy and Matilda then hurry to the station. Mrs. Winkle arrives and identifies Slocum. Andy and Matilda meet Heaps. Mrs. Winkle and Slocum follow. They turn Heaps over to the constable and recover the formulas. Now they are making pickles under the name of "The Slocum Company, Inc."

Dir: T. Hayes Hunter

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Border Legion perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

A visual fragment from the archive: The thematic resonance of Father and Son perfectly mirrors the editorial trajectory of our deep dive.

Dir: T. Hayes Hunter

Because both his father and grandfather died of alcoholism, the inhabitants of Denny Bolton's small home town in upstate New York consider him, too, a hopeless drunkard. Swayed by the suggestion that he has inherited a craving for liquor, Denny fights to abstain from it, aided only by the woman who loves him, Dryad Anderson. One night, however, Denny is kicked by a horse, and when Dryad sees him unconscious on the floor, she believes the worst and abandons him. Angered, Denny moves to New York City and applies for a job as a fighter in Flash Hogarty's gymnasium. In the ring, Denny stands up to a good fighter named Sutton, which so impresses Flash that he trains Denny to face the lightweight champion, Jed the Red. An encouraging note from Dryad delivered to Denny during the big fight so inspires him that he defeats Jed and returns home triumphant.

Dir: T. Hayes Hunter

A woman who has been in a train wreck and lost her memory is mistaken for a vaudeville star, complete with a husband and several children.