Deep Archive Finds in the Vein of The Sign on the Door: Cult Guide

Dir: Herbert Brenon

A mermaid princess plans vengeance against a prince whose net killed her sibling. But upon meeting him, she develops romantic feelings.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of The Heart of Maryland perfectly mirrors the editorial trajectory of our deep dive.

Maryland Calvert lives in that section of Maryland divided against itself in the question of secession. Her brother Floyd is so strong a Northern sympathizer that he joins the Federal secret service unknown to his family and enlists in the Southern army to increase his efficiency. Her fiancé, Alan Kendrick, takes a commission in the Federal Army, although his father becomes a general in the Confederate forces. One Thorpe, a discredited Union officer, is given an opportunity to serve the Federal secret service and in that capacity, joins the Confederate army, becoming an aide to General Kendrick, whose headquarters are at the Calvert mansion. Alan Kendrick is among the Northern prisoners taken by the Confederates and when sent for exchange is recognized by Thorpe, whose bitter hatred has been aroused by the part the gallant Unionist had in his former discovery and degradation for conduct unbecoming an officer and a gentleman. Learning the Federal plans of campaign from Lloyd Calvert, who believes him to be a loyal member of the Federal secret service, he takes advantage of this knowledge to attempt the destruction of the Union camp to which Alan Kendrick has been sent, thereby hoping to encompass Alan's death. Thorpe fails, but Alan, taking a desperate chance to visit Maryland Calvert, is captured in a Confederate uniform and sentenced to death as a spy. Maryland Calvert, hysterical over the death of her brother Lloyd, who was shot down while trying to "run the lines" with information, is unconsciously responsible for Alan's denunciation and conviction as a spy. When she realizes his situation, Maryland braves the hazardous ordeal to reach the Union lines and secures from General Hooker a written request upon General Kendrick to delay Alan's execution until facts may be presented proving his innocence of espionage can be established. Her return finds General Kendrick dead on the battlefield, the treacherous Thorpe in supreme command and Alan imprisoned in a church awaiting momentary execution. When Maryland presents her letter to Thorpe he realizes his supreme opportunity for revenge is at hand. He orders a squad to dispatch Alan and proceeds to force his unwelcome attentions upon Maryland. With her lover standing bound before her awaiting death, Maryland is driven to such a frenzy that she plunges a bayonet into Thorpe. He falls unconscious and she releases Alan, gives him Thorpe's hat and coat as a disguise, and bids him fly for his sake as well as her own. A moment later when Thorpe regains consciousness and orders an alarm sounded. Maryland recalls that the old church-bell is the agreed tocsin. Dashing up the creaking stairs she reaches the highest spot in the belfry and clinging to the enormous clapper swings from it in its dizzy flight, using her frail hands as a muffler to kill all sound. The deaf sexton tolls away at the rope unconscious of the fact his labor is in vain. Maryland is made a prisoner and is about to be executed in her own home, when Alan appears at the head of the Union troops. Thorpe would use her as a shield to compel Alan to fire upon his beloved or abandon the attack, but at the crucial moment he is removed from command by order of General Lee, who has learned of his perfidy. Alan Kendrick grants the Confederates a truce to cover their retreat and the drama ends with a blissful reunion of the lovers.

Dir: Herbert Brenon

A French orphan girl is adopted by a wealthy British nobleman. The family lives happily, unaware that a plot is afoot to kidnap the girl and make away with the nobleman's fortune.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of 12.10 perfectly mirrors the editorial trajectory of our deep dive.

A dramatization of the Russian revolution and the influence upon the Russian royal family of the famous "mad monk," Rasputin.

Dir: Herbert Brenon

A sultan agrees to help a wicked witch destroy a mysterious young lady if the witch will bring his young son back from the dead with magic.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of The Fall of the Romanoffs perfectly mirrors the editorial trajectory of our deep dive.

Miriam, a young Russian girl, has an unfortunate love affair and is threatened with disgrace by having a child out of wedlock. Her father induces Gregor Randor, a young musician, to marry her, by paying him a sum of money. The couple migates to the United States, where they are later followed by Miriam's family, including her younger sister Celia. A love affair develops between Gregor and Celia, and despite their efforts at secrecy, Miriam learns about it. Torn between her outraged pride and her love for her young son, she confronts her cheating husband and her sister--to no avail. So she decides to wreak vengeance on them.

Dir: Herbert Brenon

In Paris, the beautiful orphan Henriette is kidnapped by the Marquis de Presles, a libertine, leaving her blind and defenseless friend Louise wandering the streets alone. While Mother Frochard, a beggar and thief, forces Louise to beg for her food, Henriette is rescued by the Chevalier de Vaudrey, who loves her. The chevalier's mother, the Countess De Liniere, discovers that Louise is her long-lost daughter and resolves to find her. In the meantime, Mother Frochard's son, a hunchback named Pierre, falls in love with Louise, and when his brother Jacques cruelly beats the girl, Pierre kills him. Just then, the countess locates Louise, and after the girl regains her sight, she is joined with Pierre. The countess then gives her consent to the marriage of her son and Henriette.

Dir: Herbert Brenon

A visual fragment from the archive: The thematic resonance of A Daughter of the Gods perfectly mirrors the editorial trajectory of our deep dive.

Grace Leonard, a typical woman of the New York stage, beautiful but old in sin, seduces William Craig, who becomes a thief in order to shower luxuries upon her. He is sentenced to prison and emerges five years later as a sad-faced, gray-haired man, entirely cured of his mad passion for La Valencia. But she sees him and her old passion is stirred, caring not that since his release from prison he has fallen in love and married a good woman who knows nothing of his past. When William is not swayed by her fascinations, Grace threatens to expose his past life.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Herbert Brenon

Italian peasant girl deserts her fiancé for wealthy gangster and departs for America.