The Recommended Vault Parallel to the Artistry of The Social Leper: Cult Guide

Dir: Harley Knoles

Little Carol Montgomery's father, a navy commander, discovers a spy in the house, he earnestly counsels the family not to answer questions regarding themselves. Later, while attempting to follow her mother, Carol becomes lost on the subway, and, taking her father's words to heart, refuses to tell a police officer who she is. Eluding the officer, Carol falls asleep in a tenement hallway where she is found by Beppo, an organ grinder who decides to add her to his show. They travel south, where, becoming separated from Beppo, Carol seeks refuge at the Fairfax plantation. Mrs. Fairfax, estranged from her husband because he had disowned their daughter years earlier when she eloped without his permission, refuses to speak to anyone. However, under Carol's winning influence, the Fairfaxes are reconciled and send for their long-lost daughter, who turns out to be Carol's mother.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Gilded Cage perfectly mirrors the editorial trajectory of our deep dive.

In the little kingdom of Balkany lived a king and queen who were not liked by their subjects. His Majesty was King John the Fifth, and Her Royal Highness was Queen Vesta. To them was born a daughter, the Princess Honore, who was placed in the convent of the Holy Sisters. The little kingdom rebelled against the extravagance of King John, and an attack was made upon the castle. Both the king and queen were assassinated. Princess Honore succeeded to the throne. In love with her and coveting the crown was Baron Stefano, Prime Minister, but his love was not returned. This incurred the ill-will of the Prime Minister, who set out to overthrow the little kingdom and turn it into a republic with himself as ruler. Prince Boris renounced his title and cast his lot with the peasantry. He was loved by the common folk and proved a leader. During the annual fair people gathered in the capital from far and near. There were rumors of an uprising. The young queen had not brought about much change in the conduct of the official household. The extravagance had continued to eat up the revenue raised by the heavy tax, and the people were protesting and demanding that something be done for their relief. These rumors reached the girl queen, and clad in the garments of a peasant girl she went forth during the fair to learn what she could. In this way she soon learned of her disfavor. One day she met Prince Boris, who told her of conditions that existed. One of the government spies, overhearing his conversation, suspected that he was forming a plot against the young queen, who was not recognized by the spy because of her disguise. The spy hastily informed the Prime Minister, who ordered the arrest of Prince Boris. The soldiers were dispatched, and Prince Boris was placed under arrest. The young queen protested. She as his companion was also confined to the prison. The chief of the Royal Guard notified the Prime Minister of the arrest, telling him that during the struggle with the queen she defied him by proclaiming that she was the queen, and this aroused the suspicions of the Prime Minister. Alone he went to the dungeon and discovered that Boris's companion really is the queen. It dawned upon him that now he had her in his power, he will force her to make him her king consort, or bring about conditions that will speedily overthrow the government. Meanwhile Lesbia, a peasant girl, learns of the conspiracy and through her love for one Ivan, sergeant of the Royal Guard, she secured the release of the queen, who escaped in safety to the Royal castle. Next morning the queen heard the tolling of the prison bell. On asking her secretary what it indicated, she was told that her sweetheart, the Prince Boris, was to be executed at sunrise. She rushed into the office of the Prime Minister and forbid the execution. He laughed at her. Back in the village, outside the prison wall, the soldiers were drawn up to execute Prince Boris. But the people saw their beloved leader. rushed forward, overpowered the soldiers and released him from his bonds. An attack was then made on the castle. Prince Boris discovered his peasant girl companion to be none other than her Royal Highness, Queen Honore. The people were for revenge, but the queen told them of the Prime Minister's conduct and followed by her the crowd attacked Baron Stefano, which resulted in his death. The queen accepted Prince Boris as her beloved king consort.

Dir: Harley Knoles

Evelyn Carmichael, a poor widow aware that she is about to die, writes to her wealthy father-in-law Lord Carmichael, who had disowned his son years earlier, pleading that he rescue his granddaughter Geraldine, known as Jerry, from a life in the slums. Lord Carmichael, an avowed woman-hater since his wife disappeared years earlier with his brother, expects Jerry to be a boy and is appalled to find otherwise. However, the lord is won over by Jerry's sweetness, and when Jim Dawson, a neighbor of Jerry's from the tenements, arrives at Carnimore Castle with his daughter Sophia, whom he is trying to pass off as Jerry, the lord exposes them as impostors and then expels them from his castle. Meanwhile, Jerry has also won over the hearts of the servants, whom she is drilling into a play army. One day, while on an excursion into an unused tower of the castle, they discover a locked room in which reside two skeletons. A note near one of the skeletons explains that Lord Carmichael's wife and his brother had been exploring the tower when the lock sprung and trapped them, causing their deaths. Lord Carmichael, realizing that his wife didn't betray him, has his faith in women restored and makes Jerry mistress of the castle.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Little Duchess perfectly mirrors the editorial trajectory of our deep dive.

Myron Leeds and his brother Roger are both in love with Mary, but when Myron wins her, his father disowns him. While Myron struggles as an artist to support his wife and little daughter Beth, Roger marries and settles into his father's sumptuous estate. Roger's maid Norah, concerned when the death of his little boy causes him and his wife to shut themselves off from all society, invites Beth to visit the estate posing as her niece. Beth endears herself to the couple, but Myron, driven to desperation by his poverty and his wife's ill health, decides to rob the estate. Roger hears that someone is breaking in, but in attempting to shoot the intruder, he wounds Beth instead. As a result of this unhappy incident, Roger resolves to share his fortune with his brother, and the family is reunited.

Dir: Harley Knoles

Hugh Eltinge, a struggling artist, and Mark Dunbar, a genius of the pen, whom the world has as yet failed to reward, live together in MacDougal Alley. Across the hall is Doris Golden, a reporter on the Evening Star, who enthuses over the work of both. Mark's novel is sold and Hugh and Doris see a new Mark. Mark begs Hugh to allow him to stake him until his pictures sell, but pleasure in his new clothes and new popularity dwindle as he sees his old friends will not profit by them. A happy idea strikes him and he buys all of Hugh's paintings on exhibition at a local dealer, requesting that his name be not mentioned. Mark rejoices with Hugh when he comes home to tell the news. Then the two decide Doris must also share with them, and together they go to a lawyer, and arrange to persuade him to send a letter to Doris saying her uncle in San Francisco has died leaving her a thousand dollars. In another section of the City Mrs. Trailes and her daughter, Ruby, scheme to ensnare a wealthy husband for the girl. Mark's reputation has impressed them. He is invited to attend a meeting of their Literary Club and the girl is given instructions to attract him. Mark meets the young society girl. Hugh and Doris, she is reporting the meeting, are also there and to them evidences of Mark's awakening infatuation are pitifully clear. Mark sees Ruby often. At a ladies' swimming club he is the guest of her mother. At a sign from her mother Ruby pretends to be drowning and Mark jumps in to her rescue. The friendship thus engendered ripens into love and it is not long before they are married. But early in his wedded life Mark begins to feel the pangs of disillusion. Ruby is pettish and extravagant and when he remonstrates with her, she breaks into tirades of scolding that drive him to silence. Doris discovers her uncle is alive, and, perplexed, goes to the lawyer, who tells her all. She writes to Mark, enclosing a check for the whole amount she has left and promising to send the balance as soon as she can. His wife intercepts the letter and accuses him of infidelity. Her true vulgarity asserts itself and he goes to the little studio. Ruby follows and finds him with Doris and another scene is enacted. Mark begs Hugh to look after Doris, then leaves. Hugh leaves a letter for Doris and a note in which he asks her not to read the letter before she has found happiness. Hugh tells a newspaper reporter with whom he is acquainted that he has inherited a fortune from his grandfather, and the account is printed in the evening paper. Ruby and her mother remember he is a friend of Mark's and ask him to call. Soon a closer intimacy than friendship develops and Mark comes home one evening to find Ruby in his friend's arms. Disillusioned, his last ideal, friendship, completely shattered, Mark hurries away. After the divorce, he seeks Doris and the two become engaged. She remembers the letter and opens it. Herein Hugh has outlined his plans, the story of the fortune was a hoax, wherewith to entrap Ruby. For the sake of friendship he had sacrificed himself to bring happiness to the two he loved. Mark telephones to him and when he comes the old feeling of happiness and love fills once more the little studio in MacDougal Alley.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Gates of Gladness perfectly mirrors the editorial trajectory of our deep dive.

After an explosion that sinks a yacht, Elma is shipwrecked with Micah, who claims her father ruined him by stealing the plans of a valuable machine.

Dir: Harley Knoles

David Clifton is blinded while rescuing Katharine Lambert, the girl he loves, from a fire. Caring nothing for David, Katharine pursues her pleasures while Joan Merrifeld, who loves David, takes her place by his bedside. Believing that Joan is Katharine, David marries her and it is through her support and cooperation that he becomes a noted author. Upon regaining his sight, David is more than surprised to learn the identity of his wife. He is content, however, until Katharine reappears, bored with her husband Brooks. David's old love for Katharine returns and Joan, crushed, offers little resistance until Brooks, in anger, vows to kill Katharine if he discovers her unfaithful. It is only through Joan, who enters into a battle of wits with Brooks, that a catastrophe is averted. Then David at last realizes that he loves Joan, but at her command, leaves her for a year's time.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of A Square Deal perfectly mirrors the editorial trajectory of our deep dive.

Helene, who dances in a Greenwich Village cabaret accompanied on the violin by her grandfather, loses her job after his death. She then is hired as a portrait model by four artists--Jaffrey Darrel, Ned Lorrimer, Dick Turner and Stanley Sargent--all of whom become fascinated with her. Helene leaves the Village when Ned's jealousy disrupts the camaraderie of the quartet and becomes a stage star. Meanwhile, all of the artists have attained success except Jaffrey, who refuses to taint his art with commercialism. Helene, learning of Jaffrey's failure, visits him in the Village and accepts his marriage proposal.

Dir: Harley Knoles

Jo March and her sisters Meg, Beth, and Amy live in a happy family in Concord, Massachusetts. Jo yearns to be a writer, and through the course of the years, finds much within her own family to write about.

Dir: Harley Knoles

A social-climbing young woman marries Robert, a rich alcoholic, for his money. Although basically a good man, when drunk Robert treats her as if she's just one more thing he owns, and not his wife. Realizing her mistake, she leaves him. Her brother-in-law believes that the two of them actually do love each other, and sets out to bring them back together.