Cinematic Discoveries Following the Footsteps of The Stunt Man: Cul...

Dir: Larry Semon

A lawman out to get moonshiners runs into a female director filming a movie with a female cast. Chaos ensues.

Dir: Larry Semon

Larry is the booby sheriff of a Western town named Beer Bottle Bend, whose lawlessness matched his witlessness. A demure little thing from the East arrives on the same stage with a consignment of $100,000 to the sheriff, and the town proceeds to celebrate. After reforming the champion "elbow-bender" of the community, the demure one inspires the sheriff to action against the lawless element. The $100,000 changes hands in rapid and humorous fashion, and finally comes into the possession of the demure thing who had followed the cash all the way from New York. Larry proceeds to make a few cursory remarks on women.

A visual fragment from the archive: The thematic resonance of Well, I'll Be perfectly mirrors the editorial trajectory of our deep dive.

Dir: Larry Semon

A bumbling detective lands alongside the crooks even the police are afraid of. He makes his escape through the window to a woman's apartment, where the misadventures continue.

Dir: Larry Semon

What with pretty women lounging around the lobby, Larry's existence as a secret guardian of a hotel is all roses until a valise filled with jewels is left in his hands for safekeeping. Larry locks it up in the hotel safe, but not before crooks have caught a glimpse of the gems. Thenceforth every art and artifice is employed by them to separate Larry and the hotel from the jewels.

A visual fragment from the archive: The thematic resonance of Dull Care perfectly mirrors the editorial trajectory of our deep dive.

Dir: Larry Semon

A fascinating piece of cinema that shares thematic elements.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

A visual fragment from the archive: The thematic resonance of Passing the Buck perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Larry Semon

The waiters of a fancy restaurant go on strike for better wages, threatening harm to any replacements that may be hired. Larry is among scabs hired to replace the striking waiters they must wait on tables and fight off the strikers.

A visual fragment from the archive: The thematic resonance of Traps and Tangles perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.