Underground Favorites Parallel to the Artistry of The Texan: Cult G...

Dir: Clifford Smith

The heroine of "The She Wolf" walks into "The Last Hope" saloon in "Mad Dog" one night, and discovers the Chinese owner and a crooked sheriff cheating a stranger at a game of cards. Drawing her shooting irons she starts to take a hand in the game herself. During the fighting that follows, the stranger is wounded, and the heroine carries him off to her shack and takes care of him. Several days later, the sheriff, who is the head of a band of outlaws, robs the mail coach and leaves a number of letters scattered on the road. The two-gun young woman picks up one of the letters and learns that it was written by Sallie Bigby to her sweetheart, John Williams. It tells him that Sallie's father is in the power of the Chinese saloon keeper, and that she will be compelled to marry him unless she is rescued. "The She Wolf" goes to the place, starts a lively scrap for the second time, and carries Sallie off to her cabin. Here matters are arranged properly. Sallie and her sweetheart meet and the stranger lets it be known that he intends to make the girl who nursed him back to health his wife.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Cactus Crandall perfectly mirrors the editorial trajectory of our deep dive.

"Cactus" Bob Crandall wakes up to find his cattle and his ranch foreman gone, he journeys across the Mexican border to investigate. There he discovers that an American girl, Helen Ware, and her father are being held prisoner by Mendoza, leader of a group of bandits. Cactus and his friend Carter rescue Helen and her father and ride back to the Crandall ranch with the bandits in close pursuit. While the cowboys and bandits are fighting, Mendoza enters the house and carries Helen off, but Cactus overtakes them and kills Mendoza. Soon after, the foreman and missing cattle, who had been delayed on the road by a stampede, arrive.

Dir: Clifford Smith

Frank Borden, who is in poor health, goes West penniless. He faints from exhaustion and is found by Pete Morton, who gives him aid. In shaving off his mustache, Morton is startled to discover that he is Borden's double. He decides to use Borden in his plundering expeditions. Morton holds up a stagecoach while Borden, whom the townspeople think is Morton, stays in town. But the undoing of the bandit is brought about when the father of Nan Christy, who befriended Borden upon his arrival in the west, is shot, and Morton confesses. The picture ends with Nan and Borden plighting their troth.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Paying His Debt perfectly mirrors the editorial trajectory of our deep dive.

Old-fashioned rancher Joe Warner is suspicious of the modern methods employed by his new neighbor, George Merritt, but when Joe's villainous foreman, Pete Wright, suggests that George is a thief, Joe's dislike turns to hostility. Furious over pretty Ruth Warner's love for George, the jealous Pete joins forces with a bandit named José Mardones to run cattle off of Joe's ranch while blaming George for the thefts. Finally, Pete and José stage a major raid on Joe's ranch, and Joe's cowboys, imagining that they are fighting George's men, are losing the battle until George arrives to help drive off the real bandits. During the shootout, Pete kidnaps Ruth, but George pursues them and rescues her. Joe then happily accepts George as a son-in-law and as his new partner.

Dir: Clifford Smith

The story of a circuit-riding, sagebrush parson who flew in the face of providence with both guns blazing.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Wolves of the Border perfectly mirrors the editorial trajectory of our deep dive.

Meg Carter is the daughter of the man who runs the "Hell's Agony" saloon. He is killed in a row, and Meg takes it upon herself to keep the business going. This requires her to mix in and put a stop to any and all fights, which she does with the assistance of her constant companions, her two revolvers. Brian McTavish, who is supposed to help maintain law and order in the town, tries to take advantage of Meg, and a man by the name of Bad Lands O'Connor prevents him. For this McTavish determines to get even. A number of murders have been committed near O'Connor's cabin, and McTavish fastens them on his rival by lying. The crowd is about to hang the innocent man when Meg effects his rescue. She gets McTavish to consent to a test of marksmanship with her and defeats him, the life of O'Connor being her prize. There is a wedding in town shortly and Meg and O'Connor are the principals.

Dir: Clifford Smith

After a serious argument with his father, Calumet Marston drifts around the west for several years. He returns to his home, the Lazy Y Ranch, after his parents are killed by a pair of vicious brothers, Tom and Neal Taggart. Before his death Marston's father had appointed pretty young Betty Clayton as ranch manager, and now the Taggart brothers are determined to take over the ranch, no matter who they have to kill to get it.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Devil Dodger perfectly mirrors the editorial trajectory of our deep dive.

Jim Benton has been too busy making money to learn to read and write, but he persuades Evelyn Hastings to open school on his ranch and he is her most devoted pupil. The sheepmen carry out their threat to cut off Benton's water supply and Evelyn makes him promise to shoot only in self-defense. He keeps his promise, but still he has to kill, and a packed jury of sheepmen bring in a death verdict. The cattlemen attempt a rescue, but it is Evelyn who saves the day.

Dir: Clifford Smith

A ranch owner hires a young woman as foreman over a rambunctious group of cowboys.

Dir: Clifford Smith

"One Shot" Ross, who has brought law and order to the town of Painted Gulch, decides to hang up his six-shooters when he sees the daughter of one of his victims sobbing over her dead father's body. While traveling East, Ross's stagecoach is held up and Ross, knocked unconscious, is taken to a nearby cabin owned by the Sheridans. After Mr. Sheridan is killed when he inadvertently stumbles upon Jim Butler and his gang dividing up the spoils from the stage robbery, Ross takes pity on Nan, the old man's daughter, and decides to bring the outlaws to justice. Feigning feeble-mindedness, Ross obtains a job on Butler's ranch and uncovers evidence which proves that Butler is the leader of the outlaws. Heading the posse, Ross captures Butler's gang and then rides off to the Sheridan cabin where, in a shootout, he rescues Nan from Butler.