The Global Archive For Devotees of The Thousand-Dollar Husband: Cul...

Dir: James Young

Helene Marie, on the run from the Russian police in St. Petersburg, plots to kill the Czar.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Heart of the Blue Ridge perfectly mirrors the editorial trajectory of our deep dive.

Mountain girl Plutina lives with her grandfather, refuses to marry moonshiner Dan Hodges, preferring instead Zeke, a young farmer. When Zeke learns that Dan, in revenge, shot Plutina's pet trained bear, Zeke vows to kill him. After a revenue officer, shot by Dan, is cared for by Zeke's mother, Dan vows to kill Zeke. Dan and Zeke fight, and although Dan is beaten, he escapes into the mountains. Sometime later, the revenue officer secures for Zeke the position of overseer of government timber lands. As Zeke waits for a train after missing the first one, he learns that Dan, who has threatened to kill Plutina's grandfather and sister and set fire to their house unless Plutina marries him, has abducted her. Zeke arrives at a hidden cave where Dan has taken Plutina just as she is about to jump from a cliff. The ensuing brawl ends when Dan is plunged over the cliff. Finally, Zeke and Plutina marry.

Dir: James Young

During World War I, young Dorothy Grant comes home from finishing school and informs her parents that she is going to contribute to the war effort by organizing a "Girls Aviation Corps". She has uniforms made and hires a veteran of the Spanish-American War to teach her "cadets" military routines and drills. Her father owns a munitions factory and is always telling her to be on the lookout for spies. She convinces herself that the family butler, Williams, is a spy because he cuts his grapefruit in an odd way. It turns out that Williams isn't a spy but the people whom Dorothy least suspects are in fact spies, and they discover that Dorothy knows the password to get into the factory after hours. They come up with a plan to get Dorothy to give them the password so they can blow up the factory.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Her Country First perfectly mirrors the editorial trajectory of our deep dive.

In Tokyo, Japanese poet Akira loves American Ruth Vale, who was placed in Akira's father's care when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom. Later Edward marries his mistress, and with Akira in charge of Blossom, they return to America, where Adrienne renews an old affair. When Edward discovers his wife with her lover, he kills him, but Akira accepts the blame to shield Blossom from humiliation. One night Akira breaks out of prison to visit Blossom and although a guard shoots him, he manages to reach Blossom. Carrying her in from the rain, Akira plays with the child until his strength finally deserts him and he dies.

Dir: James Young

Kitty Bellairs is a flirtatious young girl on a holiday trip to Bath, in 18 Century England. Her sister becomes involved in a scandal, from which Kitty rescues her from, all the while leaving a string of conquests behind her.

Dir: James Young

A visual fragment from the archive: The thematic resonance of The Temple of Dusk perfectly mirrors the editorial trajectory of our deep dive.

College friends Percy Darling and Richard Kettle take their new wives on board a boat going from New York City to Albany. Just before sailing, however, Mrs. Kettle and Percy realize that they have left some baggage on shore, and so rush out to get it. The boat leaves without them, and a distressed Mrs. Darling and Richard, left in each other's company, decide to pose as husband and wife to prevent a scandal. When the boat docks, they learn that the last train has left, and so they hesitantly check into a hotel as a couple and spend the night together. The next day, Mrs. Kettle and Percy track down the "newlyweds" and are shocked to see them in the hotel lobby, arm in arm. The ruse is quickly explained, and the correct couples are soon sorted out.

Dir: James Young

John Maddox, a man who has little use for women, travels out West to make his fortune. On the way he rescues a pretty young woman from a narrow ledge just below a steep cliff. She turns out to be Beatrice Clive, an English girl vacationing at the family estate with her wealthy father, Lord Bulverton. Six years pass and, now a wealthy rancher, Maddox discovers that the Bulverton estate is for sale. Finding himself still attracted to Beatrice, he contacts her about buying the estate, but finds that the Bulverton family is in such dire financial straits that Beatrice has been forced to become engaged to the wealthy but villainous Sir George Trenery.

Dir: James Young

A visual fragment from the archive: The thematic resonance of Sweet Kitty Bellairs perfectly mirrors the editorial trajectory of our deep dive.

When a woman's husband is presumed dead in the war, her sister, for her own unscrupulous reasons, attempts to get her remarried. But the husband, it seems, is not dead after all.

Dir: James Young

One of the customs in the Breton island of St. Batiste is the lashing of any woman involved in a extra-marital affair. As a result, when Sidonie (Marie Doro) starts an affair with English vacationer Warren Harding (Elliott Dexter), the townsfolk prepare to mete out punishment. To avoid it, Sidonie elopes with Warren, but when she finds him making love to another woman, her first response is conditioned by her upbringing, and she attacks the woman with a whip. Afterward, Sidonie returns alone to St. Batiste, and gets ready to accept her lashing. Just before her public humiliation, however, Warren arrives and refuses to let the whipping take place, after which he pledges to remain faithful to Sidonie.

Dir: James Young

Robert Strickland, the self-confessed murderer of Gerald Trask, refuses to defend himself on the witness stand. His attorney, however, cross-examines Strickland's wife and by questioning his daughter Doris as well, he exposes the fact that years earlier Trask had seduced Mrs. Strickland. This evidence is sufficient to call for a verdict of not guilty from eleven of the jury, but the twelfth member holds out because money disappeared from Trask's safe the night of the murder, and evidence points to Strickland as the thief. When Glover, Trask's secretary, is cross-examined, however, he breaks down and confesses to the robbery, thus clearing the way for Strickland's acquittal and his reunion with his family.