Hidden Genre Gems for Fans of The Trail of the Lonesome Pine: Cult ...

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Charles Maigne

Milt Shanks lives a shamed life, hated by his neighbors for having been a traitor to the North in the American Civil War. But Shanks carries with him a secret, one he promised Abraham Lincoln to tell no one.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Copperhead perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Charles Maigne

Wife of wealthy ladies' man Challis Wrandall, Sara, is called to a roadhouse to identify her husband's body and told that he was murdered by an unidentified woman. On her way home, Sara rescues a young woman who is about to drown herself. Believing the woman, Hetty Castleton, to be the murderer, Sara offers her employment in the Wrandall home as her companion. Because her husband and his family treated her so coldly during her married life, Sara seeks revenge by arranging a romance between her brother-in-law Leslie and Hetty, but the latter has fallen in love with artist Brandon Booth and refuses to marry young Wrandall. Sara threatens to expose the girl, but just then a detective appears and accuses Sara of the crime. Hetty confesses, explaining to the family that Challis had lured her to the inn and attacked her. The Wrandalls forgive her, and she leaves her home in Booth's company.

Dir: Charles Maigne

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Seductress Leila Templeton flirts with Harleth Crossey at his wife Marcia's dinner party. After the intoxicated Harleth takes a midnight drive with Leila, his next-day apologies fail to assuage Marcia's humiliation. Later, Harleth's secretary calls Marcia to say that he will not be home for dinner. When the maid warns Marcia that the chauffeur is crazily threatening to shoot her unless she marries him, Marcia tries to contact Harleth, but is told by a lying switchboard operator that he is with Leila. Harleth's subsequent tirade expressing a need for "personal liberty" drives Marcia to seek a divorce. Two years later, Harleth marries Leila. After she responds to his complaints about her flirting by asserting her "personal liberty," Otis Vale, whom Leila has driven nearly insane with her teasing, abducts her. His frenzied condition causes their automobile to tumble over a cliff, killing them both. When Harleth learns that "Mrs. Crossey" has died, he imagines it to be Marcia, and rushes to her. The relief he shows convinces her that their "invisible bond" is intact, and they reconcile.

Dir: Charles Maigne

Lola Gray working in a New York department store as a clerk, loves Charles Cox, a millionaire's son who is described by his friends as "Broadway's million-dollar kid." One evening at a lavish party, Charlie, quite intoxicated, proposes to Lola, but because of his irresponsible habits, she refuses him. Heartbroken, Charlie decides to drown himself in the hotel fountain and urges his friends and the proprietor to join him. When Lola learns from her sister, Ida Bell Gray, that Cox, Sr., having read about Charlie's antics in the newspaper, plans to disown his son, she phones Charlie immediately to accept his proposal. Although startled by the news of his disinheritance, Charlie is comforted by Lola's assertion that she prefers a man of character to one of wealth, and the two begin their married life on a farm in the Midwest.

Dir: Charles Maigne

A visual fragment from the archive: The thematic resonance of In the Hollow of Her Hand perfectly mirrors the editorial trajectory of our deep dive.

Jimmy Ordway is amazed by his wife Charlotte's unending energy, he is an exhausted wreck after a honeymoon filled with golfing, riding, boating, swimming, polo, mountain climbing, and dancing in the evenings. At the house party Charlotte throws the evening they return, Jimmy plots with his male friends to have them entertain Charlotte non-stop in shifts until she drops. After he convinces his old friend Brandy, a professional athlete, to participate, Brandy, on finding the only woman he has met who could keep up with him, tries to steal Charlotte away. When Brandy tells her of Jimmy's infatuation with Julia Cleves, whose consolatory attentions have taken his mind off his troubles, Charlotte sees them blowing smoke kisses and upbraids Jimmy. To win her back, Jimmy, taking the cue from Petruchio, a character in The Taming of the Shrew by Shakespeare, sets out to tame Charlotte by abducting her and binding her in a boathouse. Charlotte secretly enjoys it, and when Brandy arrives to rescue her and attempts an undesired intimacy, she throws him into the water. Jimmy happily embraces Charlotte, who then prepares dinner for their thirty friends.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Charles Maigne

Rich Matthew Thurlow, spends nearly every night at cabarets, admires Dazie, a leading dancer whom he calls "Redhead." Dazie loves Matthew, but she is dismayed that he wastes his life in clubs. After Matthew, while intoxicated, marries Dazie to win a bet, Dazie insists that they remain married. When Matthew's uncle cuts off his allowance and ends his "soft" bank job, Dazie decides to make a man out of Matthew, but he scorns her. She rents a small apartment, while he gets work in an auto factory. Although Matthew is genial when Dazie's parents visit, he remains cold to her. When Matthew's uncle offers Dazie money for a divorce, she refuses, but says that she will agree to a divorce if Matthew really wants one. Matthew develops a new interest in life and realizes he loves Dazie when he becomes jealous through a misunderstanding. After his uncle, seeing Dazie's effect on Matthew, threatens to disinherit him for good if he does divorce her, Matthew confesses his love.