The Definitive Guide Deeply Connected to The Triple Clue: Cult Guide

Dir: Marcel Perez

Ralph Barr refuses to lend more money to Trent, who has been rejected by Judith Reynard and is now engaged to Barr. When Trent insults Judith, Barr threatens to kill him. Then Trent calls on Barr, threatening to kill himself and make it appear that Barr killed him if Barr will not lend him the money. Later it seems that Trent has committed suicide and Barr is suspected of the murder, but disappears. A series of complications follows which make it appear that Barr did kill Trent, but it turns out that he was killed from a shot behind the portieres. Another murder takes place and more mystery develops. Finally it is determined that Barr is not guilty, and Judith's loyalty saves him.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of The Evolution of Man perfectly mirrors the editorial trajectory of our deep dive.

The story is that of two clever crooks who are operating at a fashionable seaside resort, with the help of a highly trained and uncannily intelligent chimpanzee. Valuable jewels are constantly disappearing and the detectives are unable to obtain a clue. Finally, after an especially daring robbery, a clue is found that leads to the discovery of the thieves. The simian leads the detectives a chase that calls for some acrobatic stunts on the part of the chasers. The end of this is the capture of the chimpanzee, recovery of the jewels and the arrest of the crooks.

Dir: Harry L. Franklin

Audacious Jeanne works in a book bindery, is given a diary written by one Thomas Dodd to bind. The diary portrays Dodd as a scoundrel who fathered a girl by a woman he never married, and Dodd's family as a nest of vipers. Jeanne decides it is her duty to save this corrupt family and presents herself to Dodd as his illegitimate daughter. In fact, Dodd is a meek old man whose scandalous diary was pure fantasy, and the only hostile member of the family is Dodd's greedy brother Jerry, who was the only sympathetic character in Dodd's diary. Jeanne falls in love with Dodd's nephew Kent, though she dutifully urges him to marry Hazel Jenkins, a woman whom Jeanne believes Kent has wronged. Finally Sarah Ross, the alleged mother of Dodd's child, ends Jeanne's suspicions by denying that she had ever had a daughter. After foiling Jerry's plan to usurp the family fortune, Jeanne confesses her charade and accepts Kent's love. Dodd likewise admits that his diary is a fake and proposes to Sarah.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Alias Miss Dodd perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George Irving

When thief Frederick Thurston returns from abroad with a stolen blue pearl, he sells the jewel to Holland Webb, a gigolo living off the funds of his wealthy wife Laura. Holland then presents the pearl to his mistress Sybil Trent, who wears it to a reception hosted by the Webbs. Thurston is also in attendance and is planning to reclaim the pearl. During the course of the party, the lights are extinguished, and when the electricity is restored, Sybil discovers that her gem is missing. When Police Commissioner Richard Drake is called in to solve the crime, Laura, who is aware of her husband's infidelity, confesses to him that she stole the jewel as evidence in a divorce suit against her husband. Laura and Webb are divorced, and she falls in love with Drake.

Dir: Ernest C. Warde

A visual fragment from the archive: The thematic resonance of The Kalda Ruby perfectly mirrors the editorial trajectory of our deep dive.

Ambitious but struggling attorney John Trask, is puzzled when Christine Lloyd, a mysterious young woman, entrusts him with $30,000 to purchase a necklace that will be delivered to his office the next day. The necklace was stolen by Christine's brother Sydney to pay his gambling debts and Christine, attempting to shield her brother, hires Trask to retrieve it. Trask accepts, and after hiding the money behind a painting, leaves his office for the night. Later that evening, building janitor Annester Norton discovers the money while on his rounds and absconds with it. The next day Aline Norton, the janitor's daughter and an unwitting pawn of the gamblers, appears at Trask's office with the necklace. Discovering that the money is missing, Trask goes to the casino to investigate and miraculously wins $30,000 with which he purchases the necklace. After placing the necklace in Lloyd's hands, Trask is shocked to discover that it is a fake. Entering the gambler's den, Trask retrieves the real necklace, which he restores to its rightful owner. Norton, repenting his theft, returns the money and Trask realizes that he loves the janitor's daughter.

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Tom Collins

A visual fragment from the archive: The thematic resonance of The Blue Pearl perfectly mirrors the editorial trajectory of our deep dive.

Tex, a famous detective, recounts the story of how he went into the crime business: While visiting his old friend, Jack Nelson, a dispute breaks out between Nelson and his butler. Later that night, Nelson is murdered, and the next morning the murder weapon, a knife, is discovered next to the body. Edna, the victim's wife, seizes the knife, and Tex, fearing that she is about to kill herself, throws the weapon out the window. Interpreting Tex's actions as incriminating, the police arrest him, and he is sentenced to prison. Two years later, a fire breaks out at the penitentiary, and Tex's bravery in saving the warden's wife and child wins him a pardon. Determining to solve Nelson's murder, Tex searches for the butler but discovers him to be innocent. Summoned to Edna's deathbed, Tex hears her confess to the crime, thus causing him to devote his life to solving crimes and saving innocents from being convicted on circumstantial evidence.

Dir: William C. Dowlan

At a party thrown at the Metcalf estate, the Marquise D'Irancy's Sultana diamond disappears when the lights go out during a power failure. Suspected of the crime is William Kirkland, the wastrel son of the wealthy Kirkland family, but William's sister Diana comes to his defense. Aiding her in the investigation is Clamp, a wandering peddler. After several misadventures, Clamp reveals that he is a secret service agent on the trail of the international criminals, the de Vallignacs, who are summering at the resort. After proving that the de Vallignacs have stolen the diamond, Clamp arrests his prey, clears William and marries Diana.

Dir: Karl Mueller-Hagens

A fascinating piece of cinema that shares thematic elements.