Visionary Picks Drawn from the Same DNA as The Unholy Night: Cult Guide

Dir: Alexander Korda

A fascinating piece of cinema that shares thematic elements.

Dir: George Beranger

A visual fragment from the archive: The thematic resonance of Number 17 perfectly mirrors the editorial trajectory of our deep dive.

Writer Frank Theydon goes undercover to research the criminal activity in New York City's Chinatown.

Dir: Dallas M. Fitzgerald

Edith Sturgis, the daughter of a judge, returns from studies abroad to find her widowed father remarried. The new Mrs. Sturgis does not reveal that she has a son Dick, once unjustly jailed by Judge Sturgis, but now working as a reporter while still maintaining an association with the Brownlow gang. Quarrelling with her stepmother, Edith leaves home, meets Dick and falls in love. While Dr. and Mrs. Allen (whom Edith met on the steamer) are visiting in the Sturgis home, the doctor's valuable radium is stolen from the safe, and Judge Sturgis is found murdered. Dick, though with Edith at the time, is accused of the crime. Finally, an old shoemaker confesses that he entered the house to steal the radium, with which to cure his crippled son, and witnessed the judge's slaying by the Brownlow gang. Dick is freed and finds happiness with Edith, and the doctor helps the crippled boy.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Chains of Evidence perfectly mirrors the editorial trajectory of our deep dive.

The story is that of two clever crooks who are operating at a fashionable seaside resort, with the help of a highly trained and uncannily intelligent chimpanzee. Valuable jewels are constantly disappearing and the detectives are unable to obtain a clue. Finally, after an especially daring robbery, a clue is found that leads to the discovery of the thieves. The simian leads the detectives a chase that calls for some acrobatic stunts on the part of the chasers. The end of this is the capture of the chimpanzee, recovery of the jewels and the arrest of the crooks.

Dir: Robert Thornby

When Mrs. Chapman Price, the daughter of wealthy socialite Mrs. Janney, quarrels with her husband over her mounting gambling debts, he packs his suitcase and moves out. Desperate to pay off her debts, Mrs. Price rifles her mother's safe but discovers that its contents are missing. The blame points to Chapman Price and Esther Maitland, Mrs. Janney's private secretary. When the Price baby is kidnapped and held for ransom, Esther is suspected of that crime, too. Only Dick Ferguson, a neighbor, believes in Esther's innocence. After several misadventures, Esther discovers that the kidnapping was perpetrated by the detective whom Mrs. Price hired to unravel the burglary, which was committed by Ferguson's servant. Thus cleared, Esther joins the man who believed in her, and the Prices are reconciled.

Dir: Tom Collins

A visual fragment from the archive: The thematic resonance of The Evolution of Man perfectly mirrors the editorial trajectory of our deep dive.

When the body of Wall Street broker Norman Temple is found dead in his office, the police arrest contractor James Borden for the crime on the testimony of Temple's secretary that Borden had threatened her employer over an unpaid note. Also under suspicion is Temple's Japanese valet, who quarreled with his employer the day before the murder. Tex, a detective, enters the case, following his own leads which prove the valet innocent. Tex finally deduces that Minkin, one of Temple's clerks, shot his employer when he interrupted the clerk robbing his safe. With Tex's revelation, Minkin's room is searched, the stolen bonds found and Borden is freed.

Dir: Lionel Barrymore

Esther Carey, who has spent her youth caring for her invalid father, is left alone at his death. Soon after, Esther marries John Martin, a cold, heartless man. Prior to the marriage, John's household had been run by his sister Ruth, who now resents Esther's intrusion. Between John's neglect and Ruth's vindictiveness, Esther is miserable, her only joy being the birth of her baby. Consequently, when Esther meets an old suitor, Dr. Henry Grey, their old love is rekindled, and Henry, realizing the gravity of the situation, leaves for the battlefields of France. Later, he sends Esther a letter, which Ruth intercepts and shows to her brother. In a rage, John drives Esther from the house. Meanwhile, Dirk Kanst, a farmer whom John has ruined and who is now insane with rage, enters the house and strangles John to death. Ruth casts suspicion upon Esther, and she is arrested for the murder. Esther is acquitted, however, when detective B. J. Hendrix finds Dirk's battered hat near the library window, traces its owner to a nearby village and obtains his confession to the crime. Esther's happiness is then made complete when Henry returns and they are reunited.

Dir: Joe May

A visual fragment from the archive: The thematic resonance of The Girl in the Web perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Tom Collins

Tex clears an innocent man who has been found guilty of murdering a man who was molesting his sweetheart. One of the 'Tex' detective series.

Dir: Tom Collins

When milk magnate Jacob Strauss is found murdered in his library, the guilt points to Strauss' secretary, Harry Gray, who the previous day was fired when his employer discovered that he was secretly engaged to his daughter Sybil. Arrested for the crime, Gray asserts that he arrived in time to witness the attack on Strauss by a masked man who escaped through the window. When the secretary's story is ridiculed because the window is sixteen stories above ground, Sybil appeals to Tex to take the case. After a long search, Tex summons a number of suspects to his office and accuses Blake, whose apartments are above those of the murdered man. It transpires that Blake, who held a grudge against Strauss for losses he suffered in the milk pool on the exchange, killed him and made his escape by means of a rope. Thus exposed, Blake leaps out the window to his death, clearing Gray of guilt and freeing him to face a happy future with Sybil.