Recommendations
Senior Film Conservator

The 1929 release of The Very Idea redefined the parameters of Comedy storytelling, the visual language established by Frank Craven is something many try to emulate. Explore the following titles to broaden your appreciation for Comedy excellence.
Historically, The Very Idea represents to synthesize diverse influences into a singular artistic statement.
A Eugenics expert convinces his sister and her husband, a barren couple, to adopt the offspring of his carefully selected "thoroughbreds": the family's chauffeur and maid who themselves are engaged.
Critics widely regard The Very Idea as a cult-favorite piece of Comedy cinema. Its stylistic flair is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique stylistic flair of The Very Idea, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
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Dir: Alfred J. Goulding
Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.
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Dir: Herbert Blaché
After Schuyler Rutherford's divorce from his rich wife Caroline, who was his meal ticket, his sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her sculptor friend Mary Carter, who offers her a job as her secretary. While working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her. Kathleen's plan succeeds, and then, to spite Robert, she announces her engagement to wealthy Murray Van Allan. After a series of incidents, Robert makes Kathleen realize that she really loves him and, after forgiving him, she agrees to be his wife.
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Dir: Bud Fisher
Mutt and Jeff go on strike and make their own film.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Sidney Franklin
A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Mason N. Litson
Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.
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Dir: Joseph Franz
John Whalen is ordained into the priesthood and assumes the leadership of a small-town New Jersey parish. His dying mother's last wish is for young doctor Edward Welsh and his sweetheart to be married. Rev. Whalen devotes much time and effort to overcoming the obstacles to the union, managing along the way to solve the problems of other townspeople.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
View DetailsAnalysis relative to The Very Idea
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Homer Comes Home | Ethereal | Linear | 93% Match |
| Run 'Em Ragged | Gothic | Abstract | 93% Match |
| The Walk-Offs | Gothic | High | 88% Match |
| On Strike | Gothic | Linear | 92% Match |
| The Great Cheese Robbery | Surreal | Linear | 87% Match |
This guide was algorithmically generated using the cinematic metadata of Frank Craven's archive. Last updated: 5/14/2026.
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