The Global Archive For Devotees of The Whirlpool of Destiny: Cult G...

Dir: Otis Turner

The tale is that of a curious expedition to a pearl lagoon off the South Sea Islands in search of untold treasures. The members of the party are a newspaper reporter, a degenerate Australian, who is literally seeped in gin, and a cunning Chinese, who supplies the money to fit out the vessel. When they arrive at the island, they find only a girl, Leila, who was shipwrecked with her father long before. Leila is so glad to see white men again that she eagerly shows them a bag of beautiful pearls brought up from the ocean bed by her father, who disappeared shortly afterward. The pearls are so tempting to the Australian and the Chinese that they form a combination against Leila and the reporter, Bruce Chalmers, when the latter refuses to aid them in robbing the girl. The struggle which follows for the possession of the pearls and the lagoon is very realistic.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of The Pool of Flame perfectly mirrors the editorial trajectory of our deep dive.

Terence O'Rourke an adventurer, has been courting Princess Beatrix long enough to ask her to marry him, but he realizes that, with no steady income, he has no right to propose. Then, the Pool of Flame, a huge ruby that adorns a statue of Buddha, is stolen, and officials in Rangoon offer Terence $500,000 to find the jewel and return it. In tracking down the gem, Terence must outwit such longtime adversaries as Chambret, Princess Karan, and another of Beatrix' suitors, Duke Victor. Finally, Terence manages to complete his mission, and then, with his fortune assured, he ends the long wooing phase of his romance with Beatrix and marries her.

Dir: Otis Turner

While working his way through college, Paul Potter acquires a flock of wealthy friends who encourage him to give up his hometown fiancée, Sylvia Castle, for Muriel Evers, a flirtatious married woman. After Sylvia releases Paul, and Muriel's husband divorces her for infidelity, Paul and Muriel marry. Meanwhile, when Sylvia's father dies after being ruined in the stock market, she goes from one job to another in the city until she tries acting in a stock company. There she befriends Henry Leamington, an alcoholic leading man, who, as he tutors her, falls in love and stops drinking because of her. When Paul discovers Muriel's unfaithfulness, he renews his acquaintance with Sylvia, who still loves him. After Muriel dies in an automobile crash, Paul's appearance in Sylvia's dressing room before an opening night causes Henry to drink, but after Sylvia refuses Paul's request to be his mistress, Henry braces himself to give a commanding performance, after which they marry.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of A Little Brother of the Rich perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Otis Turner

Willie O'Donovan, grandson of Cormack O'Donovan, a retired millionaire contractor, is regarded by his parents as more of a nuisance than an asset. Mr. O'Donovan, Willie's father, is actively engaged in business, while his wife is an enthusiastic aspirant for social recognition. The grandfather, coming to the O'Donovans' home for dinner, enters to find that he has interrupted a domestic row. The grandfather, disliking to have Willie brought up in such an atmosphere, persuades the parents to let him send the boy away to a boarding school. Willie arrives on the school grounds and is made miserable by Peters, one of the other boys. Peters is in love with Mary, a pretty country girl. Willie receives word from Baden Baden, where grandfather had gone for his health, announcing his death. The will he has left with his valet bequeaths his entire fortune to Willie, but naming the person with whom he is living on his eighteenth birthday as the custodian of the fortune until Willie has reached his majority. Willie's parents are overjoyed when they hear of the news. O'Donovan has been losing money rapidly in his business and finds Willie's fortune a necessity. Since the grandfather's departure for Europe they have entered suit for divorce which complicates matters. Each of them decides to beat the other to the possession of the boy before he reaches his eighteenth year. Each of them writes to him to come to them. Willie refuses to have anything to do with them, so each hires a detective to get him. Clews, the father's detective, captures him, but Willie succeeds in giving the detective the impression that he is not Willie. That night Clews breaks into the dormitory, and following directions given him by Willie, gets another boy whom he takes back to the city to the waiting father. Willie's father is enraged at the detective's mistake and orders him back to get the boy. Returning to the school grounds he and Ketchum, the rival detectives, are pitted against each other. But Willie is too clever for them, and evades the detectives each time they plan to get him. School ends and Willie goes to live at Mary's home in the country. But the villains still pursue him. While he and Mary are fishing, Clews manages to capture him and take him back to his waiting auto. Ketchum, however, in the meantime, has learned that Clews is ahead of him. He hurries to the village constable and enlists his aid, insisting that a kidnapping is about to be pulled off. And so, when Clews arrives at the machine he is met by the posse and is arrested. In the confusion, however, Ketchum gets Willie on board a train and starts with him for New York. Ten miles out of town Willie escapes. En route, he runs into a gang of hobos who take his money and clothes. Willie is then forced to hide his nakedness in a sack. O'Donovan gets Clews out of jail and they start for town when they see Willie returning in his sack. They give chase, but Willie beats them to the gardener's cottage, where he gets a suit of clothes and starts for the church where he is to meet Mary. They trail him there and capture him again. Willie, who is wearing the gardener's clothes, begs for permission to return to Mary's for his own clothes. They hurry there and are met at the house by Mrs. O'Donovan, Ketchum, Mary and her mother. When Mary's mother refuses to let either party take the boy without a warrant, they rush off to get said warrants from the town justice of the peace. While they are gone Willie escapes through the window and they return to find him gone. The next day Willie is eighteen, and since he is living with neither of them, the money is to go to charity. They go to the attorney's office to hear the settlement of the will. One minute before the appointed hour, in walks Mary and demands the money. The parents are indignant until she informs them that Willie is living with her. Mother is about to faint when in walks Willie and announces that they are married and on their way to Europe on a honeymoon. The parents make up and decide to forget the divorce.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of High Finance perfectly mirrors the editorial trajectory of our deep dive.

Borrowing shamelessly from "A Tale of Two Cities", an American agent, Harvey Birch (Herbert Rawlinson), exchanges places in prison with Henry Wharton (J. W. Pike'), a condemned British officer and brother of a woman,Frances Wharton (Ella Hall he greatly admires, and goes to the gallows. After his death, General George Washington (William Worthington),reveals the true identity of the dead martyr.

Dir: Otis Turner

After a prologue which shows several aerial views of the Acropolis, the story begins. The friendship of Damon, the senator, and Pythias, the soldier, is famous in Ancient Syracuse. Because the general Dionysius is infatuated with Calanthe, Pythias' sweetheart, he sends the soldier to fight the Carthaginians at the Battle of Agrigentum. Pythias returns in triumph, and then angers Dionysius even further when he defeats Aristle, the general's favorite, in a chariot race. During the wedding ceremony for Pythias and Calanthe, Dionysius has himself proclaimed sovereign while Damon is absent from the Senate. Shocked, Damon attempts to assassinate Dionysius, but he fails and is sentenced to death. In order for Damon to say goodbye to his wife and son, Pythias leaves Calanthe and takes his friend's place in prison, offering to die in Damon's place if he does not return. Despite several tests of the strength of their friendship, they remain loyal to each other and so impress Dionysius that he allows them both Free.

Dir: Otis Turner

A visual fragment from the archive: The thematic resonance of Get the Boy perfectly mirrors the editorial trajectory of our deep dive.

Young Anthony March, living in London, inherits a considerable amount of money, but his crooked uncle Dr. Manuel Ceneri steals it. When Anthony gets suspicious, Ceneri's partner in crime, Macari, persuades Ceneri to kill him. However, just as they commit the murder a blind man, Gilbert Vaughan, mistakenly enters the house. Anthony's sister Pauline sees the murder, faints and loses her memory. Thinking they have gotten away with the murder, Ceneri and Macari soon find out that they're in for a shock.

Dir: Otis Turner

Reverend Eric Norton leaves his position in a fashionable New York congregation to preach in a poor mining town, against the wishes of his wife Cecelia. Disputes rage about the safety of the mines, which have been closed under pressure, but in spite of threats from powerful miner "Bull" Morgan, Eric uses his influence with the owner to reopen the mines. Bored with her drab life, Cecelia deserts her infant son and runs off to Paris with former lover Richard Allen, who eventually leaves her. Penitent, Cecelia decides to return home only to find that her husband, believing her dead after reading about her apparent suicide in a newspaper, has married Edith Jackson, his ward. Bull Morgan attempts to blow up the mines but is buried in the explosion instead. Sneaking into her home for a last look at her son, Cecelia accidentally sets the house on fire. After a brave rescue of the baby, Cecelia begs Eric's forgiveness, then dies.

Dir: Otis Turner

With his only asset being his title, then when Lord Arthur Waring seriously injures Helene Von Gerold in a riding accident, he borrows money from his dishonorable rich younger brother Mark in order to pay for her medical treatment. Mark drives a hard bargain, however, and makes Arthur agree to commit suicide in six months, thus allowing Mark to inherit the title, if he cannot pay back the loan. Toward the end of the allotted time, Arthur still has not been able to raise the money. Then, just as Arthur is about to kill himself, Helen's father overturns a lamp and sets fire to his house, and Arthur, hearing the alarm, rushes to the scene. Mark also hurries to the Von Gerold's house, but he dies en route when he is thrown from his horse. Arthur rescues Helen, and then, having inherited Mark's fortune, he confidently begins a romance with her.