Editor's Top Picks Following the Footsteps of The White Mouse: Cult...

Dir: Bertram Bracken

Walking aimlessly in the desert, crazed by thirst and hunger, Lucy Mannister and Gaston Sinclair are overtaken by her husband George, who has pursued them around the world. Threatening to shoot them, George extracts a confession from Sinclair, once George's friend, that a group of George's Wall Street associates had conspired to ruin him. They made it appear to Lucy that George was having an affair with the notorious Sylvia De La Mere. After Lucy saw Sylvia embrace George, she despaired and left with Sinclair, who said he loved her. George lets them live, and he returns to New York, where, with the help of Sylvia, who now loves him, George terrorizes the group. One by one he leads them, and then Sylvia, to either financial ruin, disgrace, or death. When George learns that Lucy is no longer traveling with Sinclair, and that she has never even kissed him, he locates her, forgives her, and takes her back.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dave Scott, a wealthy mine owner, is killed. His daughter, Marie, goes to her father's old friend Richard Clark, knowing that he will take care of her interests. Clark and his grown son, Ted, become attached to Marie. Innocent in manner, she sees no necessity for concealing her preference for the elder Clark. In time, Ted's attachment culminates in a proposal, which is rejected. Ted accuses his father of standing in his way and the father makes Marie promise that she will accept Ted. A few minutes before the time set for the ceremony, a note from Ted explains that he realizes the love that exists between Marie and his father, and rather than exact the sacrifice, he has left his father's home, leaving them free to marry.

Dir: Bertram Bracken

Cashier Clay Randolph is taken by Richard Dunlap, a swindling gambler, into embezzling $5,000. When Richard loses the money, Clay assumes the responsibility for the crime to protect his former sweetheart, Mary Singleton, who has married Richard. Mary's father, Col. Robert Singleton, gives Clay a copy of Mary Baker Eddy's Science and Health to help him start a new life, but the young man ignores the book and leaves for New York, where he becomes a gentleman thief. Mary and Richard soon leave the South and join him. When Steele, a millionaire, tries to implicate Mary in the supposed theft of a diamond necklace, Clay retrieves the jewels and returns them to the safe. Reciting from Science and Health , Mary telepathically warns Clay not to rob Steele's safe, and later Richard is killed while committing the crime Clay had planned. To redeem himself, Clay enlists in the army to fight in World War I, promising Mary that he will return.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of The Shrine of Happiness perfectly mirrors the editorial trajectory of our deep dive.

Architect John Chance, before building a "Dream City" for a religious cult leader, Prophet Stein, visits Paris and rescues an American girl, Cynthia Grey, from riotous masqueraders at a carnival. After they part, Cynthia returns home. Meeting Stein aboard a ship, and having an idealistic nature, she becomes a follower of Stein, who thinks her beauty will attract others. Chance builds the city, agreeing to say it was made by the "comrades" so that Stein's motto, "Beauty Through Toil," will seem to be true. Cynthia and Chance fall in love and when Stein, a married man, attempts to seduce Cynthia, Chance tells the newspapers, which expose Stein and his financially fraudulent practices. The "comrades" burn the "Dream City" and Chance saves Cynthia, while Stein, attempting to leave with his ill-gotten money, dies when a burning beam falls on his head.

Dir: Bertram Bracken

In a prologue set in ancient Rome, the pagan Valerain attempts to abduct St. Cecilia to his debauched birthday feast, but her spiritual beauty stops him, and he kneels before her. In the main story, Conchita Cordova sings in the cathedral choir in her village of San Miguelito near the Rio Grande. Millionaire oil man John Rannie, whose oil fields have displaced the peasants, desires Conchita, and when he learns that her fiance, Juan Mendoza, has been employed by Adolf Wylie, a German spy, Rannie threatens to expose Juan unless Conchita gives herself to him. Although disillusioned, Conchita decides to save Juan, but as she removes her cross, Rannie is moved by her sacrifice, and begs forgiveness. Meanwhile, the villagers, incited by Wylie, set Rannie's fields on fire. When Juan, thinking that Conchita loved Rannie, throws her cross in the fireplace and places it on her breast as a brand of shame, she rebukes him. After Conchita saves Rannie from being burned by the villagers, he kneels beside her in church. In Rome, Valerain kneels before St. Cecilia.

Dir: Bertram Bracken

A visual fragment from the archive: The thematic resonance of And a Still Small Voice perfectly mirrors the editorial trajectory of our deep dive.

In Paris, wealthy young American Horace Martinache takes a young flower girl to a hospital after knocking her down in his auto, and leaves money with friends to pay for her education. Years later, when Horace's nephew Eric plans to bring home a young actress whom he met in Europe and wants to marry, Horace's mother and sister ask for his help in breaking up the romance. Horace, an unmarried colonel, indulges them and agrees to court her to make her lose interest in Eric. The actress, Sara St. Ypriex, recognizes Horace as her benefactor and encourages him. Horace, unaware that Sara was the flower girl, falls in love with her. After Eric fails to respond to Sara's cries of alarm when one of her other suitors, Roscoe Vandercourt, tries to attack her, Horace protects her, but Vandercourt escapes. Sara accepts Horace's marriage proposal and Vandercourt, really an international crook, is trounced by Sara's father, who earlier served a prison term because of Vandercourt's treachery.

Dir: Bertram Bracken

Millionaire meat packer Peter Cameron, greedy for more money and power, maneuvers an alliance between his daughter Rose and George Gray, the son of Cameron's business rival Max Gray, in order to increase his control of the food industry. George, a lawyer, opposes the trust, and as a result is professionally ruined by Cameron, disinherited by his father, and jilted by his fiancée. Out on his own, George gets a job at a mill and starts at the bottom. When an epidemic breaks out among his fellow laborers due to their eating spoiled meat from the trust, George secures evidence of criminal practices which ultimately brings about the conviction of Cameron and the trust. In championing the rights of the downtrodden, George wins back Rose and reforms Cameron.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.