Masterpiece Selection Resonating with the Themes of The Wolf Man: C...

Dir: Paul Powell

To the dismay of Allison Edwards, her adoring bookworm neighbor Mary Randolph falls in love and marries Jack Van Norman, a rich, handsome former football star. After a few months of marital contentment, Jack becomes infatuated with exotic dancer Rose. Despite Mary's attempts to win him back, Jack agrees to a divorce, moves in with Rose, and leaves Mary to bear their baby alone.The new couple lives happily at the seashore until Jack discovers that whenever he goes away on business, Rose entertains other men. Despondent over Rose's repeated infidelities, Jack commits suicide. At his coffin, Mary forgives him, then finds solace in the arms of the faithful Allison, now a successful author. After dedicating his latest book to her, Allison proposes marriage, and he and Mary happily wed.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of The Man in the Moonlight perfectly mirrors the editorial trajectory of our deep dive.

Two mysterious strangers arrive uninvited at the wedding of Sergeant O'Farrell of the Royal Mounted Police and Rosine Delorme, the daughter of an innkeeper. After O'Farrell receives a message that Rosine's wayward brother Louis has escaped from prison with the notorious devil-may-care outlaw Rossingnol, O'Farrell postpones the wedding to find the convicts. One of the strangers confronts Rosine alone and convinces her to guide him to a cabin at the end of the Passage Du Mort where, he says, Louis awaits. When they find the cabin empty, the stranger reveals himself to be Rossingnol. They struggle and Rosine faints. Rossingnol carries her to a bed and hypnotizes her, but just then Louis arrives wounded to warn that the mounted police are coming. Rossingnol tells Louis to take Rosine and hide in the bushes until they hear a shot to signal them to head for the border. After Rossingnol is shot and dies in the arms of his sweetheart who followed him to the cabin, O'Farrell resigns and joins Rosine and Louis in the United States.

Dir: Paul Powell

When George Walsh learns that his director is ill, he hires a French director named Monsieur Hoe Beaux to write and direct his new film, and after it has been completed, they sit down to view the results. Kirk White, having finished college, boards a ship to South America to procure a large inheritance left to him by his uncle. On the way, he and his sweetheart, Violet Ray, encounter a group of revolutionaries led by Jazzbando Boullion. Because Boullion and his henchmen are also after the money, they imprison Kirk and Violet in a small town, but after a series of narrow escapes, the young man manages to send a wireless to the United States Marines. After their rescue, Kirk and Violet declare their love for each other. Following the screening back in the movie studio, Hoe Beaux is ordered off the lot.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of The Kid Is Clever perfectly mirrors the editorial trajectory of our deep dive.

Jess Vance and her father are homesteaders in the Northwest. For some time land-frauds "engineered" by a "ring" controlled by Senator Hoyle have been going on. Francis Ames, a lawyer, is sent by the government to investigate. The homesteaders endeavor to see Ames, but by the manipulation of Senator Hoyle are prevented from doing so, and they feel that Ames has double-crossed them. Jess boasts bravely of what she would do if she found one of the "dummies" on her claim. Ames learns that one of Hoyle's henchmen has arranged to send dummies to the timberland to "establish a residence" and cinch the ring's claim to the township where Jess lives. Ames stating that he is going east, follows the dummies. Jess meets Ames on her claim and orders him off. He refuses to leave and at the expiration of three days Jess again orders him off, and when he still refuses she shoots him, inflicting only a slight wound. Meantime his secretary, Stanley, meets Cora Abbott, a former friend of Ames. She obtains information that Ames is laid up in his cabin and reports to Hoyle. He tells her to "get something" on Ames. She goes to the woods, and to Ames' dismay insists that she has come to nurse him back to health. In the meantime Jess, feeling sorry for him, has bandaged his wound. He learns of the contempt in which he is held by the settlers. Cora, to get rid of Jess, tells her that she and Ames are engaged. Ames asks Cora to leave, which she does, after a stormy scene, but she bribes two forest scouts to burn Ames' cabin on the night the settlers have decided to burn the cabin of the jumpers. Ames, hearing of the proposed attempt to drive out the jumpers, leaves his cabin in charge of a half-breed. When Jess is told of the burning of Ames' cabin, and the finding of a charred body, she is broken-hearted, and to forget her own heartache offers to go to Portland to see if anything can be done toward the settlement of the homesteaders' wrongs. She is granted an interview with Ames, and there are two very surprised people when Ames sees his forest girl and Jess discovers that her jumper and the despised Ames are one and the same. Later she gladly gives up her homestead rights to become Ames' bride.

Dir: Paul Powell

Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of A Girl of the Timber Claims perfectly mirrors the editorial trajectory of our deep dive.

William needs to impress millionaire Bradford who is willing to invest in William's struggling business. So William and his wife Maude pose as servants while their guests Elizabeth and Richard pretend to be landlord and landlady.

Dir: Paul Powell

Susan ( Dorothy Gish ), a pretty society girl, bored with her lot in life, reads and decides to use her time and money to help the poor. She founds the Joan of Arc Mission and quickly becomes an easy mark for con men. She meets and becomes fond of Larry ( Owen Moore ), the son of a loved and respected politician. Soon Larry exposes the petty grafting that is going on and Susan almost ends their friendship. She is befriended by Jim Cardigan ( Fred J. Butler ), a saloon owner, who has evil designs upon her. Susan would like to turn his saloon into an ice cream parlor. Jim promises to do so, but uses his interest to lure her to his apartment and tries to advantage of her. When a con men runs to tell Larry that she is being attacked, he goes to rescue her and is wounded in the struggle. Susan nurses him back to health and happily wins his love.

Dir: Paul Powell

A visual fragment from the archive: The thematic resonance of The Weaker Vessel perfectly mirrors the editorial trajectory of our deep dive.

Hard-working insurance-company bookkeeper John Carter comes home on Easter eve to his suburban cottage with a potted lily for his loving wife and two daughters. The Carters live happily until cashier Charles Ryder is murdered by the night watchman, a "coke-sniffer" in need of money, and Carter is accused because he worked with Ryder that evening. During intense third-degree police questioning, Carter acts guilty, but cub reporter Ned Fowler, who loves Carter's daughter Helen, intervenes. After the watchman, arrested for fighting and in need of drugs, confesses, Carter is released, but insurance company president Ira Wolcott will not reinstate him because of his notoriety. During the next year, Carter fails to find work because of his age. As Easter approaches and his life-insurance premium comes due, Carter decides to kill himself in a gas-filled hotel room so that his starving family can collect the insurance money. When Carter's little daughter Nellie strays into Wolcott's yard, Wolcott learns about Carter's plight and rescues him. Carter returns to work, and Helen becomes engaged to Ned.

Dir: Paul Powell

Judy's family takes in seven orphans after the orphanage is foreclosed on by a hard-hearted businesswoman.

Dir: Paul Powell

When a wealthy hypochondriac is dissatisfied by the care of the town doctor (Doc Arnold), he consults with a new physician in town who swindles him out of a large sum of money. When his daughter tries to retrieve the check, the quack (Dr. Bell) turns up dead with a gun shot wound to the chest. Doc Arnold lends his expertise to the investigation and solves the case by finding microscopic evidence on the murder weapon left at the scene.