Curated Recommendations Similar Cinematic Experiences to The Yellow...

Dir: William Parke

Impressed with Margaret Hill's singing ability, Al Levering takes her from the notorious dive in which she is performing and pays for her musical education. Just as she is about to join an opera company, Levering is arrested for embezzlement and Margaret, out of gratitude, promises to marry him when he is released. Later, Margaret meets and falls in love with nobleman John Ordham. Separated during a shipwreck, the two lose track of each other and five years pass, during which time Margaret has become a famous opera star. Discovering Margaret while attending one of her performances, Ordham breaks his engagement to Mabel Cutting and plans to marry the singer. In the meantime, Levering escapes from prison and arrives at Margaret's house. Anxious to save Ordham from scandal, the singer agrees to go away with Levering. Her sacrifice is averted by Scotland Yard detectives, who shoot Levering, thus freeing Margaret to marry her nobleman.

Dir: William Parke

Reporter Will Campbell has himself arrested and imprisoned, where he gathers information to prove his theory that most victims of capital punishment are wrongfully condemned. Following his parole, Will finds work in a bank with the help of Minnie O'Reilly. When a detective is shot during an attempted robbery, Will grabs the gun and pursues the killer. However, Will is arrested, convicted, and sentenced to death for the murder. His innocence is discovered too late and Will is hanged, seconds before the prison warden receives a stay of execution. Hoping to rectify the injustice, the warden allows a doctor to experiment on the body with adrenaline, and Will is brought back to life. After he is released, Will discovers that his nagging wife has divorced him and he reunites with Minnie.

A visual fragment from the archive: The thematic resonance of Legally Dead perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

A fascinating piece of cinema that shares thematic elements.

Dir: William Parke

The owner of a resort hotel promotes Tom Gwynne, a college boy working as a waiter, to manager. As a result of his mismanagement the hotel loses several thousand dollars. Tom inherits a million and buys the hotel to continue his experimental management, which is to give the employees time and opportunity for self-expression--to do what they like best to do. With the grounds full of acrobats, musicians, and dancers, the hotel goes bankrupt. The old manager returns, buys the hotel, but retains Tom--now that he has learned his lesson--as manager.

A visual fragment from the archive: The thematic resonance of Ten Scars Make a Man perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

A lawyer is worried about his client. He's infatuated with a dubious woman who's scheming to get his money. The lawyer gets the idea to have him marry an honest woman and protect his fortune in her name, but who? "Cigars. Cigarettes."

Dir: William Parke

Parisian society girl Cleo de Bromsart is bored with her life and accepts an invitation from Prince Selm to join his yachting party. The cruise ends in disaster, and Cleo is stranded on a desert island with two sailors. One drowns in quicksand, and Cleo kills the other when he tries to rape her. Several weeks later, a derelict named Jack Raft is washed ashore and nurses the ailing woman back to health. Jack then effects their rescue by overpowering a gang of Chinese seal poachers. Upon her return to Paris, France, Cleo must choose between her fiancé, whom her parents approve, and Jack, whom she has grown to respect, and decides not to marry either.

A visual fragment from the archive: The thematic resonance of A Million to Burn perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

An optimistic girl survives city life as a shoeshine until she ends up in Children's Court. Just as she helps her geranium, Sally, to grow, a kindly judge sees her potential and takes her to his mother's country home to flourish.

Dir: William Parke

Amos Winthrop, owner of the Winthrop newspaper syndicate of "yellow" journals, delights in posing as the patron of ambitious youth, and he appoints Allan Stone as business manager of the "Daily Pioneer" at Columbia. The Rev. Timothy Neal, compelled to resign his pastorate because of advancing years, arrives with his granddaughter Esther in Columbia, where the minister hopes to make a living selling books. The one failure in Amos Winthrop's life is his pampered son Roy; he sends him to Columbia to work as a reporter on the "Daily Pioneer" staff. Rev. Neal takes many and varied lessons in the gentle art of book-agenting but success does not come to him and Esther is at her wits' end trying to instruct her grandfather how to approach strangers. Their little store of savings dwindles. Jim Barnes is editor of the "Daily Pioneer" and he delights in applying big-city methods to a small-town paper. He prints sensational stories and is supported in his methods by young Winthrop. Stone, on the other hand, asserts that scandal about people kills advertising prospects. The owner of Columbia's largest department store is Henry Lawlor, and the Daily Pioneer advertising staff longs to secure Lawlor to an advertising contract. Pneumonia attacks Rev. Neal and he passes away, leaving Esther alone in the world. She has met both Allan Stone and Roy Winthrop. The time comes when the only hope of the "Daily Pioneer" is the Lawlor advertising contract. There is an agreement that if the paper fails to make a stipulated showing before a specified date, Allan Stone and Jim Barnes shall forfeit all claim to their respective shares of stock in said paper. Young Winthrop antagonizes Lawlor and it seems that the contract is lost. He prepares a story dealing with the purported elopement of Lawlor's daughter and the same is set in type. Esther, considering it a "spite story," burns the entire edition of the "Daily Pioneer," thus preventing the story from being read; she thus earns the gratitude of Lawlor, who gives the paper the advertising patronage. Amos Winthrop, summoned to Columbia, appreciates his son's foolishness and orders him to leave Columbia and return home where the father can keep an eye on the boy. Stone wins an allotment of stock in the "Daily Pioneer" and wins Esther for his bride.

A visual fragment from the archive: The thematic resonance of The Cigarette Girl perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: William Parke

Convict 993 Roslyn Ayre, breaks out of prison, leaving her envious cellmate, Neva Stokes, behind. Roslyn settles into an affluent new life and is wooed by the wealthy Rodney Travers. After Neva is released from prison, she and gang leader Dan Mallory blackmail Roslyn into robbing the guests attending a reception at her home. Roslyn steals the jewels and then makes a deal with Mallory to double-cross the gang and escape together. The gang learns of this, and when they demand their share, Roslyn reveals that she has been a Secret Service agent from the first and turns the gang over to the law.