
Monte Bixby's grandfather leaves a will providing each native-born citizen of his small town with $50,000 while giving Monte one dollar. Monte's society fiancée, Mary Reynolds, abandons him, but grandfather Bixby's pretty young secretary, Phyllis Andrews, resolves to help him.


Stepping back into the cinematic landscape of 1923, one encounters a fascinating tapestry of storytelling, where the moving image, still in its relative infancy, captivated audiences with silent narratives of grand ambition, moral quandaries, and burgeoning social commentaries. Among these, 'The Clean-Up' emerges ...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

William Parke

William Parke
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" Stepping back into the cinematic landscape of 1923, one encounters a fascinating tapestry of storytelling, where the moving image, still in its relative infancy, captivated audiences with silent narratives of grand ambition, moral quandaries, and burgeoning social commentaries. Among these, 'The Clean-Up' emerges as a particularly intriguing specimen, a film that, despite its vintage, speaks with surprising clarity to contemporary concerns about wealth, responsibility, and the true measure ..."
Margaret Campbell
H.H. Van Loan, Raymond L. Schrock, Eugene B. Lewis, Harvey Gates
United States


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